Shakespeare films in the making: vision, production and reception
Shakespeare Films in the Making examines the production and reception of five feature-length Shakespeare films from the twentieth century, focusing on the ways in which they articulate visions of their Shakespearean originals, of the fictional worlds in which the films are set, and of the movie-make...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2007
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | Shakespeare Films in the Making examines the production and reception of five feature-length Shakespeare films from the twentieth century, focusing on the ways in which they articulate visions of their Shakespearean originals, of the fictional worlds in which the films are set, and of the movie-makers' own society. Warner Brothers' 1935 A Midsummer Night's Dream and MGM's 1936 Romeo and Juliet were products of the Hollywood system and reflect the studios' desire to enhance their status with 'prestige pictures'. Olivier's 1944 Henry V was part of Britain's cultural war effort and embodies visions of the medieval past and ideal leadership. The Romeo and Juliet films of Renato Castellani (1954) and Franco Zeffirelli (1968) embodied visions of Renaissance Italy that contrast - in differing ways - with MGM's film. This book offers readings of these significant and influential films, supported by extensive archival research, including studio documents, script revisions, publicity materials and reviews |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Beschreibung: | 1 online resource (xii, 280 pages) |
ISBN: | 9780511751783 |
DOI: | 10.1017/CBO9780511751783 |
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505 | 8 | |a Introduction: 'Such stuff as dreams are made on' -- Max Reinhardt's recurring dream: Hollywood, 1935 -- Pastoral-historical: Laurence Olivier's Henry V, 1944 -- Visions of Renaissance Italy: 'More stars than there are in heaven': MGM's Romeo and Juliet, 1936; Realism and romance: Renato Castellani's Giulietta e Romeo, 1954; Shakespeare's 'dream of Italy' and the generation gap: Franco Zeffirelli's Romeo and Juliet, 1968 | |
520 | |a Shakespeare Films in the Making examines the production and reception of five feature-length Shakespeare films from the twentieth century, focusing on the ways in which they articulate visions of their Shakespearean originals, of the fictional worlds in which the films are set, and of the movie-makers' own society. Warner Brothers' 1935 A Midsummer Night's Dream and MGM's 1936 Romeo and Juliet were products of the Hollywood system and reflect the studios' desire to enhance their status with 'prestige pictures'. Olivier's 1944 Henry V was part of Britain's cultural war effort and embodies visions of the medieval past and ideal leadership. The Romeo and Juliet films of Renato Castellani (1954) and Franco Zeffirelli (1968) embodied visions of Renaissance Italy that contrast - in differing ways - with MGM's film. This book offers readings of these significant and influential films, supported by extensive archival research, including studio documents, script revisions, publicity materials and reviews | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Jackson, Russell 1949- |
author_GND | (DE-588)136251668 |
author_facet | Jackson, Russell 1949- |
author_role | aut |
author_sort | Jackson, Russell 1949- |
author_variant | r j rj |
building | Verbundindex |
bvnumber | BV043927913 |
classification_rvk | HI 3330 HI 3370 |
collection | ZDB-20-CBO |
contents | Introduction: 'Such stuff as dreams are made on' -- Max Reinhardt's recurring dream: Hollywood, 1935 -- Pastoral-historical: Laurence Olivier's Henry V, 1944 -- Visions of Renaissance Italy: 'More stars than there are in heaven': MGM's Romeo and Juliet, 1936; Realism and romance: Renato Castellani's Giulietta e Romeo, 1954; Shakespeare's 'dream of Italy' and the generation gap: Franco Zeffirelli's Romeo and Juliet, 1968 |
ctrlnum | (ZDB-20-CBO)CR9780511751783 (OCoLC)967487023 (DE-599)BVBBV043927913 |
dewey-full | 791.43/6 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/6 |
dewey-search | 791.43/6 |
dewey-sort | 3791.43 16 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Anglistik / Amerikanistik |
doi_str_mv | 10.1017/CBO9780511751783 |
era | Geschichte 1935-1968 gnd |
era_facet | Geschichte 1935-1968 |
format | Electronic eBook |
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id | DE-604.BV043927913 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:38:50Z |
institution | BVB |
isbn | 9780511751783 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029336991 |
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physical | 1 online resource (xii, 280 pages) |
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publisher | Cambridge University Press |
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spelling | Jackson, Russell 1949- Verfasser (DE-588)136251668 aut Shakespeare films in the making vision, production and reception Russell Jackson Cambridge Cambridge University Press 2007 1 online resource (xii, 280 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction: 'Such stuff as dreams are made on' -- Max Reinhardt's recurring dream: Hollywood, 1935 -- Pastoral-historical: Laurence Olivier's Henry V, 1944 -- Visions of Renaissance Italy: 'More stars than there are in heaven': MGM's Romeo and Juliet, 1936; Realism and romance: Renato Castellani's Giulietta e Romeo, 1954; Shakespeare's 'dream of Italy' and the generation gap: Franco Zeffirelli's Romeo and Juliet, 1968 Shakespeare Films in the Making examines the production and reception of five feature-length Shakespeare films from the twentieth century, focusing on the ways in which they articulate visions of their Shakespearean originals, of the fictional worlds in which the films are set, and of the movie-makers' own society. Warner Brothers' 1935 A Midsummer Night's Dream and MGM's 1936 Romeo and Juliet were products of the Hollywood system and reflect the studios' desire to enhance their status with 'prestige pictures'. Olivier's 1944 Henry V was part of Britain's cultural war effort and embodies visions of the medieval past and ideal leadership. The Romeo and Juliet films of Renato Castellani (1954) and Franco Zeffirelli (1968) embodied visions of Renaissance Italy that contrast - in differing ways - with MGM's film. This book offers readings of these significant and influential films, supported by extensive archival research, including studio documents, script revisions, publicity materials and reviews Shakespeare, William / 1564-1616 / Film adaptations Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte 1935-1968 gnd rswk-swf English drama / Film adaptations Film adaptations / History and criticism Film (DE-588)4017102-4 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Filmproduktion (DE-588)4124971-9 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Film (DE-588)4017102-4 s Rezeption (DE-588)4049716-1 s Geschichte 1935-1968 z 1\p DE-604 Filmproduktion (DE-588)4124971-9 s 2\p DE-604 Erscheint auch als Druckausgabe 978-0-521-81547-5 Erscheint auch als Druckausgabe 978-0-521-89456-2 https://doi.org/10.1017/CBO9780511751783 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Jackson, Russell 1949- Shakespeare films in the making vision, production and reception Introduction: 'Such stuff as dreams are made on' -- Max Reinhardt's recurring dream: Hollywood, 1935 -- Pastoral-historical: Laurence Olivier's Henry V, 1944 -- Visions of Renaissance Italy: 'More stars than there are in heaven': MGM's Romeo and Juliet, 1936; Realism and romance: Renato Castellani's Giulietta e Romeo, 1954; Shakespeare's 'dream of Italy' and the generation gap: Franco Zeffirelli's Romeo and Juliet, 1968 Shakespeare, William / 1564-1616 / Film adaptations Shakespeare, William 1564-1616 (DE-588)118613723 gnd English drama / Film adaptations Film adaptations / History and criticism Film (DE-588)4017102-4 gnd Rezeption (DE-588)4049716-1 gnd Filmproduktion (DE-588)4124971-9 gnd |
subject_GND | (DE-588)118613723 (DE-588)4017102-4 (DE-588)4049716-1 (DE-588)4124971-9 |
title | Shakespeare films in the making vision, production and reception |
title_auth | Shakespeare films in the making vision, production and reception |
title_exact_search | Shakespeare films in the making vision, production and reception |
title_full | Shakespeare films in the making vision, production and reception Russell Jackson |
title_fullStr | Shakespeare films in the making vision, production and reception Russell Jackson |
title_full_unstemmed | Shakespeare films in the making vision, production and reception Russell Jackson |
title_short | Shakespeare films in the making |
title_sort | shakespeare films in the making vision production and reception |
title_sub | vision, production and reception |
topic | Shakespeare, William / 1564-1616 / Film adaptations Shakespeare, William 1564-1616 (DE-588)118613723 gnd English drama / Film adaptations Film adaptations / History and criticism Film (DE-588)4017102-4 gnd Rezeption (DE-588)4049716-1 gnd Filmproduktion (DE-588)4124971-9 gnd |
topic_facet | Shakespeare, William / 1564-1616 / Film adaptations Shakespeare, William 1564-1616 English drama / Film adaptations Film adaptations / History and criticism Film Rezeption Filmproduktion |
url | https://doi.org/10.1017/CBO9780511751783 |
work_keys_str_mv | AT jacksonrussell shakespearefilmsinthemakingvisionproductionandreception |