Until recently, early recordings were regarded as little more than old-fashioned curiosities by musicians. Scholars and musicians now are beginning to realise their importance as historical documents which preserve the performance of composers and the musicians with whom they worked. In this fascina...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Philip, Robert 1945- (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Cambridge Cambridge University Press 1992
Schlagworte:	Geschichte 1900-2000 Geschichte 1900-1950 Geschichte Performance practice (Music) > History > 20th century Instrumental music > Interpretation (Phrasing, dynamics, etc.) Style, Musical Sound recordings in musicology Instrumentalspiel Schallaufzeichnung Musikalische Aufführungspraxis Instrumentalmusik Musik Aufzeichnung Interpretation
Online-Zugang:	BSB01 UBG01 URL des Erstveröffentlichers
Zusammenfassung:	Until recently, early recordings were regarded as little more than old-fashioned curiosities by musicians. Scholars and musicians now are beginning to realise their importance as historical documents which preserve the performance of composers and the musicians with whom they worked. In this fascinating study, Robert Philip argues that recordings of the early twentieth-century provide an important and hitherto neglected resource in the history of musical performance. The book concentrates on aspects of performance which underwent the greatest change in the early twentieth century, including rhythm, rubato, vibrato, and portamento. The final chapters explore some of the implications of these changes, both for the study of earlier periods and for the understanding of our own attitudes to the music of the past
Beschreibung:	Title from publisher's bibliographic system (viewed on 05 Oct 2015)
Beschreibung:	1 online resource (x, 274 pages)
ISBN:	9780511470271
DOI:	10.1017/CBO9780511470271