German music criticism in the late eighteenth century: aesthetic issues in instrumental music
Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1997
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xiii, 253 pages) |
| ISBN: | 9780511549427 |
| DOI: | 10.1017/CBO9780511549427 |
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| 505 | 8 | |a Acknowledgements -- Author's notes -- Introduction: terms of discource -- What does instrumental music mean? -- Answering with a unified voice -- Answering with a German voice -- Answering with aesthetic criteria -- The importance of being correct -- The reign of genius -- A call to order -- Epilogue: segue to the nineteenth century -- Notes -- Bibliography -- Index | |
| 520 | |a Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed | ||
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Datensatz im Suchindex
| _version_ | 1804176860974678016 |
|---|---|
| any_adam_object | |
| author | Morrow, Mary Sue 1953- |
| author_facet | Morrow, Mary Sue 1953- |
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| author_sort | Morrow, Mary Sue 1953- |
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| contents | Acknowledgements -- Author's notes -- Introduction: terms of discource -- What does instrumental music mean? -- Answering with a unified voice -- Answering with a German voice -- Answering with aesthetic criteria -- The importance of being correct -- The reign of genius -- A call to order -- Epilogue: segue to the nineteenth century -- Notes -- Bibliography -- Index |
| ctrlnum | (ZDB-20-CBO)CR9780511549427 (OCoLC)850007303 (DE-599)BVBBV043929889 |
| dewey-full | 784.11/7094309033 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 784 - Instruments & instrumental ensembles |
| dewey-raw | 784.11/7094309033 |
| dewey-search | 784.11/7094309033 |
| dewey-sort | 3784.11 107094309033 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511549427 |
| era | Geschichte 1700-1800 Geschichte 1750-1800 gnd Geschichte 1770-1800 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1750-1800 Geschichte 1770-1800 |
| format | Electronic eBook |
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| id | DE-604.BV043929889 |
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| indexdate | 2024-07-10T07:38:54Z |
| institution | BVB |
| isbn | 9780511549427 |
| language | English |
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| spelling | Morrow, Mary Sue 1953- Verfasser aut German music criticism in the late eighteenth century aesthetic issues in instrumental music Mary Sue Morrow Cambridge Cambridge University Press 1997 1 online resource (xiii, 253 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Acknowledgements -- Author's notes -- Introduction: terms of discource -- What does instrumental music mean? -- Answering with a unified voice -- Answering with a German voice -- Answering with aesthetic criteria -- The importance of being correct -- The reign of genius -- A call to order -- Epilogue: segue to the nineteenth century -- Notes -- Bibliography -- Index Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed Geschichte 1700-1800 Geschichte 1750-1800 gnd rswk-swf Geschichte 1770-1800 gnd rswk-swf Geschichte Musik Instrumental music / Germany / 18th century / History and criticism Musical criticism / Germany Music / Germany / 18th century / Philosophy and aesthetics Nationalism in music Musical criticism / Germany / History / 18th century Musikästhetik (DE-588)4040808-5 gnd rswk-swf Musikkritik (DE-588)4139777-0 gnd rswk-swf Instrumentalmusik (DE-588)4129951-6 gnd rswk-swf Deutschland Deutschland (DE-588)4011882-4 gnd rswk-swf Deutschland (DE-588)4011882-4 g Instrumentalmusik (DE-588)4129951-6 s Musikästhetik (DE-588)4040808-5 s Geschichte 1750-1800 z 1\p DE-604 Musikkritik (DE-588)4139777-0 s Geschichte 1770-1800 z 2\p DE-604 3\p DE-604 Erscheint auch als Druckausgabe 978-0-521-02745-8 Erscheint auch als Druckausgabe 978-0-521-58227-8 https://doi.org/10.1017/CBO9780511549427 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Morrow, Mary Sue 1953- German music criticism in the late eighteenth century aesthetic issues in instrumental music Acknowledgements -- Author's notes -- Introduction: terms of discource -- What does instrumental music mean? -- Answering with a unified voice -- Answering with a German voice -- Answering with aesthetic criteria -- The importance of being correct -- The reign of genius -- A call to order -- Epilogue: segue to the nineteenth century -- Notes -- Bibliography -- Index Geschichte Musik Instrumental music / Germany / 18th century / History and criticism Musical criticism / Germany Music / Germany / 18th century / Philosophy and aesthetics Nationalism in music Musical criticism / Germany / History / 18th century Musikästhetik (DE-588)4040808-5 gnd Musikkritik (DE-588)4139777-0 gnd Instrumentalmusik (DE-588)4129951-6 gnd |
| subject_GND | (DE-588)4040808-5 (DE-588)4139777-0 (DE-588)4129951-6 (DE-588)4011882-4 |
| title | German music criticism in the late eighteenth century aesthetic issues in instrumental music |
| title_auth | German music criticism in the late eighteenth century aesthetic issues in instrumental music |
| title_exact_search | German music criticism in the late eighteenth century aesthetic issues in instrumental music |
| title_full | German music criticism in the late eighteenth century aesthetic issues in instrumental music Mary Sue Morrow |
| title_fullStr | German music criticism in the late eighteenth century aesthetic issues in instrumental music Mary Sue Morrow |
| title_full_unstemmed | German music criticism in the late eighteenth century aesthetic issues in instrumental music Mary Sue Morrow |
| title_short | German music criticism in the late eighteenth century |
| title_sort | german music criticism in the late eighteenth century aesthetic issues in instrumental music |
| title_sub | aesthetic issues in instrumental music |
| topic | Geschichte Musik Instrumental music / Germany / 18th century / History and criticism Musical criticism / Germany Music / Germany / 18th century / Philosophy and aesthetics Nationalism in music Musical criticism / Germany / History / 18th century Musikästhetik (DE-588)4040808-5 gnd Musikkritik (DE-588)4139777-0 gnd Instrumentalmusik (DE-588)4129951-6 gnd |
| topic_facet | Geschichte Musik Instrumental music / Germany / 18th century / History and criticism Musical criticism / Germany Music / Germany / 18th century / Philosophy and aesthetics Nationalism in music Musical criticism / Germany / History / 18th century Musikästhetik Musikkritik Instrumentalmusik Deutschland |
| url | https://doi.org/10.1017/CBO9780511549427 |
| work_keys_str_mv | AT morrowmarysue germanmusiccriticisminthelateeighteenthcenturyaestheticissuesininstrumentalmusic |