The appearance of print in eighteenth-century fiction:
Eighteenth-century fiction holds an unusual place in the history of modern print culture. The novel gained prominence largely because of advances in publishing, but, as a popular genre, it also helped shape those very developments. Authors in the period manipulated the appearance of the page and pri...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexico City
Cambridge University Press
2011
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| Schlagworte: | |
| Online-Zugang: | BSB01 FUBA1 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Eighteenth-century fiction holds an unusual place in the history of modern print culture. The novel gained prominence largely because of advances in publishing, but, as a popular genre, it also helped shape those very developments. Authors in the period manipulated the appearance of the page and print technology more deliberately than has been supposed, prompting new forms of reception among readers. Christopher Flint's book explores works by both obscure 'scribblers' and canonical figures, such as Swift, Haywood, Defoe, Richardson, Sterne and Austen, that interrogated the complex interactions between the book's material aspects and its producers and consumers. Flint links historical shifts in how authors addressed their profession to how books were manufactured and how readers consumed texts. He argues that writers exploited typographic media to augment other crucial developments in prose fiction, from formal realism and free indirect discourse to accounts of how 'the novel' defined itself as a genre |
| Beschreibung: | 1 Online-Ressource (xi, 282 Seiten) Illustrationen |
| ISBN: | 9780511996344 |
| DOI: | 10.1017/CBO9780511996344 |
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| 505 | 8 | |a Introduction: prose fiction and print culture in eighteenth-century Britain -- Part I. Author, Book, Reader. 1. Pre-scripts: the contexts of literary production -- 2. Post scripts: the fate of the page in Charles Gildon's epistolary fiction -- Part II. Reader, Book, Author. 3. Dark matters: printers' ornaments and the substitutions of text -- 4. Inanimate fiction: circulating stories in object narratives -- 5. Only a female pen: women writers and fictions of the page -- 6. After words -- Notes -- Bibliography -- Index | |
| 520 | |a Eighteenth-century fiction holds an unusual place in the history of modern print culture. The novel gained prominence largely because of advances in publishing, but, as a popular genre, it also helped shape those very developments. Authors in the period manipulated the appearance of the page and print technology more deliberately than has been supposed, prompting new forms of reception among readers. Christopher Flint's book explores works by both obscure 'scribblers' and canonical figures, such as Swift, Haywood, Defoe, Richardson, Sterne and Austen, that interrogated the complex interactions between the book's material aspects and its producers and consumers. Flint links historical shifts in how authors addressed their profession to how books were manufactured and how readers consumed texts. He argues that writers exploited typographic media to augment other crucial developments in prose fiction, from formal realism and free indirect discourse to accounts of how 'the novel' defined itself as a genre | ||
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Datensatz im Suchindex
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| author | Flint, Christopher 1957- |
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| contents | Introduction: prose fiction and print culture in eighteenth-century Britain -- Part I. Author, Book, Reader. 1. Pre-scripts: the contexts of literary production -- 2. Post scripts: the fate of the page in Charles Gildon's epistolary fiction -- Part II. Reader, Book, Author. 3. Dark matters: printers' ornaments and the substitutions of text -- 4. Inanimate fiction: circulating stories in object narratives -- 5. Only a female pen: women writers and fictions of the page -- 6. After words -- Notes -- Bibliography -- Index |
| ctrlnum | (ZDB-20-CBO)CR9780511996344 (OCoLC)850974171 (DE-599)BVBBV043928221 |
| dewey-full | 823/.509 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 823 - English fiction |
| dewey-raw | 823/.509 |
| dewey-search | 823/.509 |
| dewey-sort | 3823 3509 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9780511996344 |
| era | Geschichte 1700-1800 Geschichte 1700-1800 gnd |
| era_facet | Geschichte 1700-1800 |
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| spelling | Flint, Christopher 1957- Verfasser (DE-588)173053785 aut The appearance of print in eighteenth-century fiction Christopher Flint (Case Western Reserve, Ohio) Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexico City Cambridge University Press 2011 1 Online-Ressource (xi, 282 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Introduction: prose fiction and print culture in eighteenth-century Britain -- Part I. Author, Book, Reader. 1. Pre-scripts: the contexts of literary production -- 2. Post scripts: the fate of the page in Charles Gildon's epistolary fiction -- Part II. Reader, Book, Author. 3. Dark matters: printers' ornaments and the substitutions of text -- 4. Inanimate fiction: circulating stories in object narratives -- 5. Only a female pen: women writers and fictions of the page -- 6. After words -- Notes -- Bibliography -- Index Eighteenth-century fiction holds an unusual place in the history of modern print culture. The novel gained prominence largely because of advances in publishing, but, as a popular genre, it also helped shape those very developments. Authors in the period manipulated the appearance of the page and print technology more deliberately than has been supposed, prompting new forms of reception among readers. Christopher Flint's book explores works by both obscure 'scribblers' and canonical figures, such as Swift, Haywood, Defoe, Richardson, Sterne and Austen, that interrogated the complex interactions between the book's material aspects and its producers and consumers. Flint links historical shifts in how authors addressed their profession to how books were manufactured and how readers consumed texts. He argues that writers exploited typographic media to augment other crucial developments in prose fiction, from formal realism and free indirect discourse to accounts of how 'the novel' defined itself as a genre Geschichte 1700-1800 Geschichte 1700-1800 gnd rswk-swf Geschichte English fiction / 18th century / History and criticism Fiction / Publishing / Great Britain / History / 18th century Publishers and publishing / Great Britain / History / 18th century Printing / Great Britain / History / 18th century Books / Great Britain / History / 18th century Authors and publishers / Great Britain / History / 18th century Authors and readers / Great Britain / History / 18th century Fiction / Appreciation / Great Britain / History / 18th century Books and reading / Great Britain / History / 18th century Roman (DE-588)4050479-7 gnd rswk-swf Typografie (DE-588)4136341-3 gnd rswk-swf Druck (DE-588)4013083-6 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Großbritannien Englisch (DE-588)4014777-0 s Roman (DE-588)4050479-7 s Druck (DE-588)4013083-6 s Typografie (DE-588)4136341-3 s Geschichte 1700-1800 z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-107-00839-7 (DE-604)BV039620703 Erscheint auch als Druck-Ausgabe 978-1-107-42246-9 https://doi.org/10.1017/CBO9780511996344 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Flint, Christopher 1957- The appearance of print in eighteenth-century fiction Introduction: prose fiction and print culture in eighteenth-century Britain -- Part I. Author, Book, Reader. 1. Pre-scripts: the contexts of literary production -- 2. Post scripts: the fate of the page in Charles Gildon's epistolary fiction -- Part II. Reader, Book, Author. 3. Dark matters: printers' ornaments and the substitutions of text -- 4. Inanimate fiction: circulating stories in object narratives -- 5. Only a female pen: women writers and fictions of the page -- 6. After words -- Notes -- Bibliography -- Index Geschichte English fiction / 18th century / History and criticism Fiction / Publishing / Great Britain / History / 18th century Publishers and publishing / Great Britain / History / 18th century Printing / Great Britain / History / 18th century Books / Great Britain / History / 18th century Authors and publishers / Great Britain / History / 18th century Authors and readers / Great Britain / History / 18th century Fiction / Appreciation / Great Britain / History / 18th century Books and reading / Great Britain / History / 18th century Roman (DE-588)4050479-7 gnd Typografie (DE-588)4136341-3 gnd Druck (DE-588)4013083-6 gnd Englisch (DE-588)4014777-0 gnd |
| subject_GND | (DE-588)4050479-7 (DE-588)4136341-3 (DE-588)4013083-6 (DE-588)4014777-0 |
| title | The appearance of print in eighteenth-century fiction |
| title_auth | The appearance of print in eighteenth-century fiction |
| title_exact_search | The appearance of print in eighteenth-century fiction |
| title_full | The appearance of print in eighteenth-century fiction Christopher Flint (Case Western Reserve, Ohio) |
| title_fullStr | The appearance of print in eighteenth-century fiction Christopher Flint (Case Western Reserve, Ohio) |
| title_full_unstemmed | The appearance of print in eighteenth-century fiction Christopher Flint (Case Western Reserve, Ohio) |
| title_short | The appearance of print in eighteenth-century fiction |
| title_sort | the appearance of print in eighteenth century fiction |
| topic | Geschichte English fiction / 18th century / History and criticism Fiction / Publishing / Great Britain / History / 18th century Publishers and publishing / Great Britain / History / 18th century Printing / Great Britain / History / 18th century Books / Great Britain / History / 18th century Authors and publishers / Great Britain / History / 18th century Authors and readers / Great Britain / History / 18th century Fiction / Appreciation / Great Britain / History / 18th century Books and reading / Great Britain / History / 18th century Roman (DE-588)4050479-7 gnd Typografie (DE-588)4136341-3 gnd Druck (DE-588)4013083-6 gnd Englisch (DE-588)4014777-0 gnd |
| topic_facet | Geschichte English fiction / 18th century / History and criticism Fiction / Publishing / Great Britain / History / 18th century Publishers and publishing / Great Britain / History / 18th century Printing / Great Britain / History / 18th century Books / Great Britain / History / 18th century Authors and publishers / Great Britain / History / 18th century Authors and readers / Great Britain / History / 18th century Fiction / Appreciation / Great Britain / History / 18th century Books and reading / Great Britain / History / 18th century Roman Typografie Druck Englisch Großbritannien |
| url | https://doi.org/10.1017/CBO9780511996344 |
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