Theatrical convention and audience response in early modern drama:
This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus Andronicus, it also places Shakespeare emphatically...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2003
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus Andronicus, it also places Shakespeare emphatically within his own theatrical context, and focuses on the relationship between the demanding repertory system of the time and the conventions and content of the plays. Lopez argues that the limitations of the relatively bare stage and non-naturalistic mode of early modern theatre would have made the potential for failure very great, and he proposes that understanding this potential for failure is crucial for understanding the way in which the drama succeeded on stage. The book offers perspectives on familiar conventions such as the pun, the aside and the expository speech; and it works toward a definition of early modern theatrical genres based on the relationship between these well-known conventions and the incoherent experience of early modern theatrical narratives |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (viii, 239 pages) |
| ISBN: | 9780511483714 |
| DOI: | 10.1017/CBO9780511483714 |
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| 505 | 8 | |a 1. "As it was acted to great applause": Elizabethan and Jacobean audiences and the physicality of response -- 2. Meat, magic, and metamorphosis: on puns and wordplay -- 3. Managing the aside -- 4. Exposition, redundancy, action -- 5. Disorder and convention -- 6. Drama of disappointment: character and narrative in Elizabethan and Jacobean tragedy -- 7. Laughter and narrative in Elizabethan and Jacobean comedy -- 8. Epilogue: Jonson and Shakespeare | |
| 520 | |a This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus Andronicus, it also places Shakespeare emphatically within his own theatrical context, and focuses on the relationship between the demanding repertory system of the time and the conventions and content of the plays. Lopez argues that the limitations of the relatively bare stage and non-naturalistic mode of early modern theatre would have made the potential for failure very great, and he proposes that understanding this potential for failure is crucial for understanding the way in which the drama succeeded on stage. The book offers perspectives on familiar conventions such as the pun, the aside and the expository speech; and it works toward a definition of early modern theatrical genres based on the relationship between these well-known conventions and the incoherent experience of early modern theatrical narratives | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Lopez, Jeremy |
| author_facet | Lopez, Jeremy |
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| contents | 1. "As it was acted to great applause": Elizabethan and Jacobean audiences and the physicality of response -- 2. Meat, magic, and metamorphosis: on puns and wordplay -- 3. Managing the aside -- 4. Exposition, redundancy, action -- 5. Disorder and convention -- 6. Drama of disappointment: character and narrative in Elizabethan and Jacobean tragedy -- 7. Laughter and narrative in Elizabethan and Jacobean comedy -- 8. Epilogue: Jonson and Shakespeare |
| ctrlnum | (ZDB-20-CBO)CR9780511483714 (OCoLC)704513442 (DE-599)BVBBV043928597 |
| dewey-full | 822/.309 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822/.309 |
| dewey-search | 822/.309 |
| dewey-sort | 3822 3309 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9780511483714 |
| era | Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1585-1630 gnd |
| era_facet | Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1585-1630 |
| format | Electronic eBook |
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| id | DE-604.BV043928597 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:52Z |
| institution | BVB |
| isbn | 9780511483714 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029337676 |
| oclc_num | 704513442 |
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| physical | 1 online resource (viii, 239 pages) |
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| publishDate | 2003 |
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| spelling | Lopez, Jeremy Verfasser aut Theatrical convention and audience response in early modern drama Jeremy Lopez Theatrical Convention & Audience Response in Early Modern Drama Cambridge Cambridge University Press 2003 1 online resource (viii, 239 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) 1. "As it was acted to great applause": Elizabethan and Jacobean audiences and the physicality of response -- 2. Meat, magic, and metamorphosis: on puns and wordplay -- 3. Managing the aside -- 4. Exposition, redundancy, action -- 5. Disorder and convention -- 6. Drama of disappointment: character and narrative in Elizabethan and Jacobean tragedy -- 7. Laughter and narrative in Elizabethan and Jacobean comedy -- 8. Epilogue: Jonson and Shakespeare This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus Andronicus, it also places Shakespeare emphatically within his own theatrical context, and focuses on the relationship between the demanding repertory system of the time and the conventions and content of the plays. Lopez argues that the limitations of the relatively bare stage and non-naturalistic mode of early modern theatre would have made the potential for failure very great, and he proposes that understanding this potential for failure is crucial for understanding the way in which the drama succeeded on stage. The book offers perspectives on familiar conventions such as the pun, the aside and the expository speech; and it works toward a definition of early modern theatrical genres based on the relationship between these well-known conventions and the incoherent experience of early modern theatrical narratives Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1585-1630 gnd rswk-swf Geschichte English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Theater audiences / England / History / 16th century Theater audiences / England / History / 17th century English drama / 17th century / History and criticism Theater / England / History / 16th century Theater / England / History / 17th century Drama (DE-588)4012899-4 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Aufführung (DE-588)4143388-9 s Geschichte 1585-1630 z 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-03283-4 Erscheint auch als Druckausgabe 978-0-521-82006-6 https://doi.org/10.1017/CBO9780511483714 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Lopez, Jeremy Theatrical convention and audience response in early modern drama 1. "As it was acted to great applause": Elizabethan and Jacobean audiences and the physicality of response -- 2. Meat, magic, and metamorphosis: on puns and wordplay -- 3. Managing the aside -- 4. Exposition, redundancy, action -- 5. Disorder and convention -- 6. Drama of disappointment: character and narrative in Elizabethan and Jacobean tragedy -- 7. Laughter and narrative in Elizabethan and Jacobean comedy -- 8. Epilogue: Jonson and Shakespeare Geschichte English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Theater audiences / England / History / 16th century Theater audiences / England / History / 17th century English drama / 17th century / History and criticism Theater / England / History / 16th century Theater / England / History / 17th century Drama (DE-588)4012899-4 gnd Englisch (DE-588)4014777-0 gnd Aufführung (DE-588)4143388-9 gnd |
| subject_GND | (DE-588)4012899-4 (DE-588)4014777-0 (DE-588)4143388-9 |
| title | Theatrical convention and audience response in early modern drama |
| title_alt | Theatrical Convention & Audience Response in Early Modern Drama |
| title_auth | Theatrical convention and audience response in early modern drama |
| title_exact_search | Theatrical convention and audience response in early modern drama |
| title_full | Theatrical convention and audience response in early modern drama Jeremy Lopez |
| title_fullStr | Theatrical convention and audience response in early modern drama Jeremy Lopez |
| title_full_unstemmed | Theatrical convention and audience response in early modern drama Jeremy Lopez |
| title_short | Theatrical convention and audience response in early modern drama |
| title_sort | theatrical convention and audience response in early modern drama |
| topic | Geschichte English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Theater audiences / England / History / 16th century Theater audiences / England / History / 17th century English drama / 17th century / History and criticism Theater / England / History / 16th century Theater / England / History / 17th century Drama (DE-588)4012899-4 gnd Englisch (DE-588)4014777-0 gnd Aufführung (DE-588)4143388-9 gnd |
| topic_facet | Geschichte English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Theater audiences / England / History / 16th century Theater audiences / England / History / 17th century English drama / 17th century / History and criticism Theater / England / History / 16th century Theater / England / History / 17th century Drama Englisch Aufführung |
| url | https://doi.org/10.1017/CBO9780511483714 |
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