Performance and identity in the classical world:
Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. Actors were often viewed as frauds and impostors, capable of deliberately fabricating their identities. Conver...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore, ; São Paulo
Cambridge University Press
2006
|
| Schlagworte: | |
| Online-Zugang: | BSB01 FUBA1 UBG01 Volltext |
| Zusammenfassung: | Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. Actors were often viewed as frauds and impostors, capable of deliberately fabricating their identities. Conversely, they were sometimes viewed as possessed by the characters that they played, or as merely playing themselves onstage. Numerous sources reveal an uneasy fascination with actors and acting, from the writings of elite intellectuals (philosophers, orators, biographers, historians) to the abundant theatrical anecdotes that can be read as a body of 'popular performance theory'. This 2005 text examines these sources, along with dramatic texts and addresses the issue of impersonation, from the late fifth century BCE to the early Roman Empire |
| Beschreibung: | 1 Online-Ressource (viii, 242 Seiten) |
| ISBN: | 9780511550577 |
| DOI: | 10.1017/CBO9780511550577 |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043929678 | ||
| 003 | DE-604 | ||
| 005 | 20210412 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 161202s2006 |||| o||u| ||||||eng d | ||
| 020 | |a 9780511550577 |c Online |9 978-0-511-55057-7 | ||
| 024 | 7 | |a 10.1017/CBO9780511550577 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9780511550577 | ||
| 035 | |a (OCoLC)967424166 | ||
| 035 | |a (DE-599)BVBBV043929678 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 |a DE-188 | ||
| 082 | 0 | |a 792.08/0938/0901 |2 22 | |
| 084 | |a AP 78801 |0 (DE-625)7978:659 |2 rvk | ||
| 084 | |a FB 4066 |0 (DE-625)29965: |2 rvk | ||
| 084 | |a NH 5250 |0 (DE-625)125678: |2 rvk | ||
| 100 | 1 | |a Duncan, Anne |e Verfasser |0 (DE-588)1227907273 |4 aut | |
| 245 | 1 | 0 | |a Performance and identity in the classical world |c Anne Duncan (Arizona State University) |
| 246 | 1 | 3 | |a Performance & identity in the classical world |
| 264 | 1 | |a Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore, ; São Paulo |b Cambridge University Press |c 2006 | |
| 300 | |a 1 Online-Ressource (viii, 242 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | |a Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. Actors were often viewed as frauds and impostors, capable of deliberately fabricating their identities. Conversely, they were sometimes viewed as possessed by the characters that they played, or as merely playing themselves onstage. Numerous sources reveal an uneasy fascination with actors and acting, from the writings of elite intellectuals (philosophers, orators, biographers, historians) to the abundant theatrical anecdotes that can be read as a body of 'popular performance theory'. This 2005 text examines these sources, along with dramatic texts and addresses the issue of impersonation, from the late fifth century BCE to the early Roman Empire | ||
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Acting / History / To 1500 | |
| 650 | 4 | |a Performing arts / Greece / History / To 1500 | |
| 650 | 4 | |a Classical drama / History and criticism | |
| 650 | 4 | |a Theater / Greece / History / To 500 | |
| 650 | 4 | |a Identity (Psychology) in literature | |
| 650 | 4 | |a Theater / History / To 500 | |
| 650 | 4 | |a Performing arts / Rome | |
| 650 | 4 | |a Self in literature | |
| 650 | 4 | |a Actors / Greece | |
| 650 | 4 | |a Theater / Rome | |
| 650 | 4 | |a Actors / Rome | |
| 650 | 0 | 7 | |a Schauspieler |0 (DE-588)4052154-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Antike |0 (DE-588)4068754-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Selbst |0 (DE-588)4121653-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Identität |0 (DE-588)4026482-8 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Griechenland | |
| 651 | 4 | |a Rom | |
| 651 | 7 | |a Römisches Reich |0 (DE-588)4076778-4 |2 gnd |9 rswk-swf | |
| 651 | 7 | |a Griechenland |g Altertum |0 (DE-588)4093976-5 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Antike |0 (DE-588)4068754-5 |D s |
| 689 | 0 | 1 | |a Schauspieler |0 (DE-588)4052154-0 |D s |
| 689 | 0 | 2 | |a Selbst |0 (DE-588)4121653-2 |D s |
| 689 | 0 | 3 | |a Identität |0 (DE-588)4026482-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Griechenland |g Altertum |0 (DE-588)4093976-5 |D g |
| 689 | 1 | 1 | |a Schauspieler |0 (DE-588)4052154-0 |D s |
| 689 | 1 | 2 | |a Selbst |0 (DE-588)4121653-2 |D s |
| 689 | 1 | 3 | |a Identität |0 (DE-588)4026482-8 |D s |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Römisches Reich |0 (DE-588)4076778-4 |D g |
| 689 | 2 | 1 | |a Schauspieler |0 (DE-588)4052154-0 |D s |
| 689 | 2 | 2 | |a Selbst |0 (DE-588)4121653-2 |D s |
| 689 | 2 | 3 | |a Identität |0 (DE-588)4026482-8 |D s |
| 689 | 2 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-0-521-85282-1 |z 0-521-85282-x |w (DE-604)BV021599329 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-0-521-31348-3 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/CBO9780511550577 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 940 | 1 | |q gbd_dub | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029338757 | ||
| 966 | e | |u https://doi.org/10.1017/CBO9780511550577 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/CBO9780511550577 |l FUBA1 |p ZDB-20-CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/CBO9780511550577 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804176860561539072 |
|---|---|
| any_adam_object | |
| author | Duncan, Anne |
| author_GND | (DE-588)1227907273 |
| author_facet | Duncan, Anne |
| author_role | aut |
| author_sort | Duncan, Anne |
| author_variant | a d ad |
| building | Verbundindex |
| bvnumber | BV043929678 |
| classification_rvk | AP 78801 FB 4066 NH 5250 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9780511550577 (OCoLC)967424166 (DE-599)BVBBV043929678 |
| dewey-full | 792.08/0938/0901 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.08/0938/0901 |
| dewey-search | 792.08/0938/0901 |
| dewey-sort | 3792.08 3938 3901 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Geschichte Philologie / Byzantinistik / Neulatein |
| doi_str_mv | 10.1017/CBO9780511550577 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04327nmm a2200865 c 4500</leader><controlfield tag="001">BV043929678</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210412 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161202s2006 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780511550577</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-511-55057-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/CBO9780511550577</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9780511550577</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)967424166</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043929678</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792.08/0938/0901</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 78801</subfield><subfield code="0">(DE-625)7978:659</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">FB 4066</subfield><subfield code="0">(DE-625)29965:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">NH 5250</subfield><subfield code="0">(DE-625)125678:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Duncan, Anne</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1227907273</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Performance and identity in the classical world</subfield><subfield code="c">Anne Duncan (Arizona State University)</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Performance & identity in the classical world</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore, ; São Paulo</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2006</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (viii, 242 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. Actors were often viewed as frauds and impostors, capable of deliberately fabricating their identities. Conversely, they were sometimes viewed as possessed by the characters that they played, or as merely playing themselves onstage. Numerous sources reveal an uneasy fascination with actors and acting, from the writings of elite intellectuals (philosophers, orators, biographers, historians) to the abundant theatrical anecdotes that can be read as a body of 'popular performance theory'. This 2005 text examines these sources, along with dramatic texts and addresses the issue of impersonation, from the late fifth century BCE to the early Roman Empire</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Acting / History / To 1500</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Performing arts / Greece / History / To 1500</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Classical drama / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater / Greece / History / To 500</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Identity (Psychology) in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater / History / To 500</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Performing arts / Rome</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Self in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Actors / Greece</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater / Rome</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Actors / Rome</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schauspieler</subfield><subfield code="0">(DE-588)4052154-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Antike</subfield><subfield code="0">(DE-588)4068754-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Selbst</subfield><subfield code="0">(DE-588)4121653-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Identität</subfield><subfield code="0">(DE-588)4026482-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Griechenland</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Rom</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Römisches Reich</subfield><subfield code="0">(DE-588)4076778-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Griechenland</subfield><subfield code="g">Altertum</subfield><subfield code="0">(DE-588)4093976-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Antike</subfield><subfield code="0">(DE-588)4068754-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Schauspieler</subfield><subfield code="0">(DE-588)4052154-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Selbst</subfield><subfield code="0">(DE-588)4121653-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Identität</subfield><subfield code="0">(DE-588)4026482-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Griechenland</subfield><subfield code="g">Altertum</subfield><subfield code="0">(DE-588)4093976-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Schauspieler</subfield><subfield code="0">(DE-588)4052154-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Selbst</subfield><subfield code="0">(DE-588)4121653-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Identität</subfield><subfield code="0">(DE-588)4026482-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Römisches Reich</subfield><subfield code="0">(DE-588)4076778-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Schauspieler</subfield><subfield code="0">(DE-588)4052154-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Selbst</subfield><subfield code="0">(DE-588)4121653-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="3"><subfield code="a">Identität</subfield><subfield code="0">(DE-588)4026482-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-0-521-85282-1</subfield><subfield code="z">0-521-85282-x</subfield><subfield code="w">(DE-604)BV021599329</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-0-521-31348-3</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/CBO9780511550577</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">gbd_dub</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029338757</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9780511550577</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9780511550577</subfield><subfield code="l">FUBA1</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9780511550577</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Griechenland Rom Römisches Reich (DE-588)4076778-4 gnd Griechenland Altertum (DE-588)4093976-5 gnd |
| geographic_facet | Griechenland Rom Römisches Reich Griechenland Altertum |
| id | DE-604.BV043929678 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:54Z |
| institution | BVB |
| isbn | 9780511550577 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029338757 |
| oclc_num | 967424166 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG DE-188 |
| owner_facet | DE-12 DE-473 DE-BY-UBG DE-188 |
| physical | 1 Online-Ressource (viii, 242 Seiten) |
| psigel | ZDB-20-CBO gbd_dub ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Duncan, Anne Verfasser (DE-588)1227907273 aut Performance and identity in the classical world Anne Duncan (Arizona State University) Performance & identity in the classical world Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore, ; São Paulo Cambridge University Press 2006 1 Online-Ressource (viii, 242 Seiten) txt rdacontent c rdamedia cr rdacarrier Performance and Identity in the Classical World traces attitudes towards actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. Actors were often viewed as frauds and impostors, capable of deliberately fabricating their identities. Conversely, they were sometimes viewed as possessed by the characters that they played, or as merely playing themselves onstage. Numerous sources reveal an uneasy fascination with actors and acting, from the writings of elite intellectuals (philosophers, orators, biographers, historians) to the abundant theatrical anecdotes that can be read as a body of 'popular performance theory'. This 2005 text examines these sources, along with dramatic texts and addresses the issue of impersonation, from the late fifth century BCE to the early Roman Empire Geschichte Acting / History / To 1500 Performing arts / Greece / History / To 1500 Classical drama / History and criticism Theater / Greece / History / To 500 Identity (Psychology) in literature Theater / History / To 500 Performing arts / Rome Self in literature Actors / Greece Theater / Rome Actors / Rome Schauspieler (DE-588)4052154-0 gnd rswk-swf Antike (DE-588)4068754-5 gnd rswk-swf Selbst (DE-588)4121653-2 gnd rswk-swf Identität (DE-588)4026482-8 gnd rswk-swf Griechenland Rom Römisches Reich (DE-588)4076778-4 gnd rswk-swf Griechenland Altertum (DE-588)4093976-5 gnd rswk-swf Antike (DE-588)4068754-5 s Schauspieler (DE-588)4052154-0 s Selbst (DE-588)4121653-2 s Identität (DE-588)4026482-8 s DE-604 Griechenland Altertum (DE-588)4093976-5 g Römisches Reich (DE-588)4076778-4 g Erscheint auch als Druck-Ausgabe, Hardcover 978-0-521-85282-1 0-521-85282-x (DE-604)BV021599329 Erscheint auch als Druck-Ausgabe 978-0-521-31348-3 https://doi.org/10.1017/CBO9780511550577 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Duncan, Anne Performance and identity in the classical world Geschichte Acting / History / To 1500 Performing arts / Greece / History / To 1500 Classical drama / History and criticism Theater / Greece / History / To 500 Identity (Psychology) in literature Theater / History / To 500 Performing arts / Rome Self in literature Actors / Greece Theater / Rome Actors / Rome Schauspieler (DE-588)4052154-0 gnd Antike (DE-588)4068754-5 gnd Selbst (DE-588)4121653-2 gnd Identität (DE-588)4026482-8 gnd |
| subject_GND | (DE-588)4052154-0 (DE-588)4068754-5 (DE-588)4121653-2 (DE-588)4026482-8 (DE-588)4076778-4 (DE-588)4093976-5 |
| title | Performance and identity in the classical world |
| title_alt | Performance & identity in the classical world |
| title_auth | Performance and identity in the classical world |
| title_exact_search | Performance and identity in the classical world |
| title_full | Performance and identity in the classical world Anne Duncan (Arizona State University) |
| title_fullStr | Performance and identity in the classical world Anne Duncan (Arizona State University) |
| title_full_unstemmed | Performance and identity in the classical world Anne Duncan (Arizona State University) |
| title_short | Performance and identity in the classical world |
| title_sort | performance and identity in the classical world |
| topic | Geschichte Acting / History / To 1500 Performing arts / Greece / History / To 1500 Classical drama / History and criticism Theater / Greece / History / To 500 Identity (Psychology) in literature Theater / History / To 500 Performing arts / Rome Self in literature Actors / Greece Theater / Rome Actors / Rome Schauspieler (DE-588)4052154-0 gnd Antike (DE-588)4068754-5 gnd Selbst (DE-588)4121653-2 gnd Identität (DE-588)4026482-8 gnd |
| topic_facet | Geschichte Acting / History / To 1500 Performing arts / Greece / History / To 1500 Classical drama / History and criticism Theater / Greece / History / To 500 Identity (Psychology) in literature Theater / History / To 500 Performing arts / Rome Self in literature Actors / Greece Theater / Rome Actors / Rome Schauspieler Antike Selbst Identität Griechenland Rom Römisches Reich Griechenland Altertum |
| url | https://doi.org/10.1017/CBO9780511550577 |
| work_keys_str_mv | AT duncananne performanceandidentityintheclassicalworld AT duncananne performanceidentityintheclassicalworld |