Shakespeare and the traditions of comedy:
This book relates Shakespeare's comedies to a broad European background. At the beginning and again at the end of his career, Shakespeare was attracted by a tradition of stage romances which can be traced back to Chaucer's time. But the main shaping behind his comedies came from the classi...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1974
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | This book relates Shakespeare's comedies to a broad European background. At the beginning and again at the end of his career, Shakespeare was attracted by a tradition of stage romances which can be traced back to Chaucer's time. But the main shaping behind his comedies came from the classical tradition. Mr Salingar therefore examines the underlying theme of 'errors' in Greek and Roman comedies and, taking three Italian comedies famous in the sixteenth century as examples, he then reveals how the Italian Renaissance revived the classical tradition, and what effect this revival had on Shakespeare the Elizabethan playwright and discusses such topics as the device of the play within a play and Shakespeare's choice of Italian short stories as plot material. This book shows how Shakespeare changed the motifs he took over from previous traditions of comedy and highlights the innovations he introduced, as an actor-dramatist writing in the first period of commercial theatre in Europe |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (x, 356 pages) |
| ISBN: | 9780511553189 |
| DOI: | 10.1017/CBO9780511553189 |
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| 520 | |a This book relates Shakespeare's comedies to a broad European background. At the beginning and again at the end of his career, Shakespeare was attracted by a tradition of stage romances which can be traced back to Chaucer's time. But the main shaping behind his comedies came from the classical tradition. Mr Salingar therefore examines the underlying theme of 'errors' in Greek and Roman comedies and, taking three Italian comedies famous in the sixteenth century as examples, he then reveals how the Italian Renaissance revived the classical tradition, and what effect this revival had on Shakespeare the Elizabethan playwright and discusses such topics as the device of the play within a play and Shakespeare's choice of Italian short stories as plot material. This book shows how Shakespeare changed the motifs he took over from previous traditions of comedy and highlights the innovations he introduced, as an actor-dramatist writing in the first period of commercial theatre in Europe | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Salingar, Leo |
| author_facet | Salingar, Leo |
| author_role | aut |
| author_sort | Salingar, Leo |
| author_variant | l s ls |
| building | Verbundindex |
| bvnumber | BV043929508 |
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| collection | ZDB-20-CBO |
| contents | Part one: the unfaithful mirror -- Comedy as celebration -- Character and plot -- Part two: medieval stage romances -- Early Elizabethan romances -- Medieval stage heroines -- Egeon and Apollonius -- Survivals of medieval staging -- Part three: 'errors' and deceit in classical comedy -- The trickster in classical comedy -- The trickster, continued -- Part four: Fortune in classical comedy -- The wheel of fortune -- Fortune as trickster -- Part five: Shakespeare and Italian comedy -- Three Italian comedies -- Double plots in Shakespeare -- Part six: An Elizabethan playwright -- The player in the play -- Marriages and magistrates |
| ctrlnum | (ZDB-20-CBO)CR9780511553189 (OCoLC)967421789 (DE-599)BVBBV043929508 |
| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9780511553189 |
| era | Geschichte 1600-1700 Geschichte 1500-1600 |
| era_facet | Geschichte 1600-1700 Geschichte 1500-1600 |
| format | Electronic eBook |
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| isbn | 9780511553189 |
| language | English |
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| spelling | Salingar, Leo Verfasser aut Shakespeare and the traditions of comedy Leo Salingar Shakespeare & the Traditions of Comedy Cambridge Cambridge University Press 1974 1 online resource (x, 356 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Part one: the unfaithful mirror -- Comedy as celebration -- Character and plot -- Part two: medieval stage romances -- Early Elizabethan romances -- Medieval stage heroines -- Egeon and Apollonius -- Survivals of medieval staging -- Part three: 'errors' and deceit in classical comedy -- The trickster in classical comedy -- The trickster, continued -- Part four: Fortune in classical comedy -- The wheel of fortune -- Fortune as trickster -- Part five: Shakespeare and Italian comedy -- Three Italian comedies -- Double plots in Shakespeare -- Part six: An Elizabethan playwright -- The player in the play -- Marriages and magistrates This book relates Shakespeare's comedies to a broad European background. At the beginning and again at the end of his career, Shakespeare was attracted by a tradition of stage romances which can be traced back to Chaucer's time. But the main shaping behind his comedies came from the classical tradition. Mr Salingar therefore examines the underlying theme of 'errors' in Greek and Roman comedies and, taking three Italian comedies famous in the sixteenth century as examples, he then reveals how the Italian Renaissance revived the classical tradition, and what effect this revival had on Shakespeare the Elizabethan playwright and discusses such topics as the device of the play within a play and Shakespeare's choice of Italian short stories as plot material. This book shows how Shakespeare changed the motifs he took over from previous traditions of comedy and highlights the innovations he introduced, as an actor-dramatist writing in the first period of commercial theatre in Europe Shakespeare, William / 1564-1616 / Comedies Shakespeare, William / 1564-1616 / Sources Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte 1600-1700 Geschichte 1500-1600 Geschichte Theater / England / History / 16th century Theater / England / History / 17th century Comedy / History and criticism Komödie (DE-588)4031952-0 gnd rswk-swf (DE-588)4135952-5 Quelle gnd-content Shakespeare, William 1564-1616 (DE-588)118613723 p Komödie (DE-588)4031952-0 s 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-20384-5 Erscheint auch als Druckausgabe 978-0-521-29113-2 https://doi.org/10.1017/CBO9780511553189 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Salingar, Leo Shakespeare and the traditions of comedy Part one: the unfaithful mirror -- Comedy as celebration -- Character and plot -- Part two: medieval stage romances -- Early Elizabethan romances -- Medieval stage heroines -- Egeon and Apollonius -- Survivals of medieval staging -- Part three: 'errors' and deceit in classical comedy -- The trickster in classical comedy -- The trickster, continued -- Part four: Fortune in classical comedy -- The wheel of fortune -- Fortune as trickster -- Part five: Shakespeare and Italian comedy -- Three Italian comedies -- Double plots in Shakespeare -- Part six: An Elizabethan playwright -- The player in the play -- Marriages and magistrates Shakespeare, William / 1564-1616 / Comedies Shakespeare, William / 1564-1616 / Sources Shakespeare, William 1564-1616 (DE-588)118613723 gnd Geschichte Theater / England / History / 16th century Theater / England / History / 17th century Comedy / History and criticism Komödie (DE-588)4031952-0 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4031952-0 (DE-588)4135952-5 |
| title | Shakespeare and the traditions of comedy |
| title_alt | Shakespeare & the Traditions of Comedy |
| title_auth | Shakespeare and the traditions of comedy |
| title_exact_search | Shakespeare and the traditions of comedy |
| title_full | Shakespeare and the traditions of comedy Leo Salingar |
| title_fullStr | Shakespeare and the traditions of comedy Leo Salingar |
| title_full_unstemmed | Shakespeare and the traditions of comedy Leo Salingar |
| title_short | Shakespeare and the traditions of comedy |
| title_sort | shakespeare and the traditions of comedy |
| topic | Shakespeare, William / 1564-1616 / Comedies Shakespeare, William / 1564-1616 / Sources Shakespeare, William 1564-1616 (DE-588)118613723 gnd Geschichte Theater / England / History / 16th century Theater / England / History / 17th century Comedy / History and criticism Komödie (DE-588)4031952-0 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Comedies Shakespeare, William / 1564-1616 / Sources Shakespeare, William 1564-1616 Geschichte Theater / England / History / 16th century Theater / England / History / 17th century Comedy / History and criticism Komödie Quelle |
| url | https://doi.org/10.1017/CBO9780511553189 |
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