Masculinity and Italian cinema: sexual politics, social conflict and male crisis in the 1970s
How did Italian cinema of the 1970s re-envision masculinity in response to sexual liberation? What role did broader socio-political concerns of the time play in this re-definition? To what extent did this re-envisioning of masculinity intersect with concurrent debates about the function of cinema as...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2014
|
| Schlagworte: | |
| Online-Zugang: | DE-12 Volltext |
| Zusammenfassung: | How did Italian cinema of the 1970s re-envision masculinity in response to sexual liberation? What role did broader socio-political concerns of the time play in this re-definition? To what extent did this re-envisioning of masculinity intersect with concurrent debates about the function of cinema as a political medium and a mass cultural phenomenon? Masculinity and Italian Cinema takes the 1970s as an especially instructive period for rethinking the traditional trope of an inadequate male in crisis within Italian cinema. It explores how masculinity functioned in several films of the 1970s as a charged allegory for the many socio-political lacerations of the Italian nation and as a site of conflict and radical interrogation of ideas about gender and sexuality. Sergio Rigoletto re-examines a number of key films, including Bernardo Bertolucci's The Conformist, Federico Fellini's City of Women, Ettore Scola's A Special Day, Pier Paolo Pasolini's Teorema and Lina Wertmüller's The Seduction of Mimi, in the light of gender and queer theory and considers the challenges that these films pose to received ideas about gender and sexuality of the time, and to some of the aesthetic and narrative conventions which have traditionally regulated the representation of men in film |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 08 Aug 2016) |
| Beschreibung: | 1 online resource (x, 165 pages) |
| ISBN: | 9780748654550 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043937552 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 161206s2014 xx o|||| 00||| eng d | ||
| 020 | |a 9780748654550 |c Online |9 978-0-7486-5455-0 | ||
| 035 | |a (ZDB-20-CBO)CR9780748654550 | ||
| 035 | |a (OCoLC)967386258 | ||
| 035 | |a (DE-599)BVBBV043937552 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 082 | 0 | |a 791.43/65211 |2 23 | |
| 084 | |a AP 44939 |0 (DE-625)7516:698 |2 rvk | ||
| 084 | |a AP 50300 |0 (DE-625)7572: |2 rvk | ||
| 100 | 1 | |a Rigoletto, Sergio |d 1977- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Masculinity and Italian cinema |b sexual politics, social conflict and male crisis in the 1970s |c Sergio Rigoletto |
| 246 | 1 | 3 | |a Masculinity & Italian Cinema |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c 2014 | |
| 300 | |a 1 online resource (x, 165 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Title from publisher's bibliographic system (viewed on 08 Aug 2016) | ||
| 505 | 8 | |a Introduction -- Male crisis: between apocalypse and nostalgia -- Contesting national memory: male dilemmas and Oedipal scenarios -- Undoing genre, undoing masculinity -- Pier Paolo Pasolini's erotic imagery and the significance of the male body -- Male subjectivity and the legacy of 1968: Nanni Moretti's Ecce Bombo | |
| 520 | |a How did Italian cinema of the 1970s re-envision masculinity in response to sexual liberation? What role did broader socio-political concerns of the time play in this re-definition? To what extent did this re-envisioning of masculinity intersect with concurrent debates about the function of cinema as a political medium and a mass cultural phenomenon? Masculinity and Italian Cinema takes the 1970s as an especially instructive period for rethinking the traditional trope of an inadequate male in crisis within Italian cinema. It explores how masculinity functioned in several films of the 1970s as a charged allegory for the many socio-political lacerations of the Italian nation and as a site of conflict and radical interrogation of ideas about gender and sexuality. Sergio Rigoletto re-examines a number of key films, including Bernardo Bertolucci's The Conformist, Federico Fellini's City of Women, Ettore Scola's A Special Day, Pier Paolo Pasolini's Teorema and Lina Wertmüller's The Seduction of Mimi, in the light of gender and queer theory and considers the challenges that these films pose to received ideas about gender and sexuality of the time, and to some of the aesthetic and narrative conventions which have traditionally regulated the representation of men in film | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1970-1979 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Masculinity in motion pictures | |
| 650 | 4 | |a Motion pictures, Italian | |
| 650 | 4 | |a Motion pictures / Italy / History / 20th century | |
| 650 | 4 | |a Motion pictures / Social aspects / Italy | |
| 650 | 0 | 7 | |a Männlichkeit |g Motiv |0 (DE-588)4372433-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Italien | |
| 651 | 7 | |a Italien |0 (DE-588)4027833-5 |2 gnd |9 rswk-swf | |
| 655 | 7 | |8 1\p |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Italien |0 (DE-588)4027833-5 |D g |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 2 | |a Männlichkeit |g Motiv |0 (DE-588)4372433-4 |D s |
| 689 | 0 | 3 | |a Geschichte 1970-1979 |A z |
| 689 | 0 | |8 2\p |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-0-7486-5454-3 |
| 856 | 4 | 0 | |u http://www.cambridge.org/core/product/identifier/9780748654550/type/BOOK |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 912 | |a ZDB-20-CBO | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029346523 | |
| 966 | e | |u http://www.cambridge.org/core/product/identifier/9780748654550/type/BOOK |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1820172584829845504 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Rigoletto, Sergio 1977- |
| author_facet | Rigoletto, Sergio 1977- |
| author_role | aut |
| author_sort | Rigoletto, Sergio 1977- |
| author_variant | s r sr |
| building | Verbundindex |
| bvnumber | BV043937552 |
| classification_rvk | AP 44939 AP 50300 |
| collection | ZDB-20-CBO |
| contents | Introduction -- Male crisis: between apocalypse and nostalgia -- Contesting national memory: male dilemmas and Oedipal scenarios -- Undoing genre, undoing masculinity -- Pier Paolo Pasolini's erotic imagery and the significance of the male body -- Male subjectivity and the legacy of 1968: Nanni Moretti's Ecce Bombo |
| ctrlnum | (ZDB-20-CBO)CR9780748654550 (OCoLC)967386258 (DE-599)BVBBV043937552 |
| dewey-full | 791.43/65211 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/65211 |
| dewey-search | 791.43/65211 |
| dewey-sort | 3791.43 565211 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1900-2000 Geschichte 1970-1979 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1970-1979 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV043937552</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161206s2014 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780748654550</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-7486-5455-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9780748654550</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)967386258</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043937552</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43/65211</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 44939</subfield><subfield code="0">(DE-625)7516:698</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 50300</subfield><subfield code="0">(DE-625)7572:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Rigoletto, Sergio</subfield><subfield code="d">1977-</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Masculinity and Italian cinema</subfield><subfield code="b">sexual politics, social conflict and male crisis in the 1970s</subfield><subfield code="c">Sergio Rigoletto</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Masculinity & Italian Cinema</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (x, 165 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 08 Aug 2016)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction -- Male crisis: between apocalypse and nostalgia -- Contesting national memory: male dilemmas and Oedipal scenarios -- Undoing genre, undoing masculinity -- Pier Paolo Pasolini's erotic imagery and the significance of the male body -- Male subjectivity and the legacy of 1968: Nanni Moretti's Ecce Bombo</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">How did Italian cinema of the 1970s re-envision masculinity in response to sexual liberation? What role did broader socio-political concerns of the time play in this re-definition? To what extent did this re-envisioning of masculinity intersect with concurrent debates about the function of cinema as a political medium and a mass cultural phenomenon? Masculinity and Italian Cinema takes the 1970s as an especially instructive period for rethinking the traditional trope of an inadequate male in crisis within Italian cinema. It explores how masculinity functioned in several films of the 1970s as a charged allegory for the many socio-political lacerations of the Italian nation and as a site of conflict and radical interrogation of ideas about gender and sexuality. Sergio Rigoletto re-examines a number of key films, including Bernardo Bertolucci's The Conformist, Federico Fellini's City of Women, Ettore Scola's A Special Day, Pier Paolo Pasolini's Teorema and Lina Wertmüller's The Seduction of Mimi, in the light of gender and queer theory and considers the challenges that these films pose to received ideas about gender and sexuality of the time, and to some of the aesthetic and narrative conventions which have traditionally regulated the representation of men in film</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1970-1979</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gesellschaft</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Masculinity in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures, Italian</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Italy / History / 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Social aspects / Italy</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Männlichkeit</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4372433-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Italien</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Männlichkeit</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4372433-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1970-1979</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-0-7486-5454-3</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://www.cambridge.org/core/product/identifier/9780748654550/type/BOOK</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029346523</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.cambridge.org/core/product/identifier/9780748654550/type/BOOK</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | 1\p (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Italien Italien (DE-588)4027833-5 gnd |
| geographic_facet | Italien |
| id | DE-604.BV043937552 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-02T21:04:05Z |
| institution | BVB |
| isbn | 9780748654550 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029346523 |
| oclc_num | 967386258 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 online resource (x, 165 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Edinburgh University Press |
| record_format | marc |
| spelling | Rigoletto, Sergio 1977- Verfasser aut Masculinity and Italian cinema sexual politics, social conflict and male crisis in the 1970s Sergio Rigoletto Masculinity & Italian Cinema Edinburgh Edinburgh University Press 2014 1 online resource (x, 165 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 08 Aug 2016) Introduction -- Male crisis: between apocalypse and nostalgia -- Contesting national memory: male dilemmas and Oedipal scenarios -- Undoing genre, undoing masculinity -- Pier Paolo Pasolini's erotic imagery and the significance of the male body -- Male subjectivity and the legacy of 1968: Nanni Moretti's Ecce Bombo How did Italian cinema of the 1970s re-envision masculinity in response to sexual liberation? What role did broader socio-political concerns of the time play in this re-definition? To what extent did this re-envisioning of masculinity intersect with concurrent debates about the function of cinema as a political medium and a mass cultural phenomenon? Masculinity and Italian Cinema takes the 1970s as an especially instructive period for rethinking the traditional trope of an inadequate male in crisis within Italian cinema. It explores how masculinity functioned in several films of the 1970s as a charged allegory for the many socio-political lacerations of the Italian nation and as a site of conflict and radical interrogation of ideas about gender and sexuality. Sergio Rigoletto re-examines a number of key films, including Bernardo Bertolucci's The Conformist, Federico Fellini's City of Women, Ettore Scola's A Special Day, Pier Paolo Pasolini's Teorema and Lina Wertmüller's The Seduction of Mimi, in the light of gender and queer theory and considers the challenges that these films pose to received ideas about gender and sexuality of the time, and to some of the aesthetic and narrative conventions which have traditionally regulated the representation of men in film Geschichte 1900-2000 Geschichte 1970-1979 gnd rswk-swf Film Geschichte Gesellschaft Masculinity in motion pictures Motion pictures, Italian Motion pictures / Italy / History / 20th century Motion pictures / Social aspects / Italy Männlichkeit Motiv (DE-588)4372433-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Italien Italien (DE-588)4027833-5 gnd rswk-swf 1\p (DE-588)4113937-9 Hochschulschrift gnd-content Italien (DE-588)4027833-5 g Film (DE-588)4017102-4 s Männlichkeit Motiv (DE-588)4372433-4 s Geschichte 1970-1979 z 2\p DE-604 Erscheint auch als Druckausgabe 978-0-7486-5454-3 http://www.cambridge.org/core/product/identifier/9780748654550/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Rigoletto, Sergio 1977- Masculinity and Italian cinema sexual politics, social conflict and male crisis in the 1970s Introduction -- Male crisis: between apocalypse and nostalgia -- Contesting national memory: male dilemmas and Oedipal scenarios -- Undoing genre, undoing masculinity -- Pier Paolo Pasolini's erotic imagery and the significance of the male body -- Male subjectivity and the legacy of 1968: Nanni Moretti's Ecce Bombo Film Geschichte Gesellschaft Masculinity in motion pictures Motion pictures, Italian Motion pictures / Italy / History / 20th century Motion pictures / Social aspects / Italy Männlichkeit Motiv (DE-588)4372433-4 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4372433-4 (DE-588)4017102-4 (DE-588)4027833-5 (DE-588)4113937-9 |
| title | Masculinity and Italian cinema sexual politics, social conflict and male crisis in the 1970s |
| title_alt | Masculinity & Italian Cinema |
| title_auth | Masculinity and Italian cinema sexual politics, social conflict and male crisis in the 1970s |
| title_exact_search | Masculinity and Italian cinema sexual politics, social conflict and male crisis in the 1970s |
| title_full | Masculinity and Italian cinema sexual politics, social conflict and male crisis in the 1970s Sergio Rigoletto |
| title_fullStr | Masculinity and Italian cinema sexual politics, social conflict and male crisis in the 1970s Sergio Rigoletto |
| title_full_unstemmed | Masculinity and Italian cinema sexual politics, social conflict and male crisis in the 1970s Sergio Rigoletto |
| title_short | Masculinity and Italian cinema |
| title_sort | masculinity and italian cinema sexual politics social conflict and male crisis in the 1970s |
| title_sub | sexual politics, social conflict and male crisis in the 1970s |
| topic | Film Geschichte Gesellschaft Masculinity in motion pictures Motion pictures, Italian Motion pictures / Italy / History / 20th century Motion pictures / Social aspects / Italy Männlichkeit Motiv (DE-588)4372433-4 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Film Geschichte Gesellschaft Masculinity in motion pictures Motion pictures, Italian Motion pictures / Italy / History / 20th century Motion pictures / Social aspects / Italy Männlichkeit Motiv Italien Hochschulschrift |
| url | http://www.cambridge.org/core/product/identifier/9780748654550/type/BOOK |
| work_keys_str_mv | AT rigolettosergio masculinityanditaliancinemasexualpoliticssocialconflictandmalecrisisinthe1970s AT rigolettosergio masculinityitaliancinema |