Becoming Heinrich Schenker: music theory and ideology
Much controversy surrounds Schenker's mature theory and its attempt to explain musical pitch motion. Becoming Heinrich Schenker brings a new perspective to Schenker's theoretical work, showing that ideas characteristic of his mature theory, although in many respects fundamentally different...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2014
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Much controversy surrounds Schenker's mature theory and its attempt to explain musical pitch motion. Becoming Heinrich Schenker brings a new perspective to Schenker's theoretical work, showing that ideas characteristic of his mature theory, although in many respects fundamentally different, developed logically out of his earlier ideas. Robert Morgan provides an introduction to Schenker's mature theory and traces its development through all of his major publications, considering each in detail and with numerous music examples. Morgan also explores the relationship between Schenker's theory and his troubled ideology, which crucially influenced the evolution of his ideas and was heavily dependent upon both the empirical and idealist strains of contemporary German philosophical thought. Relying where possible on quotations from Schenker's own words, this book offers a balanced approach to his theory and a unique overview of this central music figure, generally considered to be the most prominent music theorist of the twentieth century |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xx, 275 pages) |
| ISBN: | 9781107705579 |
| DOI: | 10.1017/CBO9781107705579 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043928538 | ||
| 003 | DE-604 | ||
| 005 | 20230605 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 161202s2014 |||| o||u| ||||||eng d | ||
| 020 | |a 9781107705579 |c Online |9 978-1-107-70557-9 | ||
| 024 | 7 | |a 10.1017/CBO9781107705579 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781107705579 | ||
| 035 | |a (OCoLC)949925434 | ||
| 035 | |a (DE-599)BVBBV043928538 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 |a DE-11 | ||
| 082 | 0 | |a 780.92 |2 23 | |
| 084 | |a LP 94490 |0 (DE-625)108783: |2 rvk | ||
| 100 | 1 | |a Morgan, Robert P. |e Verfasser |0 (DE-588)129907847 |4 aut | |
| 245 | 1 | 0 | |a Becoming Heinrich Schenker |b music theory and ideology |c Robert P. Morgan |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2014 | |
| 300 | |a 1 online resource (xx, 275 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Title from publisher's bibliographic system (viewed on 05 Oct 2015) | ||
| 505 | 8 | |a Part I : Theory -- Introduction -- Schenker's final theory -- Part II : Development -- "Der Geist der musikalischen Technik" -- Die Harmonielehre -- Kontrapunkt I and II -- The monographs -- Der Tonwille and Das Meisterwerk in der Musik -- Der Freie Satz -- Part III : Reconsideration -- Critical assessment : ideology -- Critical assessment : theory -- Conclusion | |
| 520 | |a Much controversy surrounds Schenker's mature theory and its attempt to explain musical pitch motion. Becoming Heinrich Schenker brings a new perspective to Schenker's theoretical work, showing that ideas characteristic of his mature theory, although in many respects fundamentally different, developed logically out of his earlier ideas. Robert Morgan provides an introduction to Schenker's mature theory and traces its development through all of his major publications, considering each in detail and with numerous music examples. Morgan also explores the relationship between Schenker's theory and his troubled ideology, which crucially influenced the evolution of his ideas and was heavily dependent upon both the empirical and idealist strains of contemporary German philosophical thought. Relying where possible on quotations from Schenker's own words, this book offers a balanced approach to his theory and a unique overview of this central music figure, generally considered to be the most prominent music theorist of the twentieth century | ||
| 600 | 1 | 4 | |a Schenker, Heinrich / 1868-1935 / Criticism and interpretation |
| 600 | 1 | 7 | |a Schenker, Heinrich |d 1868-1935 |0 (DE-588)118607154 |2 gnd |9 rswk-swf |
| 650 | 4 | |a Music theory | |
| 650 | 0 | 7 | |a Musiktheorie |0 (DE-588)4040876-0 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Schenker, Heinrich |d 1868-1935 |0 (DE-588)118607154 |D p |
| 689 | 0 | 1 | |a Musiktheorie |0 (DE-588)4040876-0 |D s |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-1-107-64080-1 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-1-107-06769-1 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/CBO9781107705579 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO |a ebook | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029337615 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u https://doi.org/10.1017/CBO9781107705579 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/CBO9781107705579 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804176858370015232 |
|---|---|
| any_adam_object | |
| author | Morgan, Robert P. |
| author_GND | (DE-588)129907847 |
| author_facet | Morgan, Robert P. |
| author_role | aut |
| author_sort | Morgan, Robert P. |
| author_variant | r p m rp rpm |
| building | Verbundindex |
| bvnumber | BV043928538 |
| classification_rvk | LP 94490 |
| collection | ZDB-20-CBO ebook |
| contents | Part I : Theory -- Introduction -- Schenker's final theory -- Part II : Development -- "Der Geist der musikalischen Technik" -- Die Harmonielehre -- Kontrapunkt I and II -- The monographs -- Der Tonwille and Das Meisterwerk in der Musik -- Der Freie Satz -- Part III : Reconsideration -- Critical assessment : ideology -- Critical assessment : theory -- Conclusion |
| ctrlnum | (ZDB-20-CBO)CR9781107705579 (OCoLC)949925434 (DE-599)BVBBV043928538 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781107705579 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03497nmm a2200505zc 4500</leader><controlfield tag="001">BV043928538</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230605 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161202s2014 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781107705579</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-107-70557-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/CBO9781107705579</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781107705579</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)949925434</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043928538</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.92</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 94490</subfield><subfield code="0">(DE-625)108783:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Morgan, Robert P.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)129907847</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Becoming Heinrich Schenker</subfield><subfield code="b">music theory and ideology</subfield><subfield code="c">Robert P. Morgan</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xx, 275 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 05 Oct 2015)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Part I : Theory -- Introduction -- Schenker's final theory -- Part II : Development -- "Der Geist der musikalischen Technik" -- Die Harmonielehre -- Kontrapunkt I and II -- The monographs -- Der Tonwille and Das Meisterwerk in der Musik -- Der Freie Satz -- Part III : Reconsideration -- Critical assessment : ideology -- Critical assessment : theory -- Conclusion</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Much controversy surrounds Schenker's mature theory and its attempt to explain musical pitch motion. Becoming Heinrich Schenker brings a new perspective to Schenker's theoretical work, showing that ideas characteristic of his mature theory, although in many respects fundamentally different, developed logically out of his earlier ideas. Robert Morgan provides an introduction to Schenker's mature theory and traces its development through all of his major publications, considering each in detail and with numerous music examples. Morgan also explores the relationship between Schenker's theory and his troubled ideology, which crucially influenced the evolution of his ideas and was heavily dependent upon both the empirical and idealist strains of contemporary German philosophical thought. Relying where possible on quotations from Schenker's own words, this book offers a balanced approach to his theory and a unique overview of this central music figure, generally considered to be the most prominent music theorist of the twentieth century</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Schenker, Heinrich / 1868-1935 / Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Schenker, Heinrich</subfield><subfield code="d">1868-1935</subfield><subfield code="0">(DE-588)118607154</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music theory</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musiktheorie</subfield><subfield code="0">(DE-588)4040876-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Schenker, Heinrich</subfield><subfield code="d">1868-1935</subfield><subfield code="0">(DE-588)118607154</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musiktheorie</subfield><subfield code="0">(DE-588)4040876-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-1-107-64080-1</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-107-06769-1</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/CBO9781107705579</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield><subfield code="a">ebook</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029337615</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781107705579</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781107705579</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV043928538 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:52Z |
| institution | BVB |
| isbn | 9781107705579 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029337615 |
| oclc_num | 949925434 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG DE-11 |
| owner_facet | DE-12 DE-473 DE-BY-UBG DE-11 |
| physical | 1 online resource (xx, 275 pages) |
| psigel | ZDB-20-CBO ebook ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Morgan, Robert P. Verfasser (DE-588)129907847 aut Becoming Heinrich Schenker music theory and ideology Robert P. Morgan Cambridge Cambridge University Press 2014 1 online resource (xx, 275 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Part I : Theory -- Introduction -- Schenker's final theory -- Part II : Development -- "Der Geist der musikalischen Technik" -- Die Harmonielehre -- Kontrapunkt I and II -- The monographs -- Der Tonwille and Das Meisterwerk in der Musik -- Der Freie Satz -- Part III : Reconsideration -- Critical assessment : ideology -- Critical assessment : theory -- Conclusion Much controversy surrounds Schenker's mature theory and its attempt to explain musical pitch motion. Becoming Heinrich Schenker brings a new perspective to Schenker's theoretical work, showing that ideas characteristic of his mature theory, although in many respects fundamentally different, developed logically out of his earlier ideas. Robert Morgan provides an introduction to Schenker's mature theory and traces its development through all of his major publications, considering each in detail and with numerous music examples. Morgan also explores the relationship between Schenker's theory and his troubled ideology, which crucially influenced the evolution of his ideas and was heavily dependent upon both the empirical and idealist strains of contemporary German philosophical thought. Relying where possible on quotations from Schenker's own words, this book offers a balanced approach to his theory and a unique overview of this central music figure, generally considered to be the most prominent music theorist of the twentieth century Schenker, Heinrich / 1868-1935 / Criticism and interpretation Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd rswk-swf Music theory Musiktheorie (DE-588)4040876-0 gnd rswk-swf Schenker, Heinrich 1868-1935 (DE-588)118607154 p Musiktheorie (DE-588)4040876-0 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Paperback 978-1-107-64080-1 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-107-06769-1 https://doi.org/10.1017/CBO9781107705579 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Morgan, Robert P. Becoming Heinrich Schenker music theory and ideology Part I : Theory -- Introduction -- Schenker's final theory -- Part II : Development -- "Der Geist der musikalischen Technik" -- Die Harmonielehre -- Kontrapunkt I and II -- The monographs -- Der Tonwille and Das Meisterwerk in der Musik -- Der Freie Satz -- Part III : Reconsideration -- Critical assessment : ideology -- Critical assessment : theory -- Conclusion Schenker, Heinrich / 1868-1935 / Criticism and interpretation Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd Music theory Musiktheorie (DE-588)4040876-0 gnd |
| subject_GND | (DE-588)118607154 (DE-588)4040876-0 |
| title | Becoming Heinrich Schenker music theory and ideology |
| title_auth | Becoming Heinrich Schenker music theory and ideology |
| title_exact_search | Becoming Heinrich Schenker music theory and ideology |
| title_full | Becoming Heinrich Schenker music theory and ideology Robert P. Morgan |
| title_fullStr | Becoming Heinrich Schenker music theory and ideology Robert P. Morgan |
| title_full_unstemmed | Becoming Heinrich Schenker music theory and ideology Robert P. Morgan |
| title_short | Becoming Heinrich Schenker |
| title_sort | becoming heinrich schenker music theory and ideology |
| title_sub | music theory and ideology |
| topic | Schenker, Heinrich / 1868-1935 / Criticism and interpretation Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd Music theory Musiktheorie (DE-588)4040876-0 gnd |
| topic_facet | Schenker, Heinrich / 1868-1935 / Criticism and interpretation Schenker, Heinrich 1868-1935 Music theory Musiktheorie |
| url | https://doi.org/10.1017/CBO9781107705579 |
| work_keys_str_mv | AT morganrobertp becomingheinrichschenkermusictheoryandideology |