Schubert's Beethoven project:
Why couldn't Schubert get his 'great' C-Major Symphony performed? Why was he the first composer to consistently write four movements for his piano sonatas? Since neither Schubert's nor Beethoven's piano sonatas were ever performed in public, who did hear them? Addressing the...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2014
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 UBM01 Volltext |
| Zusammenfassung: | Why couldn't Schubert get his 'great' C-Major Symphony performed? Why was he the first composer to consistently write four movements for his piano sonatas? Since neither Schubert's nor Beethoven's piano sonatas were ever performed in public, who did hear them? Addressing these questions and many others, John M. Gingerich provides a new understanding of Schubert's career and his relationship to Beethoven. Placing the genres of string quartet, symphony, and piano sonata within the cultural context of the 1820s, the book examines how Schubert was building on Beethoven's legacy. Gingerich brings new understandings of how Schubert tried to shape his career to bear on new hermeneutic readings of the works from 1824 to 1828 that share musical and extra-musical pre-occupations, centering on the 'Death and the Maiden' Quartet and the Cello Quintet, as well as on analyses of the A-minor Quartet, the Octet, and of the 'great' C-Major Symphony |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xvi, 358 pages) |
| ISBN: | 9781139032193 |
| DOI: | 10.1017/CBO9781139032193 |
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| 520 | |a Why couldn't Schubert get his 'great' C-Major Symphony performed? Why was he the first composer to consistently write four movements for his piano sonatas? Since neither Schubert's nor Beethoven's piano sonatas were ever performed in public, who did hear them? Addressing these questions and many others, John M. Gingerich provides a new understanding of Schubert's career and his relationship to Beethoven. Placing the genres of string quartet, symphony, and piano sonata within the cultural context of the 1820s, the book examines how Schubert was building on Beethoven's legacy. Gingerich brings new understandings of how Schubert tried to shape his career to bear on new hermeneutic readings of the works from 1824 to 1828 that share musical and extra-musical pre-occupations, centering on the 'Death and the Maiden' Quartet and the Cello Quintet, as well as on analyses of the A-minor Quartet, the Octet, and of the 'great' C-Major Symphony | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Gingerich, John Michael |
| author_GND | (DE-588)106641615X |
| author_facet | Gingerich, John Michael |
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| author_sort | Gingerich, John Michael |
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| contents | Preparations -- The year of crisis, 1823 -- Schuppanzigh and Schubert's chamber music -- Songs of death and the chamber music of 1824 -- Schubert's first public quartet and sonata form -- Schubert's Octet and Beethoven's Septet -- The Gesellschaft der Musikfreunde, Schubert, and his symphony -- Schubert's heroic symphony -- The piano sonatas of 1825-1826 -- Schubert and his publishers -- The E-flat piano trio, Schubert's career, and its two last movements -- Schubert's annus mirabilis and the String quintet |
| ctrlnum | (ZDB-20-CBO)CR9781139032193 (OCoLC)949924479 (DE-599)BVBBV043928576 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139032193 |
| era | Geschichte 1800-1900 Geschichte 1824-1827 gnd |
| era_facet | Geschichte 1800-1900 Geschichte 1824-1827 |
| format | Electronic eBook |
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| id | DE-604.BV043928576 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:52Z |
| institution | BVB |
| isbn | 9781139032193 |
| language | English |
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| spelling | Gingerich, John Michael Verfasser (DE-588)106641615X aut Schubert's Beethoven project by John M. Gingerich Cambridge Cambridge University Press 2014 1 online resource (xvi, 358 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Preparations -- The year of crisis, 1823 -- Schuppanzigh and Schubert's chamber music -- Songs of death and the chamber music of 1824 -- Schubert's first public quartet and sonata form -- Schubert's Octet and Beethoven's Septet -- The Gesellschaft der Musikfreunde, Schubert, and his symphony -- Schubert's heroic symphony -- The piano sonatas of 1825-1826 -- Schubert and his publishers -- The E-flat piano trio, Schubert's career, and its two last movements -- Schubert's annus mirabilis and the String quintet Why couldn't Schubert get his 'great' C-Major Symphony performed? Why was he the first composer to consistently write four movements for his piano sonatas? Since neither Schubert's nor Beethoven's piano sonatas were ever performed in public, who did hear them? Addressing these questions and many others, John M. Gingerich provides a new understanding of Schubert's career and his relationship to Beethoven. Placing the genres of string quartet, symphony, and piano sonata within the cultural context of the 1820s, the book examines how Schubert was building on Beethoven's legacy. Gingerich brings new understandings of how Schubert tried to shape his career to bear on new hermeneutic readings of the works from 1824 to 1828 that share musical and extra-musical pre-occupations, centering on the 'Death and the Maiden' Quartet and the Cello Quintet, as well as on analyses of the A-minor Quartet, the Octet, and of the 'great' C-Major Symphony Schubert, Franz / 1797-1828 / Criticism and interpretation Beethoven, Ludwig van / 1770-1827 / Influence Schubert, Franz 1797-1828 (DE-588)118610961 gnd rswk-swf Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf Geschichte 1800-1900 Geschichte 1824-1827 gnd rswk-swf Musik Music / 19th century / History and criticism Rezeption (DE-588)4049716-1 gnd rswk-swf Klaviersonate (DE-588)4030995-2 gnd rswk-swf Sinfonie (DE-588)4055087-4 gnd rswk-swf Streichquartett (DE-588)4058023-4 gnd rswk-swf Schubert, Franz 1797-1828 (DE-588)118610961 p Rezeption (DE-588)4049716-1 s Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p Streichquartett (DE-588)4058023-4 s Sinfonie (DE-588)4055087-4 s Klaviersonate (DE-588)4030995-2 s Geschichte 1824-1827 z 1\p DE-604 Erscheint auch als Druck-Ausgabe 978-0-521-65087-8 https://doi.org/10.1017/CBO9781139032193 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Gingerich, John Michael Schubert's Beethoven project Preparations -- The year of crisis, 1823 -- Schuppanzigh and Schubert's chamber music -- Songs of death and the chamber music of 1824 -- Schubert's first public quartet and sonata form -- Schubert's Octet and Beethoven's Septet -- The Gesellschaft der Musikfreunde, Schubert, and his symphony -- Schubert's heroic symphony -- The piano sonatas of 1825-1826 -- Schubert and his publishers -- The E-flat piano trio, Schubert's career, and its two last movements -- Schubert's annus mirabilis and the String quintet Schubert, Franz / 1797-1828 / Criticism and interpretation Beethoven, Ludwig van / 1770-1827 / Influence Schubert, Franz 1797-1828 (DE-588)118610961 gnd Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Musik Music / 19th century / History and criticism Rezeption (DE-588)4049716-1 gnd Klaviersonate (DE-588)4030995-2 gnd Sinfonie (DE-588)4055087-4 gnd Streichquartett (DE-588)4058023-4 gnd |
| subject_GND | (DE-588)118610961 (DE-588)118508288 (DE-588)4049716-1 (DE-588)4030995-2 (DE-588)4055087-4 (DE-588)4058023-4 |
| title | Schubert's Beethoven project |
| title_auth | Schubert's Beethoven project |
| title_exact_search | Schubert's Beethoven project |
| title_full | Schubert's Beethoven project by John M. Gingerich |
| title_fullStr | Schubert's Beethoven project by John M. Gingerich |
| title_full_unstemmed | Schubert's Beethoven project by John M. Gingerich |
| title_short | Schubert's Beethoven project |
| title_sort | schubert s beethoven project |
| topic | Schubert, Franz / 1797-1828 / Criticism and interpretation Beethoven, Ludwig van / 1770-1827 / Influence Schubert, Franz 1797-1828 (DE-588)118610961 gnd Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Musik Music / 19th century / History and criticism Rezeption (DE-588)4049716-1 gnd Klaviersonate (DE-588)4030995-2 gnd Sinfonie (DE-588)4055087-4 gnd Streichquartett (DE-588)4058023-4 gnd |
| topic_facet | Schubert, Franz / 1797-1828 / Criticism and interpretation Beethoven, Ludwig van / 1770-1827 / Influence Schubert, Franz 1797-1828 Beethoven, Ludwig van 1770-1827 Musik Music / 19th century / History and criticism Rezeption Klaviersonate Sinfonie Streichquartett |
| url | https://doi.org/10.1017/CBO9781139032193 |
| work_keys_str_mv | AT gingerichjohnmichael schubertsbeethovenproject |