This book focuses on the musical writings in the daily and periodical press in France during the nineteenth century. It covers the criticism of a wide range of Western music, from c.1580 to 1880, explaining how composers such as Bach and Beethoven secured a permanent place in the repertory. In parti...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Ellis, Katharine (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Cambridge Cambridge University Press 1995
Schlagworte:	Revue et gazette musicale de Paris Geschichte 1800-1900 Geschichte 1834-1880 Geschichte Musik Music / France / 19th century / History and criticism Musical criticism / France / History / 19th century Music / France / 19th century / Philosophy and aesthetics Musikkritik Frankreich
Online-Zugang:	BSB01 UBG01 Volltext
Zusammenfassung:	This book focuses on the musical writings in the daily and periodical press in France during the nineteenth century. It covers the criticism of a wide range of Western music, from c.1580 to 1880, explaining how composers such as Bach and Beethoven secured a permanent place in the repertory. In particular, Dr Ellis considers the music journalism of the Revue et Gazette musicale de Paris, the single most important specialist periodical of the mid-nineteenth century, explaining how French music criticism was influenced by aesthetic and philosophical movements. Dr Ellis analyses the process of canon formation, the development of French musicology and the increasing sensitivity of critics to questions of performance practice. Chapters on new music examine the conflict inevitable in publishers' journals, between commercial interest and aesthetic integrity
Beschreibung:	Title from publisher's bibliographic system (viewed on 05 Oct 2015)
Beschreibung:	1 online resource (xiii, 301 pages)
ISBN:	9780511470264
DOI:	10.1017/CBO9780511470264