Cinema of the dark side: atrocity and the ethics of film spectatorship
A few days after 9/11, US Vice-President Dick Cheney invoked the need for the USA to work 'the dark side' in its global 'War on Terror'. Cinema of the Dark Side explores how contemporary cinema treats state-sponsored atrocity, evoking multiple landscapes of state terror. Investig...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2014
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| Schlagworte: | |
| Online-Zugang: | BSB01 URL des Erstveröffentlichers |
| Zusammenfassung: | A few days after 9/11, US Vice-President Dick Cheney invoked the need for the USA to work 'the dark side' in its global 'War on Terror'. Cinema of the Dark Side explores how contemporary cinema treats state-sponsored atrocity, evoking multiple landscapes of state terror. Investigating the ethical potential of cinematic atrocity images, this book argues that while films help to create and confirm normative perceptions about atrocities, they can also disrupt those perceptions and build alternatives. Asserting a crucial distinction between morality and ethics, a new conceptualisation of human rights cinema is proposed, one that repositions human rights morality within an ethical framework that reflects upon the causes and contexts of violence. It builds upon theories of embodied spectatorship to offer a new perspective on the ethics of spectatorship, providing readers with fresh insights into how we respond to atrocity images and the ethical issues at stake. Covering a diverse spectrum of 21st century cinema, this books deals with documentary or fictional representations of atrocity such as state-sanctioned torture, genocide, enforced disappearance, deportation, and apartheid. Close analysis of contemporary films includes:</h4>Zero Dark Thirty (2012), Standard Operating Procedure (2008), Hotel Rwanda (2004), Sometimes in April (2005), Nostalgia for the Light (2010), Chronicle of an Escape (2006), Children of Men (2006), District 9 (2009), Waltz With Bashir (2008), and Paradise Now (2005). Key Features * A comprehensive treatment of cinematic images of atrocity as a genre, featuring close, comparative analysis of recent films *A unique perspective on the ethics of spectatorship, based upon a multi-sensory approach to the film medium *A critical introduction to debates on cinematic identification |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 08 Aug 2016) |
| Beschreibung: | 1 online resource (v, 202 pages) |
| ISBN: | 9780748694617 |
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| 520 | |a A few days after 9/11, US Vice-President Dick Cheney invoked the need for the USA to work 'the dark side' in its global 'War on Terror'. Cinema of the Dark Side explores how contemporary cinema treats state-sponsored atrocity, evoking multiple landscapes of state terror. Investigating the ethical potential of cinematic atrocity images, this book argues that while films help to create and confirm normative perceptions about atrocities, they can also disrupt those perceptions and build alternatives. Asserting a crucial distinction between morality and ethics, a new conceptualisation of human rights cinema is proposed, one that repositions human rights morality within an ethical framework that reflects upon the causes and contexts of violence. It builds upon theories of embodied spectatorship to offer a new perspective on the ethics of spectatorship, providing readers with fresh insights into how we respond to atrocity images and the ethical issues at stake. Covering a diverse spectrum of 21st century cinema, this books deals with documentary or fictional representations of atrocity such as state-sanctioned torture, genocide, enforced disappearance, deportation, and apartheid. Close analysis of contemporary films includes:</h4>Zero Dark Thirty (2012), Standard Operating Procedure (2008), Hotel Rwanda (2004), Sometimes in April (2005), Nostalgia for the Light (2010), Chronicle of an Escape (2006), Children of Men (2006), District 9 (2009), Waltz With Bashir (2008), and Paradise Now (2005). Key Features * A comprehensive treatment of cinematic images of atrocity as a genre, featuring close, comparative analysis of recent films *A unique perspective on the ethics of spectatorship, based upon a multi-sensory approach to the film medium *A critical introduction to debates on cinematic identification | ||
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Datensatz im Suchindex
| _version_ | 1804176875699830784 |
|---|---|
| any_adam_object | |
| author | Chaudhuri, Shohini |
| author_facet | Chaudhuri, Shohini |
| author_role | aut |
| author_sort | Chaudhuri, Shohini |
| author_variant | s c sc |
| building | Verbundindex |
| bvnumber | BV043937572 |
| collection | ZDB-20-CBO |
| contents | Documenting the dark side : fictional and documentary treatments of torture and the 'war on terror' -- History lessons : what audiences (could) learn about genocide from historical drama -- The art of disappearance : remembering political violence in Argentina and Chile -- Uninvited visitors : immigration, detention and deportation in science fiction -- Architectures of enmity : the Israeli-Palestinian conflict through a cinematic lens |
| ctrlnum | (ZDB-20-CBO)CR9780748694617 (OCoLC)967408006 (DE-599)BVBBV043937572 |
| dewey-full | 791.43/655 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/655 |
| dewey-search | 791.43/655 |
| dewey-sort | 3791.43 3655 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| spelling | Chaudhuri, Shohini Verfasser aut Cinema of the dark side atrocity and the ethics of film spectatorship Shohini Chaudhuri Edinburgh Edinburgh University Press 2014 1 online resource (v, 202 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 08 Aug 2016) Documenting the dark side : fictional and documentary treatments of torture and the 'war on terror' -- History lessons : what audiences (could) learn about genocide from historical drama -- The art of disappearance : remembering political violence in Argentina and Chile -- Uninvited visitors : immigration, detention and deportation in science fiction -- Architectures of enmity : the Israeli-Palestinian conflict through a cinematic lens A few days after 9/11, US Vice-President Dick Cheney invoked the need for the USA to work 'the dark side' in its global 'War on Terror'. Cinema of the Dark Side explores how contemporary cinema treats state-sponsored atrocity, evoking multiple landscapes of state terror. Investigating the ethical potential of cinematic atrocity images, this book argues that while films help to create and confirm normative perceptions about atrocities, they can also disrupt those perceptions and build alternatives. Asserting a crucial distinction between morality and ethics, a new conceptualisation of human rights cinema is proposed, one that repositions human rights morality within an ethical framework that reflects upon the causes and contexts of violence. It builds upon theories of embodied spectatorship to offer a new perspective on the ethics of spectatorship, providing readers with fresh insights into how we respond to atrocity images and the ethical issues at stake. Covering a diverse spectrum of 21st century cinema, this books deals with documentary or fictional representations of atrocity such as state-sanctioned torture, genocide, enforced disappearance, deportation, and apartheid. Close analysis of contemporary films includes:</h4>Zero Dark Thirty (2012), Standard Operating Procedure (2008), Hotel Rwanda (2004), Sometimes in April (2005), Nostalgia for the Light (2010), Chronicle of an Escape (2006), Children of Men (2006), District 9 (2009), Waltz With Bashir (2008), and Paradise Now (2005). Key Features * A comprehensive treatment of cinematic images of atrocity as a genre, featuring close, comparative analysis of recent films *A unique perspective on the ethics of spectatorship, based upon a multi-sensory approach to the film medium *A critical introduction to debates on cinematic identification Ethik Film Human rights in motion pictures Violence in motion pictures Political violence in motion pictures Motion pictures / Moral and ethical aspects Motion picture audiences Ethik (DE-588)4015602-3 gnd rswk-swf Politische Verfolgung Motiv (DE-588)4373433-9 gnd rswk-swf Gewalt Motiv (DE-588)4113748-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Film (DE-588)4017102-4 s Politische Verfolgung Motiv (DE-588)4373433-9 s Gewalt Motiv (DE-588)4113748-6 s Ethik (DE-588)4015602-3 s 1\p DE-604 Erscheint auch als Druckausgabe 978-0-7486-4263-2 http://www.cambridge.org/core/product/identifier/9780748694617/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Chaudhuri, Shohini Cinema of the dark side atrocity and the ethics of film spectatorship Documenting the dark side : fictional and documentary treatments of torture and the 'war on terror' -- History lessons : what audiences (could) learn about genocide from historical drama -- The art of disappearance : remembering political violence in Argentina and Chile -- Uninvited visitors : immigration, detention and deportation in science fiction -- Architectures of enmity : the Israeli-Palestinian conflict through a cinematic lens Ethik Film Human rights in motion pictures Violence in motion pictures Political violence in motion pictures Motion pictures / Moral and ethical aspects Motion picture audiences Ethik (DE-588)4015602-3 gnd Politische Verfolgung Motiv (DE-588)4373433-9 gnd Gewalt Motiv (DE-588)4113748-6 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4015602-3 (DE-588)4373433-9 (DE-588)4113748-6 (DE-588)4017102-4 |
| title | Cinema of the dark side atrocity and the ethics of film spectatorship |
| title_auth | Cinema of the dark side atrocity and the ethics of film spectatorship |
| title_exact_search | Cinema of the dark side atrocity and the ethics of film spectatorship |
| title_full | Cinema of the dark side atrocity and the ethics of film spectatorship Shohini Chaudhuri |
| title_fullStr | Cinema of the dark side atrocity and the ethics of film spectatorship Shohini Chaudhuri |
| title_full_unstemmed | Cinema of the dark side atrocity and the ethics of film spectatorship Shohini Chaudhuri |
| title_short | Cinema of the dark side |
| title_sort | cinema of the dark side atrocity and the ethics of film spectatorship |
| title_sub | atrocity and the ethics of film spectatorship |
| topic | Ethik Film Human rights in motion pictures Violence in motion pictures Political violence in motion pictures Motion pictures / Moral and ethical aspects Motion picture audiences Ethik (DE-588)4015602-3 gnd Politische Verfolgung Motiv (DE-588)4373433-9 gnd Gewalt Motiv (DE-588)4113748-6 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Ethik Film Human rights in motion pictures Violence in motion pictures Political violence in motion pictures Motion pictures / Moral and ethical aspects Motion picture audiences Politische Verfolgung Motiv Gewalt Motiv |
| url | http://www.cambridge.org/core/product/identifier/9780748694617/type/BOOK |
| work_keys_str_mv | AT chaudhurishohini cinemaofthedarksideatrocityandtheethicsoffilmspectatorship |