International noir:
Examines the influence of film noir on visual narrative and technique in global cinematic traditions.Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's inf...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2014
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | Examines the influence of film noir on visual narrative and technique in global cinematic traditions.Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea, and India. This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity. International noir has, however, adapted and adopted noir themes and aesthetic elements so that national cinemas can boast an independent and indigenous expression of the genre. Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book also calls into question critical assessments of noir in international cinemas. In short, it challenges prevailing film scholarship to renegotiate the concept of noir. Ending with an examination of Hollywood's neo-noir recontextualization of the genre, and post-noir's reinvigorating critique of this aesthetic, International Noir offers Film Studies scholars an in-depth commentary on this influential global cinematic art form, further offering extensive bibliography and filmographies for recommended reading and viewing. Key Features * Examines noir's influence on film narrative and technique in several different national cinemas *Covers British, French and Japanese noir as well as the influence of noir on Scandivavian, Chinese and Korean cinema *Includes chapters on neo-noir and post-noir films |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 08 Aug 2016) |
| Beschreibung: | 1 online resource (xv, 272 pages) |
| ISBN: | 9780748691111 |
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| 505 | 8 | 0 | |t Introduction : the noir impulse |r Homer B. Pettey |t British noir |r Jim Leach |t French noir 1947-79 : from grunge-noir to noir-hilism |r Susan Hayward |t French neo-noir : an aesthetic for the policier |r Maureen Turim |t Early Japanese noir |r Homer B. Pettey |t The gunman and the gun : Japanese film noir since the late 1950s |r David Desser |t Darker than dark : film noir in its Asian contexts |r Stephen Teo |t Nordic noir and neo-noir : the human criminal |r Andrew Nestingen |t Indian film noir |r Corey K. Creekmur |t The new sincerity of neo-noir |r R. Barton :Palmer |t Post-noir : getting back to business |r Mark Bould |
| 520 | |a Examines the influence of film noir on visual narrative and technique in global cinematic traditions.Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea, and India. This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity. International noir has, however, adapted and adopted noir themes and aesthetic elements so that national cinemas can boast an independent and indigenous expression of the genre. Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book also calls into question critical assessments of noir in international cinemas. In short, it challenges prevailing film scholarship to renegotiate the concept of noir. Ending with an examination of Hollywood's neo-noir recontextualization of the genre, and post-noir's reinvigorating critique of this aesthetic, International Noir offers Film Studies scholars an in-depth commentary on this influential global cinematic art form, further offering extensive bibliography and filmographies for recommended reading and viewing. Key Features * Examines noir's influence on film narrative and technique in several different national cinemas *Covers British, French and Japanese noir as well as the influence of noir on Scandivavian, Chinese and Korean cinema *Includes chapters on neo-noir and post-noir films | ||
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Datensatz im Suchindex
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| author2 | Pettey, Homer B. Palmer, R. Barton 1946- |
| author2_role | edt edt |
| author2_variant | h b p hb hbp r b p rb rbp |
| author_additional | Homer B. Pettey Jim Leach Susan Hayward Maureen Turim David Desser Stephen Teo Andrew Nestingen Corey K. Creekmur R. Barton :Palmer Mark Bould |
| author_facet | Pettey, Homer B. Palmer, R. Barton 1946- |
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| contents | Introduction : the noir impulse British noir French noir 1947-79 : from grunge-noir to noir-hilism French neo-noir : an aesthetic for the policier Early Japanese noir The gunman and the gun : Japanese film noir since the late 1950s Darker than dark : film noir in its Asian contexts Nordic noir and neo-noir : the human criminal Indian film noir The new sincerity of neo-noir Post-noir : getting back to business |
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| dewey-search | 791.43/655 |
| dewey-sort | 3791.43 3655 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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| era_facet | Geschichte |
| format | Electronic eBook |
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| spelling | International noir edited by Homer B. Pettey and R. Barton Palmer Edinburgh Edinburgh University Press 2014 1 online resource (xv, 272 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 08 Aug 2016) Introduction : the noir impulse Homer B. Pettey British noir Jim Leach French noir 1947-79 : from grunge-noir to noir-hilism Susan Hayward French neo-noir : an aesthetic for the policier Maureen Turim Early Japanese noir Homer B. Pettey The gunman and the gun : Japanese film noir since the late 1950s David Desser Darker than dark : film noir in its Asian contexts Stephen Teo Nordic noir and neo-noir : the human criminal Andrew Nestingen Indian film noir Corey K. Creekmur The new sincerity of neo-noir R. Barton :Palmer Post-noir : getting back to business Mark Bould Examines the influence of film noir on visual narrative and technique in global cinematic traditions.Following World War II, film noir became the dominant cinematic expression of Cold War angst, influencing new trends in European and Asian filmmaking. International Noir examines film noir's influence on the cinematic traditions of Britain, France, Scandinavia, Japan, Hong Kong, Korea, and India. This book suggests that the film noir style continues to appeal on such a global scale because no other cinematic form has merged style and genre to effect a vision of the disturbing consequences of modernity. International noir has, however, adapted and adopted noir themes and aesthetic elements so that national cinemas can boast an independent and indigenous expression of the genre. Ranging from Japanese silent films and women's films to French, Hong Kong, and Nordic New Waves, this book also calls into question critical assessments of noir in international cinemas. In short, it challenges prevailing film scholarship to renegotiate the concept of noir. Ending with an examination of Hollywood's neo-noir recontextualization of the genre, and post-noir's reinvigorating critique of this aesthetic, International Noir offers Film Studies scholars an in-depth commentary on this influential global cinematic art form, further offering extensive bibliography and filmographies for recommended reading and viewing. Key Features * Examines noir's influence on film narrative and technique in several different national cinemas *Covers British, French and Japanese noir as well as the influence of noir on Scandivavian, Chinese and Korean cinema *Includes chapters on neo-noir and post-noir films Geschichte gnd rswk-swf Film noir / History and criticism Film noir (DE-588)4116435-0 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Film noir (DE-588)4116435-0 s Geschichte z 2\p DE-604 Pettey, Homer B. edt Palmer, R. Barton 1946- edt Erscheint auch als Druckausgabe 978-0-7486-9110-4 http://www.cambridge.org/core/product/identifier/9780748691111/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | International noir Introduction : the noir impulse British noir French noir 1947-79 : from grunge-noir to noir-hilism French neo-noir : an aesthetic for the policier Early Japanese noir The gunman and the gun : Japanese film noir since the late 1950s Darker than dark : film noir in its Asian contexts Nordic noir and neo-noir : the human criminal Indian film noir The new sincerity of neo-noir Post-noir : getting back to business Film noir / History and criticism Film noir (DE-588)4116435-0 gnd |
| subject_GND | (DE-588)4116435-0 (DE-588)4143413-4 |
| title | International noir |
| title_alt | Introduction : the noir impulse British noir French noir 1947-79 : from grunge-noir to noir-hilism French neo-noir : an aesthetic for the policier Early Japanese noir The gunman and the gun : Japanese film noir since the late 1950s Darker than dark : film noir in its Asian contexts Nordic noir and neo-noir : the human criminal Indian film noir The new sincerity of neo-noir Post-noir : getting back to business |
| title_auth | International noir |
| title_exact_search | International noir |
| title_full | International noir edited by Homer B. Pettey and R. Barton Palmer |
| title_fullStr | International noir edited by Homer B. Pettey and R. Barton Palmer |
| title_full_unstemmed | International noir edited by Homer B. Pettey and R. Barton Palmer |
| title_short | International noir |
| title_sort | international noir |
| topic | Film noir / History and criticism Film noir (DE-588)4116435-0 gnd |
| topic_facet | Film noir / History and criticism Film noir Aufsatzsammlung |
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