The operatic and the everyday in post-war Italian film melodrama:
Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, cla...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
2014
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Schlagworte: | |
Online-Zugang: | DE-12 Volltext |
Zusammenfassung: | Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society. The book also considers the well-established topics of realism and arthouse auteurism, and re-thinks film history by investigating the presence of melodrama in neorealism and post-war modernism. It places film within its broader cultural context to trace the connections of canonical melodramatists like Visconti and Matarazzo to traditions of opera, the musical theatre of the sceneggiata, visual arts, and magazines. In so doing it seeks to capture the artistry and emotional experiences found within a truly popular form. Key Features * Connects less established areas of research such as popular neorealism to more well-known subjects such as domestic melodrama * Provides an analysis of cineopera or opera film * Helps to pioneer the area of popular Italian cinema * Contributes to both Italian Studies and Film Studies |
Beschreibung: | Title from publisher's bibliographic system (viewed on 08 Aug 2016) |
Beschreibung: | 1 online resource (xi, 224 pages) |
ISBN: | 9780748656431 |
Internformat
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author | Bayman, Louis |
author_facet | Bayman, Louis |
author_role | aut |
author_sort | Bayman, Louis |
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building | Verbundindex |
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collection | ZDB-20-CBO |
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discipline | Allgemeines |
era | Geschichte 1945- gnd |
era_facet | Geschichte 1945- |
format | Electronic eBook |
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geographic | Italien Italien (DE-588)4027833-5 gnd |
geographic_facet | Italien |
id | DE-604.BV043937566 |
illustrated | Not Illustrated |
indexdate | 2025-02-21T01:15:48Z |
institution | BVB |
isbn | 9780748656431 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029346537 |
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physical | 1 online resource (xi, 224 pages) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO |
publishDate | 2014 |
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publishDateSort | 2014 |
publisher | Edinburgh University Press |
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spelling | Bayman, Louis Verfasser aut The operatic and the everyday in post-war Italian film melodrama Louis Bayman The Operatic & the Everyday in Postwar Italian Film Melodrama Edinburgh Edinburgh University Press 2014 1 online resource (xi, 224 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 08 Aug 2016) Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society. The book also considers the well-established topics of realism and arthouse auteurism, and re-thinks film history by investigating the presence of melodrama in neorealism and post-war modernism. It places film within its broader cultural context to trace the connections of canonical melodramatists like Visconti and Matarazzo to traditions of opera, the musical theatre of the sceneggiata, visual arts, and magazines. In so doing it seeks to capture the artistry and emotional experiences found within a truly popular form. Key Features * Connects less established areas of research such as popular neorealism to more well-known subjects such as domestic melodrama * Provides an analysis of cineopera or opera film * Helps to pioneer the area of popular Italian cinema * Contributes to both Italian Studies and Film Studies Geschichte 1945- gnd rswk-swf Film Geschichte Motion pictures / Italy / History Melodrama in motion pictures Melodrama, Italian Melodrama Film (DE-588)4169389-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Kino (DE-588)4129654-0 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Italien Italien (DE-588)4027833-5 gnd rswk-swf Italien (DE-588)4027833-5 g Kino (DE-588)4129654-0 s Film (DE-588)4017102-4 s Melodrama Film (DE-588)4169389-9 s Ästhetik (DE-588)4000626-8 s Gesellschaft (DE-588)4020588-5 s Geschichte 1945- z 1\p DE-604 Erscheint auch als Druckausgabe 978-0-7486-5642-4 http://www.cambridge.org/core/product/identifier/9780748656431/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Bayman, Louis The operatic and the everyday in post-war Italian film melodrama Film Geschichte Motion pictures / Italy / History Melodrama in motion pictures Melodrama, Italian Melodrama Film (DE-588)4169389-9 gnd Film (DE-588)4017102-4 gnd Kino (DE-588)4129654-0 gnd Gesellschaft (DE-588)4020588-5 gnd Ästhetik (DE-588)4000626-8 gnd |
subject_GND | (DE-588)4169389-9 (DE-588)4017102-4 (DE-588)4129654-0 (DE-588)4020588-5 (DE-588)4000626-8 (DE-588)4027833-5 |
title | The operatic and the everyday in post-war Italian film melodrama |
title_alt | The Operatic & the Everyday in Postwar Italian Film Melodrama |
title_auth | The operatic and the everyday in post-war Italian film melodrama |
title_exact_search | The operatic and the everyday in post-war Italian film melodrama |
title_full | The operatic and the everyday in post-war Italian film melodrama Louis Bayman |
title_fullStr | The operatic and the everyday in post-war Italian film melodrama Louis Bayman |
title_full_unstemmed | The operatic and the everyday in post-war Italian film melodrama Louis Bayman |
title_short | The operatic and the everyday in post-war Italian film melodrama |
title_sort | the operatic and the everyday in post war italian film melodrama |
topic | Film Geschichte Motion pictures / Italy / History Melodrama in motion pictures Melodrama, Italian Melodrama Film (DE-588)4169389-9 gnd Film (DE-588)4017102-4 gnd Kino (DE-588)4129654-0 gnd Gesellschaft (DE-588)4020588-5 gnd Ästhetik (DE-588)4000626-8 gnd |
topic_facet | Film Geschichte Motion pictures / Italy / History Melodrama in motion pictures Melodrama, Italian Melodrama Film Kino Gesellschaft Ästhetik Italien |
url | http://www.cambridge.org/core/product/identifier/9780748656431/type/BOOK |
work_keys_str_mv | AT baymanlouis theoperaticandtheeverydayinpostwaritalianfilmmelodrama AT baymanlouis theoperatictheeverydayinpostwaritalianfilmmelodrama |