The ivory mirror: the art of mortality in Renaissance Europe
A fascinating exploration of the visual culture of mortality in Renaissance Europe. We often imagine the Renaissance as an age of exceptional human progress and artistic achievement. But, intriguingly, macabre images proliferated in precisely this period: unsettling depictions of Death personified,...
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Weitere Verfasser: | , |
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Brunswick, Maine
Bowdoin College Museum of Art
[2017]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | A fascinating exploration of the visual culture of mortality in Renaissance Europe. We often imagine the Renaissance as an age of exceptional human progress and artistic achievement. But, intriguingly, macabre images proliferated in precisely this period: unsettling depictions of Death personified, of decaying bodies, of young lovers struck down in their prime. These morbid themes run riot in the remarkable array of artworks featured in The Ivory Mirror. Nearly 200 illustrated artworks-from ivory prayer beads to gem-encrusted jewelry to exquisitely carved small sculptures-present us with an aspect of this era that is at once darker and more familiar than we might have expected. Focused on the challenge of making choices in an increasingly complex and uncertain world, Renaissance artists turned to poignant, often macabre imagery to address the critical human concern of acknowledging death, while striving to create a personal legacy that might outlast it. The essays gathered here discuss the development and significance of this transformative art of the past, while exploring themes that are still relevant today: how does one navigate the implicit tension between mortality and morality and seek to balance individual pleasure with the pursuit of a greater good?00Exhibition: Bowdoin College Museum of Art, Brunswick, USA (23.06-26.11.2017) |
Beschreibung: | 279 Seiten |
ISBN: | 9780300225952 |
Internformat
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520 | 3 | |a A fascinating exploration of the visual culture of mortality in Renaissance Europe. We often imagine the Renaissance as an age of exceptional human progress and artistic achievement. But, intriguingly, macabre images proliferated in precisely this period: unsettling depictions of Death personified, of decaying bodies, of young lovers struck down in their prime. These morbid themes run riot in the remarkable array of artworks featured in The Ivory Mirror. Nearly 200 illustrated artworks-from ivory prayer beads to gem-encrusted jewelry to exquisitely carved small sculptures-present us with an aspect of this era that is at once darker and more familiar than we might have expected. Focused on the challenge of making choices in an increasingly complex and uncertain world, Renaissance artists turned to poignant, often macabre imagery to address the critical human concern of acknowledging death, while striving to create a personal legacy that might outlast it. The essays gathered here discuss the development and significance of this transformative art of the past, while exploring themes that are still relevant today: how does one navigate the implicit tension between mortality and morality and seek to balance individual pleasure with the pursuit of a greater good?00Exhibition: Bowdoin College Museum of Art, Brunswick, USA (23.06-26.11.2017) | |
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Datensatz im Suchindex
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---|---|
adam_text | CONTENTS
FOREWORD
7
THE IVORY MIRROR
STEPHEN PERKINSON
13
THE LIGHT AT THE
END OF THE TUNNEL
MANUSCRIPT ILLUMINATION
AND THE CONCEPT OF DEATH
ELIZABETH MORRISON
83
CHICART BAILLY AND
THE SPECTER OF DEATH
MEMENTO MORI IN A
SIXTEENTH-CENTURY ESTATE
INVENTORY
KATHERINE BAKER
107
PLATES
121
LIST OF PLATES
199
MEMENTO MORI BEADS
COLLECTING HISTORIES
AND CONTEXTS
NAOMI SPEAKMAN
209
THE POETRY OF DEATH
EMMA MAGGIE SOLBERG
229
BIBLIOGRAPHY
247
FIGURE CAPTIONS
265
INDEX
273
|
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author | Perkinson, Stephen |
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spelling | Perkinson, Stephen Verfasser (DE-588)140114165 aut The ivory mirror the art of mortality in Renaissance Europe Stephen Perkinson ; with contributions by Naomi Speakman, Katherine Baker, Elizabeth Morrison, Emma Maggie Solberg Brunswick, Maine Bowdoin College Museum of Art [2017] New Haven ; London Yale University Press [2017] © 2017 279 Seiten txt rdacontent sti rdacontent n rdamedia nc rdacarrier A fascinating exploration of the visual culture of mortality in Renaissance Europe. We often imagine the Renaissance as an age of exceptional human progress and artistic achievement. But, intriguingly, macabre images proliferated in precisely this period: unsettling depictions of Death personified, of decaying bodies, of young lovers struck down in their prime. These morbid themes run riot in the remarkable array of artworks featured in The Ivory Mirror. Nearly 200 illustrated artworks-from ivory prayer beads to gem-encrusted jewelry to exquisitely carved small sculptures-present us with an aspect of this era that is at once darker and more familiar than we might have expected. Focused on the challenge of making choices in an increasingly complex and uncertain world, Renaissance artists turned to poignant, often macabre imagery to address the critical human concern of acknowledging death, while striving to create a personal legacy that might outlast it. The essays gathered here discuss the development and significance of this transformative art of the past, while exploring themes that are still relevant today: how does one navigate the implicit tension between mortality and morality and seek to balance individual pleasure with the pursuit of a greater good?00Exhibition: Bowdoin College Museum of Art, Brunswick, USA (23.06-26.11.2017) Geschichte 1400-1650 gnd rswk-swf Tod Motiv (DE-588)4117229-2 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Museum of Art 24.06.2017-26.11.2017 Brunswick, Me. gnd-content Europa (DE-588)4015701-5 g Kunst (DE-588)4114333-4 s Tod Motiv (DE-588)4117229-2 s Geschichte 1400-1650 z DE-604 Speakman, Naomi (DE-588)1063080495 ctb Morrison, Elizabeth 1968- (DE-588)132972271 ctb Museum of Art (Brunswick, Me.) (DE-588)5090223-4 isb V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029344686&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Perkinson, Stephen The ivory mirror the art of mortality in Renaissance Europe Tod Motiv (DE-588)4117229-2 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4117229-2 (DE-588)4114333-4 (DE-588)4015701-5 (DE-588)4135467-9 |
title | The ivory mirror the art of mortality in Renaissance Europe |
title_auth | The ivory mirror the art of mortality in Renaissance Europe |
title_exact_search | The ivory mirror the art of mortality in Renaissance Europe |
title_full | The ivory mirror the art of mortality in Renaissance Europe Stephen Perkinson ; with contributions by Naomi Speakman, Katherine Baker, Elizabeth Morrison, Emma Maggie Solberg |
title_fullStr | The ivory mirror the art of mortality in Renaissance Europe Stephen Perkinson ; with contributions by Naomi Speakman, Katherine Baker, Elizabeth Morrison, Emma Maggie Solberg |
title_full_unstemmed | The ivory mirror the art of mortality in Renaissance Europe Stephen Perkinson ; with contributions by Naomi Speakman, Katherine Baker, Elizabeth Morrison, Emma Maggie Solberg |
title_short | The ivory mirror |
title_sort | the ivory mirror the art of mortality in renaissance europe |
title_sub | the art of mortality in Renaissance Europe |
topic | Tod Motiv (DE-588)4117229-2 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Tod Motiv Kunst Europa Ausstellungskatalog Museum of Art 24.06.2017-26.11.2017 Brunswick, Me. |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029344686&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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