Defining medievalism(s) II:
This latest volume of 'Studies in Medievalism' further explores definitions of the field, complementing its landmark predecessor. In its first section, essays by seven leading medievalists seeks to determine precisely how to characterize the subjects of study, their relationship to new and...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Boydell & Brewer
2010
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| Zusammenfassung: | This latest volume of 'Studies in Medievalism' further explores definitions of the field, complementing its landmark predecessor. In its first section, essays by seven leading medievalists seeks to determine precisely how to characterize the subjects of study, their relationship to new and related fields, such as neomedievalism, and their relevance to the middle ages, whose definition is itself a matter of debate. Their observations and conclusions are then tested in the articles second part of the book. Their topics include the notion of progress over the last eighty or ninety years in our perception of the middle ages; medievalism in Gustave Doré's mid-nineteenth-century engravings of the 'Divine Comedy'; the role of music in Peter Jackson's 'Lord of the Rings' films; cinematic representations of the Holy Grail; the medieval courtly love tradition in Jeanette Winterson's 'The Passion' and 'The.Powerbook'; Eleanor of Aquitaine in twentieth-century histories; modern updates of the Seven Deadly Sins; and Victorian spins on Jacques de Voragine's 'Golden Legend'. CONTRIBUTORS: Carla A. Arnell, Aida Audeh, Jane Chance, Pamela Clements, Alain Corbellari, Roberta Davidson, Michael Evans, Nickolas Haydock, Carol Jamison, Stephen Meyer, E. L. Risden, Carol L. Robinson, Clare A. Simmons, Richard Utz, Veronica Ortenberg West-Harling |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Beschreibung: | 1 online resource (xii, 292 pages) |
| ISBN: | 9781846157646 |
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| 505 | 8 | |a I: Defining Medievalism(s) II: Some more perspective(s) -- Medievalism as fun and games / Veronica Ortenberg West-Harling -- Medievalism and excluded middles / Nickolas Haydock -- Medievalitas Fugit: Medievalism and temporality / Richard Utz -- Medievalists, medievalism, and medievalismists: The Middle Ages, protean thinking, and the opportunistic teacher-scholar / E.L. Risden -- Living with Neomedievalism / Carol L. Robinson and Pamela Clements -- Tough Love: Teaching the New Medievalisms / Jane Chance -- II: Interpretations -- Is Medievalism reactionary? From between the World Wars to the Twenty-First century: On the notion of progress in our perception of the Middle Ages / Alain Corbellari -- Gustave Dore's illustrations for Dante's "Divine Comedy": Innovation, influence, and reception / Aida Audeh -- Soundscapes of Middle Earth: the question of Medievalist music in Peter Jackson's "Lord of the Rings" film / Stephen Meyer -- Now you don't see it, now you do: Recognizing the Grail as the Grail / Roberta Davidson -- From the Middle Age to the Internet Age: the Medieval Courtly love tradition in Jeanette Winterson's "The Passion" and "The Powerbook" -- New Golden Legends: Golden Saints of the Nineteenth Century / Clare A. Simmons -- A remarkable woman? Popular historians and the image of Eleanor of Aquitaine / Michael Evans -- The New Seven Deadly Sins / Carol Jamison | |
| 520 | |a This latest volume of 'Studies in Medievalism' further explores definitions of the field, complementing its landmark predecessor. In its first section, essays by seven leading medievalists seeks to determine precisely how to characterize the subjects of study, their relationship to new and related fields, such as neomedievalism, and their relevance to the middle ages, whose definition is itself a matter of debate. Their observations and conclusions are then tested in the articles second part of the book. Their topics include the notion of progress over the last eighty or ninety years in our perception of the middle ages; medievalism in Gustave Doré's mid-nineteenth-century engravings of the 'Divine Comedy'; the role of music in Peter Jackson's 'Lord of the Rings' films; cinematic representations of the Holy Grail; the medieval courtly love tradition in Jeanette Winterson's 'The Passion' and 'The.Powerbook'; Eleanor of Aquitaine in twentieth-century histories; modern updates of the Seven Deadly Sins; and Victorian spins on Jacques de Voragine's 'Golden Legend'. CONTRIBUTORS: Carla A. Arnell, Aida Audeh, Jane Chance, Pamela Clements, Alain Corbellari, Roberta Davidson, Michael Evans, Nickolas Haydock, Carol Jamison, Stephen Meyer, E. L. Risden, Carol L. Robinson, Clare A. Simmons, Richard Utz, Veronica Ortenberg West-Harling | ||
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Datensatz im Suchindex
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| contents | I: Defining Medievalism(s) II: Some more perspective(s) -- Medievalism as fun and games / Veronica Ortenberg West-Harling -- Medievalism and excluded middles / Nickolas Haydock -- Medievalitas Fugit: Medievalism and temporality / Richard Utz -- Medievalists, medievalism, and medievalismists: The Middle Ages, protean thinking, and the opportunistic teacher-scholar / E.L. Risden -- Living with Neomedievalism / Carol L. Robinson and Pamela Clements -- Tough Love: Teaching the New Medievalisms / Jane Chance -- II: Interpretations -- Is Medievalism reactionary? From between the World Wars to the Twenty-First century: On the notion of progress in our perception of the Middle Ages / Alain Corbellari -- Gustave Dore's illustrations for Dante's "Divine Comedy": Innovation, influence, and reception / Aida Audeh -- Soundscapes of Middle Earth: the question of Medievalist music in Peter Jackson's "Lord of the Rings" film / Stephen Meyer -- Now you don't see it, now you do: Recognizing the Grail as the Grail / Roberta Davidson -- From the Middle Age to the Internet Age: the Medieval Courtly love tradition in Jeanette Winterson's "The Passion" and "The Powerbook" -- New Golden Legends: Golden Saints of the Nineteenth Century / Clare A. Simmons -- A remarkable woman? Popular historians and the image of Eleanor of Aquitaine / Michael Evans -- The New Seven Deadly Sins / Carol Jamison |
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| dewey-ones | 909 - World history |
| dewey-raw | 909.07 |
| dewey-search | 909.07 |
| dewey-sort | 3909.07 |
| dewey-tens | 900 - History & geography |
| discipline | Geschichte |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| spelling | Defining medievalism(s) II edited by Karl Fugelso Suffolk Boydell & Brewer 2010 1 online resource (xii, 292 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) I: Defining Medievalism(s) II: Some more perspective(s) -- Medievalism as fun and games / Veronica Ortenberg West-Harling -- Medievalism and excluded middles / Nickolas Haydock -- Medievalitas Fugit: Medievalism and temporality / Richard Utz -- Medievalists, medievalism, and medievalismists: The Middle Ages, protean thinking, and the opportunistic teacher-scholar / E.L. Risden -- Living with Neomedievalism / Carol L. Robinson and Pamela Clements -- Tough Love: Teaching the New Medievalisms / Jane Chance -- II: Interpretations -- Is Medievalism reactionary? From between the World Wars to the Twenty-First century: On the notion of progress in our perception of the Middle Ages / Alain Corbellari -- Gustave Dore's illustrations for Dante's "Divine Comedy": Innovation, influence, and reception / Aida Audeh -- Soundscapes of Middle Earth: the question of Medievalist music in Peter Jackson's "Lord of the Rings" film / Stephen Meyer -- Now you don't see it, now you do: Recognizing the Grail as the Grail / Roberta Davidson -- From the Middle Age to the Internet Age: the Medieval Courtly love tradition in Jeanette Winterson's "The Passion" and "The Powerbook" -- New Golden Legends: Golden Saints of the Nineteenth Century / Clare A. Simmons -- A remarkable woman? Popular historians and the image of Eleanor of Aquitaine / Michael Evans -- The New Seven Deadly Sins / Carol Jamison This latest volume of 'Studies in Medievalism' further explores definitions of the field, complementing its landmark predecessor. In its first section, essays by seven leading medievalists seeks to determine precisely how to characterize the subjects of study, their relationship to new and related fields, such as neomedievalism, and their relevance to the middle ages, whose definition is itself a matter of debate. Their observations and conclusions are then tested in the articles second part of the book. Their topics include the notion of progress over the last eighty or ninety years in our perception of the middle ages; medievalism in Gustave Doré's mid-nineteenth-century engravings of the 'Divine Comedy'; the role of music in Peter Jackson's 'Lord of the Rings' films; cinematic representations of the Holy Grail; the medieval courtly love tradition in Jeanette Winterson's 'The Passion' and 'The.Powerbook'; Eleanor of Aquitaine in twentieth-century histories; modern updates of the Seven Deadly Sins; and Victorian spins on Jacques de Voragine's 'Golden Legend'. CONTRIBUTORS: Carla A. Arnell, Aida Audeh, Jane Chance, Pamela Clements, Alain Corbellari, Roberta Davidson, Michael Evans, Nickolas Haydock, Carol Jamison, Stephen Meyer, E. L. Risden, Carol L. Robinson, Clare A. Simmons, Richard Utz, Veronica Ortenberg West-Harling Geschichte gnd rswk-swf Medievalism Rezeption (DE-588)4049716-1 gnd rswk-swf Mittelalter (DE-588)4129108-6 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Mittelalter (DE-588)4129108-6 s Rezeption (DE-588)4049716-1 s Geschichte z 2\p DE-604 Fugelso, Karl edt Erscheint auch als Druckausgabe 978-1-84384-210-1 http://www.cambridge.org/core/product/identifier/9781846157646/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Defining medievalism(s) II I: Defining Medievalism(s) II: Some more perspective(s) -- Medievalism as fun and games / Veronica Ortenberg West-Harling -- Medievalism and excluded middles / Nickolas Haydock -- Medievalitas Fugit: Medievalism and temporality / Richard Utz -- Medievalists, medievalism, and medievalismists: The Middle Ages, protean thinking, and the opportunistic teacher-scholar / E.L. Risden -- Living with Neomedievalism / Carol L. Robinson and Pamela Clements -- Tough Love: Teaching the New Medievalisms / Jane Chance -- II: Interpretations -- Is Medievalism reactionary? From between the World Wars to the Twenty-First century: On the notion of progress in our perception of the Middle Ages / Alain Corbellari -- Gustave Dore's illustrations for Dante's "Divine Comedy": Innovation, influence, and reception / Aida Audeh -- Soundscapes of Middle Earth: the question of Medievalist music in Peter Jackson's "Lord of the Rings" film / Stephen Meyer -- Now you don't see it, now you do: Recognizing the Grail as the Grail / Roberta Davidson -- From the Middle Age to the Internet Age: the Medieval Courtly love tradition in Jeanette Winterson's "The Passion" and "The Powerbook" -- New Golden Legends: Golden Saints of the Nineteenth Century / Clare A. Simmons -- A remarkable woman? Popular historians and the image of Eleanor of Aquitaine / Michael Evans -- The New Seven Deadly Sins / Carol Jamison Medievalism Rezeption (DE-588)4049716-1 gnd Mittelalter (DE-588)4129108-6 gnd |
| subject_GND | (DE-588)4049716-1 (DE-588)4129108-6 (DE-588)4143413-4 |
| title | Defining medievalism(s) II |
| title_auth | Defining medievalism(s) II |
| title_exact_search | Defining medievalism(s) II |
| title_full | Defining medievalism(s) II edited by Karl Fugelso |
| title_fullStr | Defining medievalism(s) II edited by Karl Fugelso |
| title_full_unstemmed | Defining medievalism(s) II edited by Karl Fugelso |
| title_short | Defining medievalism(s) II |
| title_sort | defining medievalism s ii |
| topic | Medievalism Rezeption (DE-588)4049716-1 gnd Mittelalter (DE-588)4129108-6 gnd |
| topic_facet | Medievalism Rezeption Mittelalter Aufsatzsammlung |
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