Chromatic beauty in the late medieval chanson: an interpretation of manuscript accidentals
This book provides an in-depth study of the late medieval chanson, from Gace Brulé through Guillaume Du Fay. It is largely concerned with interpretation of the way accidentals function, not only at the level of local detail but also as part of the overall design. Thomas Brothers thus explores the wa...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
1997
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | This book provides an in-depth study of the late medieval chanson, from Gace Brulé through Guillaume Du Fay. It is largely concerned with interpretation of the way accidentals function, not only at the level of local detail but also as part of the overall design. Thomas Brothers thus explores the way inflections are used by the composer as an expressive tool. The background problem to which this study responds is the conceptual difficulty we have in interpreting pitch syntax in this repertory. Support for this approach comes from reference to causa pulchritudinis ('by reason of beauty'), a justification for chromatic writing first encountered at the beginning of the fourteenth century. In advancing an interpretation of the musical side of the chanson, Thomas Brothers aims to bring standards closer to what has been achieved in study of sister disciplines of art and literature |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Beschreibung: | 1 online resource (xiii, 226 pages) |
ISBN: | 9780511585180 |
DOI: | 10.1017/CBO9780511585180 |
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520 | |a This book provides an in-depth study of the late medieval chanson, from Gace Brulé through Guillaume Du Fay. It is largely concerned with interpretation of the way accidentals function, not only at the level of local detail but also as part of the overall design. Thomas Brothers thus explores the way inflections are used by the composer as an expressive tool. The background problem to which this study responds is the conceptual difficulty we have in interpreting pitch syntax in this repertory. Support for this approach comes from reference to causa pulchritudinis ('by reason of beauty'), a justification for chromatic writing first encountered at the beginning of the fourteenth century. In advancing an interpretation of the musical side of the chanson, Thomas Brothers aims to bring standards closer to what has been achieved in study of sister disciplines of art and literature | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Brothers, Thomas David |
author_facet | Brothers, Thomas David |
author_role | aut |
author_sort | Brothers, Thomas David |
author_variant | t d b td tdb |
building | Verbundindex |
bvnumber | BV043928434 |
classification_rvk | LP 23060 LR 53353 LR 53972 LR 55170 |
collection | ZDB-20-CBO |
contents | Introduction: Musica ficta, causa pulchritudinis -- Trouvère manuscript O -- Machaut's polyphonic songs -- MSS Chantilly Musée Condé 564 and Oxford, Bodleian Library, Canonici Misc. 213 -- Du Fay mid-century developments -- Index |
ctrlnum | (ZDB-20-CBO)CR9780511585180 (OCoLC)849885336 (DE-599)BVBBV043928434 |
dewey-full | 782.4/3 |
dewey-hundreds | 700 - The arts |
dewey-ones | 782 - Vocal music |
dewey-raw | 782.4/3 |
dewey-search | 782.4/3 |
dewey-sort | 3782.4 13 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
doi_str_mv | 10.1017/CBO9780511585180 |
era | Geschichte 1400-1500 Geschichte 1400-1500 gnd |
era_facet | Geschichte 1400-1500 |
format | Electronic eBook |
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id | DE-604.BV043928434 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:38:51Z |
institution | BVB |
isbn | 9780511585180 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029337512 |
oclc_num | 849885336 |
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owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 online resource (xiii, 226 pages) |
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publishDate | 1997 |
publishDateSearch | 1997 |
publishDateSort | 1997 |
publisher | Cambridge University Press |
record_format | marc |
spelling | Brothers, Thomas David Verfasser aut Chromatic beauty in the late medieval chanson an interpretation of manuscript accidentals Thomas Brothers Cambridge Cambridge University Press 1997 1 online resource (xiii, 226 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction: Musica ficta, causa pulchritudinis -- Trouvère manuscript O -- Machaut's polyphonic songs -- MSS Chantilly Musée Condé 564 and Oxford, Bodleian Library, Canonici Misc. 213 -- Du Fay mid-century developments -- Index This book provides an in-depth study of the late medieval chanson, from Gace Brulé through Guillaume Du Fay. It is largely concerned with interpretation of the way accidentals function, not only at the level of local detail but also as part of the overall design. Thomas Brothers thus explores the way inflections are used by the composer as an expressive tool. The background problem to which this study responds is the conceptual difficulty we have in interpreting pitch syntax in this repertory. Support for this approach comes from reference to causa pulchritudinis ('by reason of beauty'), a justification for chromatic writing first encountered at the beginning of the fourteenth century. In advancing an interpretation of the musical side of the chanson, Thomas Brothers aims to bring standards closer to what has been achieved in study of sister disciplines of art and literature Geschichte 1400-1500 Geschichte 1400-1500 gnd rswk-swf Monophonic chansons / 500-1400 / History and criticism Polyphonic chansons / 500-1400 / History and criticism Polyphonic chansons / 15th century / History and criticism Musica ficta Chanson (DE-588)4009744-4 gnd rswk-swf Chromatik (DE-588)4147951-8 gnd rswk-swf Chanson (DE-588)4009744-4 s Chromatik (DE-588)4147951-8 s Geschichte 1400-1500 z 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-02888-2 Erscheint auch als Druckausgabe 978-0-521-55051-2 https://doi.org/10.1017/CBO9780511585180 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Brothers, Thomas David Chromatic beauty in the late medieval chanson an interpretation of manuscript accidentals Introduction: Musica ficta, causa pulchritudinis -- Trouvère manuscript O -- Machaut's polyphonic songs -- MSS Chantilly Musée Condé 564 and Oxford, Bodleian Library, Canonici Misc. 213 -- Du Fay mid-century developments -- Index Monophonic chansons / 500-1400 / History and criticism Polyphonic chansons / 500-1400 / History and criticism Polyphonic chansons / 15th century / History and criticism Musica ficta Chanson (DE-588)4009744-4 gnd Chromatik (DE-588)4147951-8 gnd |
subject_GND | (DE-588)4009744-4 (DE-588)4147951-8 |
title | Chromatic beauty in the late medieval chanson an interpretation of manuscript accidentals |
title_auth | Chromatic beauty in the late medieval chanson an interpretation of manuscript accidentals |
title_exact_search | Chromatic beauty in the late medieval chanson an interpretation of manuscript accidentals |
title_full | Chromatic beauty in the late medieval chanson an interpretation of manuscript accidentals Thomas Brothers |
title_fullStr | Chromatic beauty in the late medieval chanson an interpretation of manuscript accidentals Thomas Brothers |
title_full_unstemmed | Chromatic beauty in the late medieval chanson an interpretation of manuscript accidentals Thomas Brothers |
title_short | Chromatic beauty in the late medieval chanson |
title_sort | chromatic beauty in the late medieval chanson an interpretation of manuscript accidentals |
title_sub | an interpretation of manuscript accidentals |
topic | Monophonic chansons / 500-1400 / History and criticism Polyphonic chansons / 500-1400 / History and criticism Polyphonic chansons / 15th century / History and criticism Musica ficta Chanson (DE-588)4009744-4 gnd Chromatik (DE-588)4147951-8 gnd |
topic_facet | Monophonic chansons / 500-1400 / History and criticism Polyphonic chansons / 500-1400 / History and criticism Polyphonic chansons / 15th century / History and criticism Musica ficta Chanson Chromatik |
url | https://doi.org/10.1017/CBO9780511585180 |
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