Poetry and the romantic musical aesthetic:
James H. Donelan describes how two poets, a philosopher and a composer – Hölderlin, Wordsworth, Hegel and Beethoven – developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal rep...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2008
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | James H. Donelan describes how two poets, a philosopher and a composer – Hölderlin, Wordsworth, Hegel and Beethoven – developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind. Against a background of political and cultural upheaval, these four major figures – all born in 1770 – developed this idea in both metaphorical and actual musical structures, thereby establishing both the theory and the practice of asserting self-identity in music. Beethoven still carries the image of the heroic composer today; this book describes how it originated in both his music and in how others responded to him. Bringing together the fields of philosophy, musicology, and literary criticism, Donelan shows how this development emerged from the complex changes in European cultural life taking place between 1795 and 1831 |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xvi, 216 pages) |
| ISBN: | 9780511482076 |
| DOI: | 10.1017/CBO9780511482076 |
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| author | Donelan, James H. 1963- |
| author_facet | Donelan, James H. 1963- |
| author_role | aut |
| author_sort | Donelan, James H. 1963- |
| author_variant | j h d jh jhd |
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| contents | Self-consciousness and music in the late Enlightenment -- Hölderlin's Deutscher Gesang and the music of poetic self-consciousness -- Hegel's aesthetic theory: self-consciousness and musical material -- Nature, music, and the imagination in Wordsworth's poetry -- Beethoven and musical self-consciousness -- The persistence of sound |
| ctrlnum | (ZDB-20-CBO)CR9780511482076 (OCoLC)850143493 (DE-599)BVBBV043928844 |
| dewey-full | 781.1/7 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.1/7 |
| dewey-search | 781.1/7 |
| dewey-sort | 3781.1 17 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511482076 |
| era | Geschichte 1790-1830 gnd Geschichte 1780-1830 gnd |
| era_facet | Geschichte 1790-1830 Geschichte 1780-1830 |
| format | Electronic eBook |
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| id | DE-604.BV043928844 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:52Z |
| institution | BVB |
| isbn | 9780511482076 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029337923 |
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| spelling | Donelan, James H. 1963- Verfasser aut Poetry and the romantic musical aesthetic James H. Donelan Poetry & the Romantic Musical Aesthetic Cambridge Cambridge University Press 2008 1 online resource (xvi, 216 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Self-consciousness and music in the late Enlightenment -- Hölderlin's Deutscher Gesang and the music of poetic self-consciousness -- Hegel's aesthetic theory: self-consciousness and musical material -- Nature, music, and the imagination in Wordsworth's poetry -- Beethoven and musical self-consciousness -- The persistence of sound James H. Donelan describes how two poets, a philosopher and a composer – Hölderlin, Wordsworth, Hegel and Beethoven – developed an idea of self-consciousness based on music at the turn of the nineteenth century. This idea became an enduring cultural belief: the understanding of music as an ideal representation of the autonomous creative mind. Against a background of political and cultural upheaval, these four major figures – all born in 1770 – developed this idea in both metaphorical and actual musical structures, thereby establishing both the theory and the practice of asserting self-identity in music. Beethoven still carries the image of the heroic composer today; this book describes how it originated in both his music and in how others responded to him. Bringing together the fields of philosophy, musicology, and literary criticism, Donelan shows how this development emerged from the complex changes in European cultural life taking place between 1795 and 1831 Geschichte 1790-1830 gnd rswk-swf Geschichte 1780-1830 gnd rswk-swf Musik Music / Philosophy and aesthetics Poetry Romanticism Musikästhetik (DE-588)4040808-5 gnd rswk-swf Romantik (DE-588)4050491-8 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musikphilosophie (DE-588)4123809-6 gnd rswk-swf Musik Motiv (DE-588)4114652-9 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Musikphilosophie (DE-588)4123809-6 s Musikästhetik (DE-588)4040808-5 s Geschichte 1780-1830 z 1\p DE-604 Musik Motiv (DE-588)4114652-9 s Literatur (DE-588)4035964-5 s 2\p DE-604 Musik (DE-588)4040802-4 s Romantik (DE-588)4050491-8 s 3\p DE-604 Geschichte 1790-1830 z 4\p DE-604 Erscheint auch als Druckausgabe 978-0-521-13016-5 Erscheint auch als Druckausgabe 978-0-521-88761-8 https://doi.org/10.1017/CBO9780511482076 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Donelan, James H. 1963- Poetry and the romantic musical aesthetic Self-consciousness and music in the late Enlightenment -- Hölderlin's Deutscher Gesang and the music of poetic self-consciousness -- Hegel's aesthetic theory: self-consciousness and musical material -- Nature, music, and the imagination in Wordsworth's poetry -- Beethoven and musical self-consciousness -- The persistence of sound Musik Music / Philosophy and aesthetics Poetry Romanticism Musikästhetik (DE-588)4040808-5 gnd Romantik (DE-588)4050491-8 gnd Musik (DE-588)4040802-4 gnd Musikphilosophie (DE-588)4123809-6 gnd Musik Motiv (DE-588)4114652-9 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4040808-5 (DE-588)4050491-8 (DE-588)4040802-4 (DE-588)4123809-6 (DE-588)4114652-9 (DE-588)4035964-5 |
| title | Poetry and the romantic musical aesthetic |
| title_alt | Poetry & the Romantic Musical Aesthetic |
| title_auth | Poetry and the romantic musical aesthetic |
| title_exact_search | Poetry and the romantic musical aesthetic |
| title_full | Poetry and the romantic musical aesthetic James H. Donelan |
| title_fullStr | Poetry and the romantic musical aesthetic James H. Donelan |
| title_full_unstemmed | Poetry and the romantic musical aesthetic James H. Donelan |
| title_short | Poetry and the romantic musical aesthetic |
| title_sort | poetry and the romantic musical aesthetic |
| topic | Musik Music / Philosophy and aesthetics Poetry Romanticism Musikästhetik (DE-588)4040808-5 gnd Romantik (DE-588)4050491-8 gnd Musik (DE-588)4040802-4 gnd Musikphilosophie (DE-588)4123809-6 gnd Musik Motiv (DE-588)4114652-9 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Musik Music / Philosophy and aesthetics Poetry Romanticism Musikästhetik Romantik Musikphilosophie Musik Motiv Literatur |
| url | https://doi.org/10.1017/CBO9780511482076 |
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