Popular revenants: the German gothic and its international reception, 1800-2000
The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly - for instance, in the form of plagiarized texts or pseudo-translations of...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Suffolk
Boydell & Brewer
2012
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Online-Zugang: | BSB01 URL des Erstveröffentlichers |
Zusammenfassung: | The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly - for instance, in the form of plagiarized texts or pseudo-translations of nonexistent sources. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. This first book in English dedicated to the German Gothic in over thirty years is aimed at students and researchers in German Studies and English Studies, and redresses deficiencies in existing sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies. The book examines the international reception of German Gothic since the 1790s heyday of the Gothic novel in Britain and Germany; traces a line of Gothic writing in German to the present day; and inquires into the extraliterary impact of German Gothic. Thus the essays do full justice to the Gothic as a site of conflict and exchange - both between cultures and between discourses. Contributors: Peter Arnds, Silke Arnold-de Simine, Jürgen Barkhoff, Matthias Bickenbach, Andrew Cusack, Mario Grizelj, Jörg Kreienbrock, Barry Murnane, Victor Sage, Monika Schmitz-Emans, Catherine Smale, Andrew Webber. Andrew Cusack is Alexander von Humboldt Research Fellow at the Institut für Kulturwissenschaft of the Humboldt-Universität Berlin. Barry Murnane is Assistant Professor of German and Comparative Literature at the Martin-Luther-Universität Halle-Wittenberg, Germany |
Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
Beschreibung: | 1 online resource (vi, 309 pages) |
ISBN: | 9781571138279 |
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245 | 1 | 0 | |a Popular revenants |b the German gothic and its international reception, 1800-2000 |c edited by Andrew Cusack and Barry Murnane |
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505 | 8 | 0 | |g Introduction |r Andrew Cusack |t Haunting (literary) history |t an introduction to German gothic |r Barry Murnane |t "The echo of the question, as if it had merely resounded in a tomb" |t the dark anthropology of the Schauerroman in Schiller's Der Geisterseher |r Jurgen Barkhoff |t Blaming the other |t the Schauerroman and Anglo-German cultural transfer around 1800 |r Silke Arnold-de Simine |t Scott, Hoffmann, and the persistence of the gothic |r Victor Sage |t Intercultural transfer in the Dublin University magazine |t James Clarence Mangan and the German gothic |r Andrew Cusack |t In the maelstrom of interpretation |t reshaping terror and horror between 1798 and 1838 |t Gleich, Hoffmann, Poe |r Mario Grizelj |t Popular ghosts |t Heinrich Heine on German Geistesgeschichte as gothic novel |r Jorg Kreienbrock |t The spirit world of art and Robert Schumann's gothic novel project |t the impact of gothic literature on Schumann's writings |r Monika Schmitz-Emans |t About face |t E.T.A. Hoffmann, Weimar film, and the technological afterlife of gothic physiognomy |r Andrew Webber |t Of rats, wolves, and men |t the Pied Piper as gothic revenant and provenant in Wilhelm Raabe's Die Hamelschen Kinder |r Peter Arnds |t The lady in white or the laws of the ghost in Theodor Fontane's Vor dem Sturm |r Matthias Bickenbach |t On golems and ghosts |t Prague as a site of gothic modernism |r Barry Murnane |t "Ein gespenst geht um" |t Christa Wolf, Irina Liebmann, and the post-Wall gothic |r Catherine Smale |
520 | |a The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly - for instance, in the form of plagiarized texts or pseudo-translations of nonexistent sources. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. This first book in English dedicated to the German Gothic in over thirty years is aimed at students and researchers in German Studies and English Studies, and redresses deficiencies in existing sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies. The book examines the international reception of German Gothic since the 1790s heyday of the Gothic novel in Britain and Germany; traces a line of Gothic writing in German to the present day; and inquires into the extraliterary impact of German Gothic. Thus the essays do full justice to the Gothic as a site of conflict and exchange - both between cultures and between discourses. Contributors: Peter Arnds, Silke Arnold-de Simine, Jürgen Barkhoff, Matthias Bickenbach, Andrew Cusack, Mario Grizelj, Jörg Kreienbrock, Barry Murnane, Victor Sage, Monika Schmitz-Emans, Catherine Smale, Andrew Webber. Andrew Cusack is Alexander von Humboldt Research Fellow at the Institut für Kulturwissenschaft of the Humboldt-Universität Berlin. Barry Murnane is Assistant Professor of German and Comparative Literature at the Martin-Luther-Universität Halle-Wittenberg, Germany | ||
648 | 7 | |a Geschichte 1800-2000 |2 gnd |9 rswk-swf | |
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650 | 4 | |a Gothic fiction (Literary genre), German / Appreciation / Congresses | |
650 | 4 | |a Gothic fiction (Literary genre), English / History and criticism / Congresses | |
650 | 4 | |a Gothic revival (Literature) / Congresses | |
650 | 4 | |a Horror tales / History and criticism / Congresses | |
650 | 4 | |a Horror films / History and criticism / Congresses | |
650 | 4 | |a Influence (Literary, artistic, etc.) / Congresses | |
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Datensatz im Suchindex
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any_adam_object | |
author2 | Cusack, Andrew 1969- Murnane, Barry |
author2_role | edt edt |
author2_variant | a c ac b m bm |
author_additional | Andrew Cusack Barry Murnane Jurgen Barkhoff Silke Arnold-de Simine Victor Sage Mario Grizelj Jorg Kreienbrock Monika Schmitz-Emans Andrew Webber Peter Arnds Matthias Bickenbach Catherine Smale |
author_facet | Cusack, Andrew 1969- Murnane, Barry |
building | Verbundindex |
bvnumber | BV043938064 |
classification_rvk | GE 5939 GE 5940 GE 6466 |
collection | ZDB-20-CBO |
contents | Haunting (literary) history an introduction to German gothic "The echo of the question, as if it had merely resounded in a tomb" the dark anthropology of the Schauerroman in Schiller's Der Geisterseher Blaming the other the Schauerroman and Anglo-German cultural transfer around 1800 Scott, Hoffmann, and the persistence of the gothic Intercultural transfer in the Dublin University magazine James Clarence Mangan and the German gothic In the maelstrom of interpretation reshaping terror and horror between 1798 and 1838 Gleich, Hoffmann, Poe Popular ghosts Heinrich Heine on German Geistesgeschichte as gothic novel The spirit world of art and Robert Schumann's gothic novel project the impact of gothic literature on Schumann's writings About face E.T.A. Hoffmann, Weimar film, and the technological afterlife of gothic physiognomy Of rats, wolves, and men the Pied Piper as gothic revenant and provenant in Wilhelm Raabe's Die Hamelschen Kinder The lady in white or the laws of the ghost in Theodor Fontane's Vor dem Sturm On golems and ghosts Prague as a site of gothic modernism "Ein gespenst geht um" Christa Wolf, Irina Liebmann, and the post-Wall gothic |
ctrlnum | (ZDB-20-CBO)CR9781571138279 (OCoLC)967386840 (DE-599)BVBBV043938064 |
dewey-full | 833/.0872909 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 833 - German fiction |
dewey-raw | 833/.0872909 |
dewey-search | 833/.0872909 |
dewey-sort | 3833 6872909 |
dewey-tens | 830 - Literatures of Germanic languages |
discipline | Germanistik / Niederlandistik / Skandinavistik |
era | Geschichte 1800-2000 gnd |
era_facet | Geschichte 1800-2000 |
format | Electronic eBook |
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genre_facet | Konferenzschrift |
id | DE-604.BV043938064 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:39:09Z |
institution | BVB |
isbn | 9781571138279 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029347035 |
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physical | 1 online resource (vi, 309 pages) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO |
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publishDateSearch | 2012 |
publishDateSort | 2012 |
publisher | Boydell & Brewer |
record_format | marc |
spelling | Popular revenants the German gothic and its international reception, 1800-2000 edited by Andrew Cusack and Barry Murnane Suffolk Boydell & Brewer 2012 1 online resource (vi, 309 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Introduction Andrew Cusack Haunting (literary) history an introduction to German gothic Barry Murnane "The echo of the question, as if it had merely resounded in a tomb" the dark anthropology of the Schauerroman in Schiller's Der Geisterseher Jurgen Barkhoff Blaming the other the Schauerroman and Anglo-German cultural transfer around 1800 Silke Arnold-de Simine Scott, Hoffmann, and the persistence of the gothic Victor Sage Intercultural transfer in the Dublin University magazine James Clarence Mangan and the German gothic Andrew Cusack In the maelstrom of interpretation reshaping terror and horror between 1798 and 1838 Gleich, Hoffmann, Poe Mario Grizelj Popular ghosts Heinrich Heine on German Geistesgeschichte as gothic novel Jorg Kreienbrock The spirit world of art and Robert Schumann's gothic novel project the impact of gothic literature on Schumann's writings Monika Schmitz-Emans About face E.T.A. Hoffmann, Weimar film, and the technological afterlife of gothic physiognomy Andrew Webber Of rats, wolves, and men the Pied Piper as gothic revenant and provenant in Wilhelm Raabe's Die Hamelschen Kinder Peter Arnds The lady in white or the laws of the ghost in Theodor Fontane's Vor dem Sturm Matthias Bickenbach On golems and ghosts Prague as a site of gothic modernism Barry Murnane "Ein gespenst geht um" Christa Wolf, Irina Liebmann, and the post-Wall gothic Catherine Smale The literary mode of the Gothic is well established in English Studies, and there is growing interest in its internationality. Gothic fiction is seen as transgressive, especially in the way it crosses borders, often illicitly - for instance, in the form of plagiarized texts or pseudo-translations of nonexistent sources. In the 1790s, when the English Gothic novel was emerging, the real or ostensible source of many of these uncanny texts was Germany. This first book in English dedicated to the German Gothic in over thirty years is aimed at students and researchers in German Studies and English Studies, and redresses deficiencies in existing sources, which are outdated, piecemeal, or not sufficiently grounded in German Studies. The book examines the international reception of German Gothic since the 1790s heyday of the Gothic novel in Britain and Germany; traces a line of Gothic writing in German to the present day; and inquires into the extraliterary impact of German Gothic. Thus the essays do full justice to the Gothic as a site of conflict and exchange - both between cultures and between discourses. Contributors: Peter Arnds, Silke Arnold-de Simine, Jürgen Barkhoff, Matthias Bickenbach, Andrew Cusack, Mario Grizelj, Jörg Kreienbrock, Barry Murnane, Victor Sage, Monika Schmitz-Emans, Catherine Smale, Andrew Webber. Andrew Cusack is Alexander von Humboldt Research Fellow at the Institut für Kulturwissenschaft of the Humboldt-Universität Berlin. Barry Murnane is Assistant Professor of German and Comparative Literature at the Martin-Luther-Universität Halle-Wittenberg, Germany Geschichte 1800-2000 gnd rswk-swf Gothic fiction (Literary genre), German / History and criticism / Congresses Gothic fiction (Literary genre), German / Appreciation / Congresses Gothic fiction (Literary genre), English / History and criticism / Congresses Gothic revival (Literature) / Congresses Horror tales / History and criticism / Congresses Horror films / History and criticism / Congresses Influence (Literary, artistic, etc.) / Congresses Schauerroman (DE-588)4179420-5 gnd rswk-swf Deutsch (DE-588)4113292-0 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Schauerliteratur (DE-588)4179419-9 gnd rswk-swf (DE-588)1071861417 Konferenzschrift gnd-content Deutsch (DE-588)4113292-0 s Schauerroman (DE-588)4179420-5 s Schauerliteratur (DE-588)4179419-9 s Rezeption (DE-588)4049716-1 s Geschichte 1800-2000 z 1\p DE-604 Cusack, Andrew 1969- edt Murnane, Barry edt Erscheint auch als Druckausgabe 978-1-57113-519-3 http://www.cambridge.org/core/product/identifier/9781571138279/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Popular revenants the German gothic and its international reception, 1800-2000 Haunting (literary) history an introduction to German gothic "The echo of the question, as if it had merely resounded in a tomb" the dark anthropology of the Schauerroman in Schiller's Der Geisterseher Blaming the other the Schauerroman and Anglo-German cultural transfer around 1800 Scott, Hoffmann, and the persistence of the gothic Intercultural transfer in the Dublin University magazine James Clarence Mangan and the German gothic In the maelstrom of interpretation reshaping terror and horror between 1798 and 1838 Gleich, Hoffmann, Poe Popular ghosts Heinrich Heine on German Geistesgeschichte as gothic novel The spirit world of art and Robert Schumann's gothic novel project the impact of gothic literature on Schumann's writings About face E.T.A. Hoffmann, Weimar film, and the technological afterlife of gothic physiognomy Of rats, wolves, and men the Pied Piper as gothic revenant and provenant in Wilhelm Raabe's Die Hamelschen Kinder The lady in white or the laws of the ghost in Theodor Fontane's Vor dem Sturm On golems and ghosts Prague as a site of gothic modernism "Ein gespenst geht um" Christa Wolf, Irina Liebmann, and the post-Wall gothic Gothic fiction (Literary genre), German / History and criticism / Congresses Gothic fiction (Literary genre), German / Appreciation / Congresses Gothic fiction (Literary genre), English / History and criticism / Congresses Gothic revival (Literature) / Congresses Horror tales / History and criticism / Congresses Horror films / History and criticism / Congresses Influence (Literary, artistic, etc.) / Congresses Schauerroman (DE-588)4179420-5 gnd Deutsch (DE-588)4113292-0 gnd Rezeption (DE-588)4049716-1 gnd Schauerliteratur (DE-588)4179419-9 gnd |
subject_GND | (DE-588)4179420-5 (DE-588)4113292-0 (DE-588)4049716-1 (DE-588)4179419-9 (DE-588)1071861417 |
title | Popular revenants the German gothic and its international reception, 1800-2000 |
title_alt | Haunting (literary) history an introduction to German gothic "The echo of the question, as if it had merely resounded in a tomb" the dark anthropology of the Schauerroman in Schiller's Der Geisterseher Blaming the other the Schauerroman and Anglo-German cultural transfer around 1800 Scott, Hoffmann, and the persistence of the gothic Intercultural transfer in the Dublin University magazine James Clarence Mangan and the German gothic In the maelstrom of interpretation reshaping terror and horror between 1798 and 1838 Gleich, Hoffmann, Poe Popular ghosts Heinrich Heine on German Geistesgeschichte as gothic novel The spirit world of art and Robert Schumann's gothic novel project the impact of gothic literature on Schumann's writings About face E.T.A. Hoffmann, Weimar film, and the technological afterlife of gothic physiognomy Of rats, wolves, and men the Pied Piper as gothic revenant and provenant in Wilhelm Raabe's Die Hamelschen Kinder The lady in white or the laws of the ghost in Theodor Fontane's Vor dem Sturm On golems and ghosts Prague as a site of gothic modernism "Ein gespenst geht um" Christa Wolf, Irina Liebmann, and the post-Wall gothic |
title_auth | Popular revenants the German gothic and its international reception, 1800-2000 |
title_exact_search | Popular revenants the German gothic and its international reception, 1800-2000 |
title_full | Popular revenants the German gothic and its international reception, 1800-2000 edited by Andrew Cusack and Barry Murnane |
title_fullStr | Popular revenants the German gothic and its international reception, 1800-2000 edited by Andrew Cusack and Barry Murnane |
title_full_unstemmed | Popular revenants the German gothic and its international reception, 1800-2000 edited by Andrew Cusack and Barry Murnane |
title_short | Popular revenants |
title_sort | popular revenants the german gothic and its international reception 1800 2000 |
title_sub | the German gothic and its international reception, 1800-2000 |
topic | Gothic fiction (Literary genre), German / History and criticism / Congresses Gothic fiction (Literary genre), German / Appreciation / Congresses Gothic fiction (Literary genre), English / History and criticism / Congresses Gothic revival (Literature) / Congresses Horror tales / History and criticism / Congresses Horror films / History and criticism / Congresses Influence (Literary, artistic, etc.) / Congresses Schauerroman (DE-588)4179420-5 gnd Deutsch (DE-588)4113292-0 gnd Rezeption (DE-588)4049716-1 gnd Schauerliteratur (DE-588)4179419-9 gnd |
topic_facet | Gothic fiction (Literary genre), German / History and criticism / Congresses Gothic fiction (Literary genre), German / Appreciation / Congresses Gothic fiction (Literary genre), English / History and criticism / Congresses Gothic revival (Literature) / Congresses Horror tales / History and criticism / Congresses Horror films / History and criticism / Congresses Influence (Literary, artistic, etc.) / Congresses Schauerroman Deutsch Rezeption Schauerliteratur Konferenzschrift |
url | http://www.cambridge.org/core/product/identifier/9781571138279/type/BOOK |
work_keys_str_mv | AT cusackandrew popularrevenantsthegermangothicanditsinternationalreception18002000 AT murnanebarry popularrevenantsthegermangothicanditsinternationalreception18002000 |