Screening early modern drama: beyond Shakespeare
While film adaptations of Shakespeare's plays captured the popular imagination at the turn of the last century, independent filmmakers began to adapt the plays of Shakespeare's contemporaries. The roots of their films in European avant-garde cinema and the plays' politically subversiv...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2013
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | While film adaptations of Shakespeare's plays captured the popular imagination at the turn of the last century, independent filmmakers began to adapt the plays of Shakespeare's contemporaries. The roots of their films in European avant-garde cinema and the plays' politically subversive, sexually transgressive and violent subject matter challenge Shakespeare's cultural dominance and the conventions of mainstream cinema. In Screening Early Modern Drama, Pascale Aebischer shows how director Derek Jarman constructed an alternative, dissident, approach to filming literary heritage in his 'queer' Caravaggio and Edward II, providing models for subsequent filmmakers such as Mike Figgis, Peter Greenaway, Alex Cox and Sarah Harding. Aebischer explains how the advent of digital video has led to an explosion in low-budget screen versions of early modern drama. The only comprehensive analysis of early modern drama on screen to date, this groundbreaking study also includes an extensive annotated filmography listing forty-eight surviving adaptations |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Beschreibung: | 1 online resource (xi, 274 pages) |
ISBN: | 9781139176194 |
DOI: | 10.1017/CBO9781139176194 |
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505 | 8 | |a Introduction: beyond Shakespeare: the contemporary Jacobean film -- Derek Jarman's queer contemporary Jacobean aesthetic: Caravaggio and Edward II -- The preposterous contemporary Jacobean film: Peter Greenaway's Cook, heritage Shakespeare and sexual exploitation in Mike Figgis's Hotel -- Third cinema, urban regeneration and heritage Shakespeare in Alex Cox's Revengers tragedy -- Early modern performance and digital media: remediation and the evolving archival canon -- Bend it like Nagra: mainstreaming the changeling in Sarah Harding's Compulsion -- Conclusion: early modern dramatists on twenty-first century screens | |
520 | |a While film adaptations of Shakespeare's plays captured the popular imagination at the turn of the last century, independent filmmakers began to adapt the plays of Shakespeare's contemporaries. The roots of their films in European avant-garde cinema and the plays' politically subversive, sexually transgressive and violent subject matter challenge Shakespeare's cultural dominance and the conventions of mainstream cinema. In Screening Early Modern Drama, Pascale Aebischer shows how director Derek Jarman constructed an alternative, dissident, approach to filming literary heritage in his 'queer' Caravaggio and Edward II, providing models for subsequent filmmakers such as Mike Figgis, Peter Greenaway, Alex Cox and Sarah Harding. Aebischer explains how the advent of digital video has led to an explosion in low-budget screen versions of early modern drama. The only comprehensive analysis of early modern drama on screen to date, this groundbreaking study also includes an extensive annotated filmography listing forty-eight surviving adaptations | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Aebischer, Pascale 1970- |
author_facet | Aebischer, Pascale 1970- |
author_role | aut |
author_sort | Aebischer, Pascale 1970- |
author_variant | p a pa |
building | Verbundindex |
bvnumber | BV043929164 |
classification_rvk | HI 1269 |
collection | ZDB-20-CBO |
contents | Introduction: beyond Shakespeare: the contemporary Jacobean film -- Derek Jarman's queer contemporary Jacobean aesthetic: Caravaggio and Edward II -- The preposterous contemporary Jacobean film: Peter Greenaway's Cook, heritage Shakespeare and sexual exploitation in Mike Figgis's Hotel -- Third cinema, urban regeneration and heritage Shakespeare in Alex Cox's Revengers tragedy -- Early modern performance and digital media: remediation and the evolving archival canon -- Bend it like Nagra: mainstreaming the changeling in Sarah Harding's Compulsion -- Conclusion: early modern dramatists on twenty-first century screens |
ctrlnum | (ZDB-20-CBO)CR9781139176194 (OCoLC)967421815 (DE-599)BVBBV043929164 |
dewey-full | 791.43/657 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/657 |
dewey-search | 791.43/657 |
dewey-sort | 3791.43 3657 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Anglistik / Amerikanistik |
doi_str_mv | 10.1017/CBO9781139176194 |
era | Geschichte 1900-2000 Geschichte 1570-1640 gnd |
era_facet | Geschichte 1900-2000 Geschichte 1570-1640 |
format | Electronic eBook |
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institution | BVB |
isbn | 9781139176194 |
language | English |
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spelling | Aebischer, Pascale 1970- Verfasser aut Screening early modern drama beyond Shakespeare Pascale Aebischer Cambridge Cambridge University Press 2013 1 online resource (xi, 274 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction: beyond Shakespeare: the contemporary Jacobean film -- Derek Jarman's queer contemporary Jacobean aesthetic: Caravaggio and Edward II -- The preposterous contemporary Jacobean film: Peter Greenaway's Cook, heritage Shakespeare and sexual exploitation in Mike Figgis's Hotel -- Third cinema, urban regeneration and heritage Shakespeare in Alex Cox's Revengers tragedy -- Early modern performance and digital media: remediation and the evolving archival canon -- Bend it like Nagra: mainstreaming the changeling in Sarah Harding's Compulsion -- Conclusion: early modern dramatists on twenty-first century screens While film adaptations of Shakespeare's plays captured the popular imagination at the turn of the last century, independent filmmakers began to adapt the plays of Shakespeare's contemporaries. The roots of their films in European avant-garde cinema and the plays' politically subversive, sexually transgressive and violent subject matter challenge Shakespeare's cultural dominance and the conventions of mainstream cinema. In Screening Early Modern Drama, Pascale Aebischer shows how director Derek Jarman constructed an alternative, dissident, approach to filming literary heritage in his 'queer' Caravaggio and Edward II, providing models for subsequent filmmakers such as Mike Figgis, Peter Greenaway, Alex Cox and Sarah Harding. Aebischer explains how the advent of digital video has led to an explosion in low-budget screen versions of early modern drama. The only comprehensive analysis of early modern drama on screen to date, this groundbreaking study also includes an extensive annotated filmography listing forty-eight surviving adaptations Shakespeare, William / 1564-1616 / Film adaptations / History and criticism Geschichte 1900-2000 Geschichte 1570-1640 gnd rswk-swf Film Geschichte Film adaptations / History and criticism English drama / Early modern and Elizabethan, 1500-1600 / Film adaptations Motion pictures and literature Motion pictures / Great Britain / 20th century / History Drama (DE-588)4012899-4 gnd rswk-swf Verfilmung (DE-588)4062809-7 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Großbritannien Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Geschichte 1570-1640 z Verfilmung (DE-588)4062809-7 s 1\p DE-604 Erscheint auch als Druckausgabe 978-1-107-02493-9 Erscheint auch als Druckausgabe 978-1-107-55944-8 https://doi.org/10.1017/CBO9781139176194 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Aebischer, Pascale 1970- Screening early modern drama beyond Shakespeare Introduction: beyond Shakespeare: the contemporary Jacobean film -- Derek Jarman's queer contemporary Jacobean aesthetic: Caravaggio and Edward II -- The preposterous contemporary Jacobean film: Peter Greenaway's Cook, heritage Shakespeare and sexual exploitation in Mike Figgis's Hotel -- Third cinema, urban regeneration and heritage Shakespeare in Alex Cox's Revengers tragedy -- Early modern performance and digital media: remediation and the evolving archival canon -- Bend it like Nagra: mainstreaming the changeling in Sarah Harding's Compulsion -- Conclusion: early modern dramatists on twenty-first century screens Shakespeare, William / 1564-1616 / Film adaptations / History and criticism Film Geschichte Film adaptations / History and criticism English drama / Early modern and Elizabethan, 1500-1600 / Film adaptations Motion pictures and literature Motion pictures / Great Britain / 20th century / History Drama (DE-588)4012899-4 gnd Verfilmung (DE-588)4062809-7 gnd Englisch (DE-588)4014777-0 gnd |
subject_GND | (DE-588)4012899-4 (DE-588)4062809-7 (DE-588)4014777-0 |
title | Screening early modern drama beyond Shakespeare |
title_auth | Screening early modern drama beyond Shakespeare |
title_exact_search | Screening early modern drama beyond Shakespeare |
title_full | Screening early modern drama beyond Shakespeare Pascale Aebischer |
title_fullStr | Screening early modern drama beyond Shakespeare Pascale Aebischer |
title_full_unstemmed | Screening early modern drama beyond Shakespeare Pascale Aebischer |
title_short | Screening early modern drama |
title_sort | screening early modern drama beyond shakespeare |
title_sub | beyond Shakespeare |
topic | Shakespeare, William / 1564-1616 / Film adaptations / History and criticism Film Geschichte Film adaptations / History and criticism English drama / Early modern and Elizabethan, 1500-1600 / Film adaptations Motion pictures and literature Motion pictures / Great Britain / 20th century / History Drama (DE-588)4012899-4 gnd Verfilmung (DE-588)4062809-7 gnd Englisch (DE-588)4014777-0 gnd |
topic_facet | Shakespeare, William / 1564-1616 / Film adaptations / History and criticism Film Geschichte Film adaptations / History and criticism English drama / Early modern and Elizabethan, 1500-1600 / Film adaptations Motion pictures and literature Motion pictures / Great Britain / 20th century / History Drama Verfilmung Englisch Großbritannien |
url | https://doi.org/10.1017/CBO9781139176194 |
work_keys_str_mv | AT aebischerpascale screeningearlymoderndramabeyondshakespeare |