Convent music and politics in eighteenth-century Vienna:
Janet Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents. For a period of some twenty-five years, encompassing the end of the reign of Emperor Leopold I and that of his elder son, Joseph I, the co...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2014
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Janet Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents. For a period of some twenty-five years, encompassing the end of the reign of Emperor Leopold I and that of his elder son, Joseph I, the court's emphasis on piety and music meshed perfectly with the musical practices of Viennese convents. This mutually beneficial association disintegrated during the eighteenth century, and the changing relationship of court and convents reveals something of the complex connections among the Habsburg court, the Roman Catholic Church, and Viennese society. Identifying and discussing many musical works performed in convents, including oratorios, plays with music, feste teatrali, sepolcri, and other church music, Page reveals a golden age of convent music in Vienna and sheds light on the convents' surprising engagement with contemporary politics |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xii, 307 pages) |
| ISBN: | 9781139856447 |
| DOI: | 10.1017/CBO9781139856447 |
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| 520 | |a Janet Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents. For a period of some twenty-five years, encompassing the end of the reign of Emperor Leopold I and that of his elder son, Joseph I, the court's emphasis on piety and music meshed perfectly with the musical practices of Viennese convents. This mutually beneficial association disintegrated during the eighteenth century, and the changing relationship of court and convents reveals something of the complex connections among the Habsburg court, the Roman Catholic Church, and Viennese society. Identifying and discussing many musical works performed in convents, including oratorios, plays with music, feste teatrali, sepolcri, and other church music, Page reveals a golden age of convent music in Vienna and sheds light on the convents' surprising engagement with contemporary politics | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Page, Janet K. 1957- |
| author_facet | Page, Janet K. 1957- |
| author_role | aut |
| author_sort | Page, Janet K. 1957- |
| author_variant | j k p jk jkp |
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| contents | Introduction: Female convents and music in Vienna, 1650-1785 -- Columbina in the convent : the music of entrance, clothing, and profession in Viennese convents -- Maria Anna von Raschenau and music at the convent of St. Jakob auf der Hülben -- Court, music, and counter-reformation education in an Ursuline convent -- "A virtual picture of Arcadia" : musical entertainments for Leopold I and Joseph I -- Commedia dell-arte, talking animals, and the three Marys : passion music in Viennese convents -- Convents, music, and Habsburg rule in eighteenth-century Vienna -- Appendix 1: Plays, oratorios, cantatas, sepolcri, and feste teatrali performed in Viennese convents ca. 1660-1774 -- Appendix 2: Selected documents -- Appendix 3: The Habsburgs and their family connections -- Appendix 4: Glossary of terms and titles |
| ctrlnum | (ZDB-20-CBO)CR9781139856447 (OCoLC)967424223 (DE-599)BVBBV043929667 |
| dewey-full | 780.943613 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.943613 |
| dewey-search | 780.943613 |
| dewey-sort | 3780.943613 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139856447 |
| era | Geschichte 1700-1800 Geschichte 1700-1800 gnd |
| era_facet | Geschichte 1700-1800 |
| format | Electronic eBook |
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| spelling | Page, Janet K. 1957- Verfasser aut Convent music and politics in eighteenth-century Vienna Janet K. Page Convent Music & Politics in Eighteenth-Century Vienna Cambridge Cambridge University Press 2014 1 online resource (xii, 307 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction: Female convents and music in Vienna, 1650-1785 -- Columbina in the convent : the music of entrance, clothing, and profession in Viennese convents -- Maria Anna von Raschenau and music at the convent of St. Jakob auf der Hülben -- Court, music, and counter-reformation education in an Ursuline convent -- "A virtual picture of Arcadia" : musical entertainments for Leopold I and Joseph I -- Commedia dell-arte, talking animals, and the three Marys : passion music in Viennese convents -- Convents, music, and Habsburg rule in eighteenth-century Vienna -- Appendix 1: Plays, oratorios, cantatas, sepolcri, and feste teatrali performed in Viennese convents ca. 1660-1774 -- Appendix 2: Selected documents -- Appendix 3: The Habsburgs and their family connections -- Appendix 4: Glossary of terms and titles Janet Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents. For a period of some twenty-five years, encompassing the end of the reign of Emperor Leopold I and that of his elder son, Joseph I, the court's emphasis on piety and music meshed perfectly with the musical practices of Viennese convents. This mutually beneficial association disintegrated during the eighteenth century, and the changing relationship of court and convents reveals something of the complex connections among the Habsburg court, the Roman Catholic Church, and Viennese society. Identifying and discussing many musical works performed in convents, including oratorios, plays with music, feste teatrali, sepolcri, and other church music, Page reveals a golden age of convent music in Vienna and sheds light on the convents' surprising engagement with contemporary politics Geschichte 1700-1800 Geschichte 1700-1800 gnd rswk-swf Geschichte Musik Politik Religion Music / Austria / Vienna / 18th century / History and criticism Music / Austria / Vienna / Religious aspects / History / 18th century Music / Political aspects / Austria / Vienna / History / 18th century Convents / Austria / Vienna / 18th century Musikpolitik (DE-588)4135111-3 gnd rswk-swf Kloster (DE-588)4031225-2 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Wien Österreich Wien (DE-588)4066009-6 gnd rswk-swf Wien (DE-588)4066009-6 g Kloster (DE-588)4031225-2 s Musikleben (DE-588)4075128-4 s Musikpolitik (DE-588)4135111-3 s Geschichte 1700-1800 z 1\p DE-604 Erscheint auch als Druckausgabe 978-1-107-03908-7 https://doi.org/10.1017/CBO9781139856447 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Page, Janet K. 1957- Convent music and politics in eighteenth-century Vienna Introduction: Female convents and music in Vienna, 1650-1785 -- Columbina in the convent : the music of entrance, clothing, and profession in Viennese convents -- Maria Anna von Raschenau and music at the convent of St. Jakob auf der Hülben -- Court, music, and counter-reformation education in an Ursuline convent -- "A virtual picture of Arcadia" : musical entertainments for Leopold I and Joseph I -- Commedia dell-arte, talking animals, and the three Marys : passion music in Viennese convents -- Convents, music, and Habsburg rule in eighteenth-century Vienna -- Appendix 1: Plays, oratorios, cantatas, sepolcri, and feste teatrali performed in Viennese convents ca. 1660-1774 -- Appendix 2: Selected documents -- Appendix 3: The Habsburgs and their family connections -- Appendix 4: Glossary of terms and titles Geschichte Musik Politik Religion Music / Austria / Vienna / 18th century / History and criticism Music / Austria / Vienna / Religious aspects / History / 18th century Music / Political aspects / Austria / Vienna / History / 18th century Convents / Austria / Vienna / 18th century Musikpolitik (DE-588)4135111-3 gnd Kloster (DE-588)4031225-2 gnd Musikleben (DE-588)4075128-4 gnd |
| subject_GND | (DE-588)4135111-3 (DE-588)4031225-2 (DE-588)4075128-4 (DE-588)4066009-6 |
| title | Convent music and politics in eighteenth-century Vienna |
| title_alt | Convent Music & Politics in Eighteenth-Century Vienna |
| title_auth | Convent music and politics in eighteenth-century Vienna |
| title_exact_search | Convent music and politics in eighteenth-century Vienna |
| title_full | Convent music and politics in eighteenth-century Vienna Janet K. Page |
| title_fullStr | Convent music and politics in eighteenth-century Vienna Janet K. Page |
| title_full_unstemmed | Convent music and politics in eighteenth-century Vienna Janet K. Page |
| title_short | Convent music and politics in eighteenth-century Vienna |
| title_sort | convent music and politics in eighteenth century vienna |
| topic | Geschichte Musik Politik Religion Music / Austria / Vienna / 18th century / History and criticism Music / Austria / Vienna / Religious aspects / History / 18th century Music / Political aspects / Austria / Vienna / History / 18th century Convents / Austria / Vienna / 18th century Musikpolitik (DE-588)4135111-3 gnd Kloster (DE-588)4031225-2 gnd Musikleben (DE-588)4075128-4 gnd |
| topic_facet | Geschichte Musik Politik Religion Music / Austria / Vienna / 18th century / History and criticism Music / Austria / Vienna / Religious aspects / History / 18th century Music / Political aspects / Austria / Vienna / History / 18th century Convents / Austria / Vienna / 18th century Musikpolitik Kloster Musikleben Wien Österreich |
| url | https://doi.org/10.1017/CBO9781139856447 |
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