Musical creativity in restoration England:
Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition – such as concepts o...
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| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2013
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition – such as concepts of originality, inspiration and genius – were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xxx, 429 pages) |
| ISBN: | 9781139013741 |
| DOI: | 10.1017/CBO9781139013741 |
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| 520 | |a Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition – such as concepts of originality, inspiration and genius – were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Herissone, Rebecca |
| author_facet | Herissone, Rebecca |
| author_role | aut |
| author_sort | Herissone, Rebecca |
| author_variant | r h rh |
| building | Verbundindex |
| bvnumber | BV043928233 |
| classification_rvk | LQ 84004 |
| collection | ZDB-20-CBO |
| contents | Imitation, originality and authorship -- Sources and their functions -- 'Ye fowle Originall in score': initial invention and the functions of notation -- 'I have here sent ye full Anthems': transmission and the culture of serial recomposition -- 'For Seaverall Friends': consort music and the study of musical texts -- 'His mind be filled with the materiall': arrangement, improvisation and the role of memory |
| ctrlnum | (ZDB-20-CBO)CR9781139013741 (OCoLC)972382162 (DE-599)BVBBV043928233 |
| dewey-full | 780.942/09032 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.942/09032 |
| dewey-search | 780.942/09032 |
| dewey-sort | 3780.942 49032 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139013741 |
| era | Geschichte 1600-1700 Geschichte 1600-1700 gnd |
| era_facet | Geschichte 1600-1700 |
| format | Electronic eBook |
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| geographic | England (DE-588)4014770-8 gnd |
| geographic_facet | England |
| id | DE-604.BV043928233 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:51Z |
| institution | BVB |
| isbn | 9781139013741 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029337311 |
| oclc_num | 972382162 |
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| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 online resource (xxx, 429 pages) |
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| publishDate | 2013 |
| publishDateSearch | 2013 |
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| publisher | Cambridge University Press |
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| spelling | Herissone, Rebecca Verfasser aut Musical creativity in restoration England Rebecca Herissone Cambridge Cambridge University Press 2013 1 online resource (xxx, 429 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Imitation, originality and authorship -- Sources and their functions -- 'Ye fowle Originall in score': initial invention and the functions of notation -- 'I have here sent ye full Anthems': transmission and the culture of serial recomposition -- 'For Seaverall Friends': consort music and the study of musical texts -- 'His mind be filled with the materiall': arrangement, improvisation and the role of memory Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition – such as concepts of originality, inspiration and genius – were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation Geschichte 1600-1700 Geschichte 1600-1700 gnd rswk-swf Geschichte Musik Music / England / 17th century / History and criticism Composition (Music) / History / 17th century Musik (DE-588)4040802-4 gnd rswk-swf Schaffensprozess (DE-588)7633342-5 gnd rswk-swf Kreativität (DE-588)4032903-3 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf England (DE-588)4014770-8 g Musik (DE-588)4040802-4 s Schaffensprozess (DE-588)7633342-5 s Kreativität (DE-588)4032903-3 s Geschichte 1600-1700 z 1\p DE-604 Erscheint auch als Druckausgabe 978-1-107-01434-3 https://doi.org/10.1017/CBO9781139013741 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Herissone, Rebecca Musical creativity in restoration England Imitation, originality and authorship -- Sources and their functions -- 'Ye fowle Originall in score': initial invention and the functions of notation -- 'I have here sent ye full Anthems': transmission and the culture of serial recomposition -- 'For Seaverall Friends': consort music and the study of musical texts -- 'His mind be filled with the materiall': arrangement, improvisation and the role of memory Geschichte Musik Music / England / 17th century / History and criticism Composition (Music) / History / 17th century Musik (DE-588)4040802-4 gnd Schaffensprozess (DE-588)7633342-5 gnd Kreativität (DE-588)4032903-3 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)7633342-5 (DE-588)4032903-3 (DE-588)4014770-8 |
| title | Musical creativity in restoration England |
| title_auth | Musical creativity in restoration England |
| title_exact_search | Musical creativity in restoration England |
| title_full | Musical creativity in restoration England Rebecca Herissone |
| title_fullStr | Musical creativity in restoration England Rebecca Herissone |
| title_full_unstemmed | Musical creativity in restoration England Rebecca Herissone |
| title_short | Musical creativity in restoration England |
| title_sort | musical creativity in restoration england |
| topic | Geschichte Musik Music / England / 17th century / History and criticism Composition (Music) / History / 17th century Musik (DE-588)4040802-4 gnd Schaffensprozess (DE-588)7633342-5 gnd Kreativität (DE-588)4032903-3 gnd |
| topic_facet | Geschichte Musik Music / England / 17th century / History and criticism Composition (Music) / History / 17th century Schaffensprozess Kreativität England |
| url | https://doi.org/10.1017/CBO9781139013741 |
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