Grindhouse nostalgia: memory, home video and exploitation film fandom
Too often dismissed as nothing more than 'trash cinema' exploitation films have become both earnestly appreciated cult objects and home video items that are more accessible than ever. In this wide-ranging new study, David Church explores how the history of drive-in theatres and urban grind...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2015
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| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | Too often dismissed as nothing more than 'trash cinema' exploitation films have become both earnestly appreciated cult objects and home video items that are more accessible than ever. In this wide-ranging new study, David Church explores how the history of drive-in theatres and urban grind houses has descended to the home video formats that keep these lurid movies fondly alive today. Arguing for the importance of cultural memory in contemporary fan practices, Church focuses on both the re-release of archival exploitation films on DVD and the recent cycle of 'retrosploitation' films like Grindhouse, Machete, Viva, The Devil's Rejects, and Black Dynamite. At a time when older ideas of subcultural belonging have become increasingly subject to nostalgia, Grindhouse Nostalgia presents an indispensable study of exploitation cinema's continuing allure, and is a bold contribution to our understanding of fandom, taste politics, film distribution, and home video. Key Features: The first in-depth critical examination of the recent and ongoing "retrosploitation" cycle *Expands a growing body of research on the importance of home video as containers of material history *Unites cultural memory studies and fan studies in productive ways for understanding a broad range of fan investments *Restores questions of affect and non-ironic reception to understandings of exploitation cinema's continuing appeal |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 08 Aug 2016) |
| Beschreibung: | 1 online resource (ix, 286 pages) |
| ISBN: | 9780748699117 |
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| 500 | |a Title from publisher's bibliographic system (viewed on 08 Aug 2016) | ||
| 505 | 8 | |a A drive-in theatre of the mind: Nostalgic populism and the déclassé video object -- 42nd street forever? Constructing 'grindhouse cinema' from exhibition to genre to transmedia concept -- Paratexts, pastiche, and the direct-to-video aesthetic: Towards a retrosploitation mediascape -- Dressed to regress? The retributive politics of the retrosploitation pastiche -- Conclusion -- Appendix: Selected filmography and videography of retrosploitation media | |
| 520 | |a Too often dismissed as nothing more than 'trash cinema' exploitation films have become both earnestly appreciated cult objects and home video items that are more accessible than ever. In this wide-ranging new study, David Church explores how the history of drive-in theatres and urban grind houses has descended to the home video formats that keep these lurid movies fondly alive today. Arguing for the importance of cultural memory in contemporary fan practices, Church focuses on both the re-release of archival exploitation films on DVD and the recent cycle of 'retrosploitation' films like Grindhouse, Machete, Viva, The Devil's Rejects, and Black Dynamite. At a time when older ideas of subcultural belonging have become increasingly subject to nostalgia, Grindhouse Nostalgia presents an indispensable study of exploitation cinema's continuing allure, and is a bold contribution to our understanding of fandom, taste politics, film distribution, and home video. Key Features: The first in-depth critical examination of the recent and ongoing "retrosploitation" cycle *Expands a growing body of research on the importance of home video as containers of material history *Unites cultural memory studies and fan studies in productive ways for understanding a broad range of fan investments *Restores questions of affect and non-ironic reception to understandings of exploitation cinema's continuing appeal | ||
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Datensatz im Suchindex
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| author | Church, David 1982- |
| author_facet | Church, David 1982- |
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| author_sort | Church, David 1982- |
| author_variant | d c dc |
| building | Verbundindex |
| bvnumber | BV043937538 |
| collection | ZDB-20-CBO |
| contents | A drive-in theatre of the mind: Nostalgic populism and the déclassé video object -- 42nd street forever? Constructing 'grindhouse cinema' from exhibition to genre to transmedia concept -- Paratexts, pastiche, and the direct-to-video aesthetic: Towards a retrosploitation mediascape -- Dressed to regress? The retributive politics of the retrosploitation pastiche -- Conclusion -- Appendix: Selected filmography and videography of retrosploitation media |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6 |
| dewey-search | 791.43/6 |
| dewey-sort | 3791.43 16 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1987-2014 gnd |
| era_facet | Geschichte 1987-2014 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:39:08Z |
| institution | BVB |
| isbn | 9780748699117 |
| language | English |
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| spelling | Church, David 1982- Verfasser aut Grindhouse nostalgia memory, home video and exploitation film fandom David Church Edinburgh Edinburgh University Press 2015 1 online resource (ix, 286 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 08 Aug 2016) A drive-in theatre of the mind: Nostalgic populism and the déclassé video object -- 42nd street forever? Constructing 'grindhouse cinema' from exhibition to genre to transmedia concept -- Paratexts, pastiche, and the direct-to-video aesthetic: Towards a retrosploitation mediascape -- Dressed to regress? The retributive politics of the retrosploitation pastiche -- Conclusion -- Appendix: Selected filmography and videography of retrosploitation media Too often dismissed as nothing more than 'trash cinema' exploitation films have become both earnestly appreciated cult objects and home video items that are more accessible than ever. In this wide-ranging new study, David Church explores how the history of drive-in theatres and urban grind houses has descended to the home video formats that keep these lurid movies fondly alive today. Arguing for the importance of cultural memory in contemporary fan practices, Church focuses on both the re-release of archival exploitation films on DVD and the recent cycle of 'retrosploitation' films like Grindhouse, Machete, Viva, The Devil's Rejects, and Black Dynamite. At a time when older ideas of subcultural belonging have become increasingly subject to nostalgia, Grindhouse Nostalgia presents an indispensable study of exploitation cinema's continuing allure, and is a bold contribution to our understanding of fandom, taste politics, film distribution, and home video. Key Features: The first in-depth critical examination of the recent and ongoing "retrosploitation" cycle *Expands a growing body of research on the importance of home video as containers of material history *Unites cultural memory studies and fan studies in productive ways for understanding a broad range of fan investments *Restores questions of affect and non-ironic reception to understandings of exploitation cinema's continuing appeal Geschichte 1987-2014 gnd rswk-swf Exploitation films / History and criticism Exploitationfilm (DE-588)7523036-7 gnd rswk-swf Nostalgie (DE-588)4131814-6 gnd rswk-swf Exploitationfilm (DE-588)7523036-7 s Nostalgie (DE-588)4131814-6 s Geschichte 1987-2014 z 1\p DE-604 Erscheint auch als Druckausgabe 978-0-7486-9910-0 http://www.cambridge.org/core/product/identifier/9780748699117/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Church, David 1982- Grindhouse nostalgia memory, home video and exploitation film fandom A drive-in theatre of the mind: Nostalgic populism and the déclassé video object -- 42nd street forever? Constructing 'grindhouse cinema' from exhibition to genre to transmedia concept -- Paratexts, pastiche, and the direct-to-video aesthetic: Towards a retrosploitation mediascape -- Dressed to regress? The retributive politics of the retrosploitation pastiche -- Conclusion -- Appendix: Selected filmography and videography of retrosploitation media Exploitation films / History and criticism Exploitationfilm (DE-588)7523036-7 gnd Nostalgie (DE-588)4131814-6 gnd |
| subject_GND | (DE-588)7523036-7 (DE-588)4131814-6 |
| title | Grindhouse nostalgia memory, home video and exploitation film fandom |
| title_auth | Grindhouse nostalgia memory, home video and exploitation film fandom |
| title_exact_search | Grindhouse nostalgia memory, home video and exploitation film fandom |
| title_full | Grindhouse nostalgia memory, home video and exploitation film fandom David Church |
| title_fullStr | Grindhouse nostalgia memory, home video and exploitation film fandom David Church |
| title_full_unstemmed | Grindhouse nostalgia memory, home video and exploitation film fandom David Church |
| title_short | Grindhouse nostalgia |
| title_sort | grindhouse nostalgia memory home video and exploitation film fandom |
| title_sub | memory, home video and exploitation film fandom |
| topic | Exploitation films / History and criticism Exploitationfilm (DE-588)7523036-7 gnd Nostalgie (DE-588)4131814-6 gnd |
| topic_facet | Exploitation films / History and criticism Exploitationfilm Nostalgie |
| url | http://www.cambridge.org/core/product/identifier/9780748699117/type/BOOK |
| work_keys_str_mv | AT churchdavid grindhousenostalgiamemoryhomevideoandexploitationfilmfandom |