International noir:
Examines the influence of film noir on visual narrative and technique in global cinematic traditions.Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's inf...
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
2014
|
| Subjects: | |
| Online Access: | BSB01 Volltext |
| Summary: | Examines the influence of film noir on visual narrative and technique in global cinematic traditions.Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea, and India. This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity. International noir has, however, adapted and adopted noir themes and aesthetic elements so that national cinemas can boast an independent and indigenous expression of the genre. Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book also calls into question critical assessments of noir in international cinemas. In short, it challenges prevailing film scholarship to renegotiate the concept of noir. Ending with an examination of Hollywood's neo-noir recontextualization of the genre, and post-noir's reinvigorating critique of this aesthetic, International Noir offers Film Studies scholars an in-depth commentary on this influential global cinematic art form, further offering extensive bibliography and filmographies for recommended reading and viewing. Key Features * Examines noir's influence on film narrative and technique in several different national cinemas *Covers British, French and Japanese noir as well as the influence of noir on Scandivavian, Chinese and Korean cinema *Includes chapters on neo-noir and post-noir films |
| Item Description: | Title from publisher's bibliographic system (viewed on 08 Aug 2016) |
| Physical Description: | 1 online resource (xv, 272 pages) |
| ISBN: | 9780748691111 |
Staff View
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043937530 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 161206s2014 |||| o||u| ||||||eng d | ||
| 020 | |a 9780748691111 |c Online |9 978-0-7486-9111-1 | ||
| 035 | |a (ZDB-20-CBO)CR9780748691111 | ||
| 035 | |a (OCoLC)967386132 | ||
| 035 | |a (DE-599)BVBBV043937530 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 082 | 0 | |a 791.43/655 |2 23 | |
| 084 | |a AP 53600 |0 (DE-625)7729: |2 rvk | ||
| 245 | 1 | 0 | |a International noir |c edited by Homer B. Pettey and R. Barton Palmer |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c 2014 | |
| 300 | |a 1 online resource (xv, 272 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Title from publisher's bibliographic system (viewed on 08 Aug 2016) | ||
| 505 | 8 | 0 | |t Introduction : the noir impulse |r Homer B. Pettey |t British noir |r Jim Leach |t French noir 1947-79 : from grunge-noir to noir-hilism |r Susan Hayward |t French neo-noir : an aesthetic for the policier |r Maureen Turim |t Early Japanese noir |r Homer B. Pettey |t The gunman and the gun : Japanese film noir since the late 1950s |r David Desser |t Darker than dark : film noir in its Asian contexts |r Stephen Teo |t Nordic noir and neo-noir : the human criminal |r Andrew Nestingen |t Indian film noir |r Corey K. Creekmur |t The new sincerity of neo-noir |r R. Barton :Palmer |t Post-noir : getting back to business |r Mark Bould |
| 520 | |a Examines the influence of film noir on visual narrative and technique in global cinematic traditions.Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea, and India. This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity. International noir has, however, adapted and adopted noir themes and aesthetic elements so that national cinemas can boast an independent and indigenous expression of the genre. Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book also calls into question critical assessments of noir in international cinemas. In short, it challenges prevailing film scholarship to renegotiate the concept of noir. Ending with an examination of Hollywood's neo-noir recontextualization of the genre, and post-noir's reinvigorating critique of this aesthetic, International Noir offers Film Studies scholars an in-depth commentary on this influential global cinematic art form, further offering extensive bibliography and filmographies for recommended reading and viewing. Key Features * Examines noir's influence on film narrative and technique in several different national cinemas *Covers British, French and Japanese noir as well as the influence of noir on Scandivavian, Chinese and Korean cinema *Includes chapters on neo-noir and post-noir films | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Film noir / History and criticism | |
| 650 | 0 | 7 | |a Film noir |0 (DE-588)4116435-0 |2 gnd |9 rswk-swf |
| 655 | 7 | |8 1\p |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Film noir |0 (DE-588)4116435-0 |D s |
| 689 | 0 | 1 | |a Geschichte |A z |
| 689 | 0 | |8 2\p |5 DE-604 | |
| 700 | 1 | |a Pettey, Homer B. |4 edt | |
| 700 | 1 | |a Palmer, R. Barton |d 1946- |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-0-7486-9110-4 |
| 856 | 4 | 0 | |u http://www.cambridge.org/core/product/identifier/9780748691111/type/BOOK |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029346501 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u http://www.cambridge.org/core/product/identifier/9780748691111/type/BOOK |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
Record in the Search Index
| _version_ | 1804176875626430464 |
|---|---|
| any_adam_object | |
| author2 | Pettey, Homer B. Palmer, R. Barton 1946- |
| author2_role | edt edt |
| author2_variant | h b p hb hbp r b p rb rbp |
| author_additional | Homer B. Pettey Jim Leach Susan Hayward Maureen Turim David Desser Stephen Teo Andrew Nestingen Corey K. Creekmur R. Barton :Palmer Mark Bould |
| author_facet | Pettey, Homer B. Palmer, R. Barton 1946- |
| building | Verbundindex |
| bvnumber | BV043937530 |
| classification_rvk | AP 53600 |
| collection | ZDB-20-CBO |
| contents | Introduction : the noir impulse British noir French noir 1947-79 : from grunge-noir to noir-hilism French neo-noir : an aesthetic for the policier Early Japanese noir The gunman and the gun : Japanese film noir since the late 1950s Darker than dark : film noir in its Asian contexts Nordic noir and neo-noir : the human criminal Indian film noir The new sincerity of neo-noir Post-noir : getting back to business |
| ctrlnum | (ZDB-20-CBO)CR9780748691111 (OCoLC)967386132 (DE-599)BVBBV043937530 |
| dewey-full | 791.43/655 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/655 |
| dewey-search | 791.43/655 |
| dewey-sort | 3791.43 3655 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04202nmm a2200493zc 4500</leader><controlfield tag="001">BV043937530</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161206s2014 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780748691111</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-7486-9111-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9780748691111</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)967386132</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043937530</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43/655</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 53600</subfield><subfield code="0">(DE-625)7729:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">International noir</subfield><subfield code="c">edited by Homer B. Pettey and R. Barton Palmer</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xv, 272 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 08 Aug 2016)</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Introduction : the noir impulse</subfield><subfield code="r">Homer B. Pettey</subfield><subfield code="t">British noir</subfield><subfield code="r">Jim Leach</subfield><subfield code="t">French noir 1947-79 : from grunge-noir to noir-hilism</subfield><subfield code="r">Susan Hayward</subfield><subfield code="t">French neo-noir : an aesthetic for the policier</subfield><subfield code="r">Maureen Turim</subfield><subfield code="t">Early Japanese noir</subfield><subfield code="r">Homer B. Pettey</subfield><subfield code="t">The gunman and the gun : Japanese film noir since the late 1950s</subfield><subfield code="r">David Desser</subfield><subfield code="t">Darker than dark : film noir in its Asian contexts</subfield><subfield code="r">Stephen Teo</subfield><subfield code="t">Nordic noir and neo-noir : the human criminal</subfield><subfield code="r">Andrew Nestingen</subfield><subfield code="t">Indian film noir</subfield><subfield code="r">Corey K. Creekmur</subfield><subfield code="t">The new sincerity of neo-noir</subfield><subfield code="r">R. Barton :Palmer</subfield><subfield code="t">Post-noir : getting back to business</subfield><subfield code="r">Mark Bould</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Examines the influence of film noir on visual narrative and technique in global cinematic traditions.Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea, and India. This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity. International noir has, however, adapted and adopted noir themes and aesthetic elements so that national cinemas can boast an independent and indigenous expression of the genre. Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book also calls into question critical assessments of noir in international cinemas. In short, it challenges prevailing film scholarship to renegotiate the concept of noir. Ending with an examination of Hollywood's neo-noir recontextualization of the genre, and post-noir's reinvigorating critique of this aesthetic, International Noir offers Film Studies scholars an in-depth commentary on this influential global cinematic art form, further offering extensive bibliography and filmographies for recommended reading and viewing. Key Features * Examines noir's influence on film narrative and technique in several different national cinemas *Covers British, French and Japanese noir as well as the influence of noir on Scandivavian, Chinese and Korean cinema *Includes chapters on neo-noir and post-noir films</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film noir / History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film noir</subfield><subfield code="0">(DE-588)4116435-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Film noir</subfield><subfield code="0">(DE-588)4116435-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Pettey, Homer B.</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Palmer, R. Barton</subfield><subfield code="d">1946-</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-0-7486-9110-4</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://www.cambridge.org/core/product/identifier/9780748691111/type/BOOK</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029346501</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.cambridge.org/core/product/identifier/9780748691111/type/BOOK</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV043937530 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:39:08Z |
| institution | BVB |
| isbn | 9780748691111 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029346501 |
| oclc_num | 967386132 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 online resource (xv, 272 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Edinburgh University Press |
| record_format | marc |
| spelling | International noir edited by Homer B. Pettey and R. Barton Palmer Edinburgh Edinburgh University Press 2014 1 online resource (xv, 272 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 08 Aug 2016) Introduction : the noir impulse Homer B. Pettey British noir Jim Leach French noir 1947-79 : from grunge-noir to noir-hilism Susan Hayward French neo-noir : an aesthetic for the policier Maureen Turim Early Japanese noir Homer B. Pettey The gunman and the gun : Japanese film noir since the late 1950s David Desser Darker than dark : film noir in its Asian contexts Stephen Teo Nordic noir and neo-noir : the human criminal Andrew Nestingen Indian film noir Corey K. Creekmur The new sincerity of neo-noir R. Barton :Palmer Post-noir : getting back to business Mark Bould Examines the influence of film noir on visual narrative and technique in global cinematic traditions.Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea, and India. This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity. International noir has, however, adapted and adopted noir themes and aesthetic elements so that national cinemas can boast an independent and indigenous expression of the genre. Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book also calls into question critical assessments of noir in international cinemas. In short, it challenges prevailing film scholarship to renegotiate the concept of noir. Ending with an examination of Hollywood's neo-noir recontextualization of the genre, and post-noir's reinvigorating critique of this aesthetic, International Noir offers Film Studies scholars an in-depth commentary on this influential global cinematic art form, further offering extensive bibliography and filmographies for recommended reading and viewing. Key Features * Examines noir's influence on film narrative and technique in several different national cinemas *Covers British, French and Japanese noir as well as the influence of noir on Scandivavian, Chinese and Korean cinema *Includes chapters on neo-noir and post-noir films Geschichte gnd rswk-swf Film noir / History and criticism Film noir (DE-588)4116435-0 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Film noir (DE-588)4116435-0 s Geschichte z 2\p DE-604 Pettey, Homer B. edt Palmer, R. Barton 1946- edt Erscheint auch als Druckausgabe 978-0-7486-9110-4 http://www.cambridge.org/core/product/identifier/9780748691111/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | International noir Introduction : the noir impulse British noir French noir 1947-79 : from grunge-noir to noir-hilism French neo-noir : an aesthetic for the policier Early Japanese noir The gunman and the gun : Japanese film noir since the late 1950s Darker than dark : film noir in its Asian contexts Nordic noir and neo-noir : the human criminal Indian film noir The new sincerity of neo-noir Post-noir : getting back to business Film noir / History and criticism Film noir (DE-588)4116435-0 gnd |
| subject_GND | (DE-588)4116435-0 (DE-588)4143413-4 |
| title | International noir |
| title_alt | Introduction : the noir impulse British noir French noir 1947-79 : from grunge-noir to noir-hilism French neo-noir : an aesthetic for the policier Early Japanese noir The gunman and the gun : Japanese film noir since the late 1950s Darker than dark : film noir in its Asian contexts Nordic noir and neo-noir : the human criminal Indian film noir The new sincerity of neo-noir Post-noir : getting back to business |
| title_auth | International noir |
| title_exact_search | International noir |
| title_full | International noir edited by Homer B. Pettey and R. Barton Palmer |
| title_fullStr | International noir edited by Homer B. Pettey and R. Barton Palmer |
| title_full_unstemmed | International noir edited by Homer B. Pettey and R. Barton Palmer |
| title_short | International noir |
| title_sort | international noir |
| topic | Film noir / History and criticism Film noir (DE-588)4116435-0 gnd |
| topic_facet | Film noir / History and criticism Film noir Aufsatzsammlung |
| url | http://www.cambridge.org/core/product/identifier/9780748691111/type/BOOK |
| work_keys_str_mv | AT petteyhomerb internationalnoir AT palmerrbarton internationalnoir |