The motet in the age of Du Fay:
During the lifetime of Guillaume Du Fay (c. 1400–1474) the motet underwent a profound transformation. Because of the protean nature of the motet during this period, problems of definition have always stood in the way of a full understanding of this crucial shift. Through a comprehensive survey of th...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1999
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | During the lifetime of Guillaume Du Fay (c. 1400–1474) the motet underwent a profound transformation. Because of the protean nature of the motet during this period, problems of definition have always stood in the way of a full understanding of this crucial shift. Through a comprehensive survey of the surviving repertory, Julie Cumming shows that the motet is best understood on the level of the subgenre. She employs new ideas about categories taken from cognitive psychology and evolutionary theory to illuminate the process by which the subgenres of the motet arose and evolved. One important finding is the nature and extent of the crucial role that English music played in the genre's transformation. Cumming provides a close reading of many little-known pieces; she also shows how Du Fay's motets were the product of sophisticated experimentation with generic boundaries |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xv, 418 pages) |
| ISBN: | 9780511481789 |
| DOI: | 10.1017/CBO9780511481789 |
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| 505 | 8 | |a Models and methods -- Motets in the early fifteenth century : the case of Bologna Q15 -- Motets in the mid-fifteenth century : the case of the Trent Codices | |
| 520 | |a During the lifetime of Guillaume Du Fay (c. 1400–1474) the motet underwent a profound transformation. Because of the protean nature of the motet during this period, problems of definition have always stood in the way of a full understanding of this crucial shift. Through a comprehensive survey of the surviving repertory, Julie Cumming shows that the motet is best understood on the level of the subgenre. She employs new ideas about categories taken from cognitive psychology and evolutionary theory to illuminate the process by which the subgenres of the motet arose and evolved. One important finding is the nature and extent of the crucial role that English music played in the genre's transformation. Cumming provides a close reading of many little-known pieces; she also shows how Du Fay's motets were the product of sophisticated experimentation with generic boundaries | ||
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Datensatz im Suchindex
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| author | Cumming, Julie Emelyn |
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| contents | Models and methods -- Motets in the early fifteenth century : the case of Bologna Q15 -- Motets in the mid-fifteenth century : the case of the Trent Codices |
| ctrlnum | (ZDB-20-CBO)CR9780511481789 (OCoLC)704409059 (DE-599)BVBBV043927412 |
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| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511481789 |
| era | Geschichte 1400-1500 Geschichte 1400-1475 gnd |
| era_facet | Geschichte 1400-1500 Geschichte 1400-1475 |
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| isbn | 9780511481789 |
| language | English |
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| spelling | Cumming, Julie Emelyn Verfasser aut The motet in the age of Du Fay Julie E. Cumming Cambridge Cambridge University Press 1999 1 online resource (xv, 418 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Models and methods -- Motets in the early fifteenth century : the case of Bologna Q15 -- Motets in the mid-fifteenth century : the case of the Trent Codices During the lifetime of Guillaume Du Fay (c. 1400–1474) the motet underwent a profound transformation. Because of the protean nature of the motet during this period, problems of definition have always stood in the way of a full understanding of this crucial shift. Through a comprehensive survey of the surviving repertory, Julie Cumming shows that the motet is best understood on the level of the subgenre. She employs new ideas about categories taken from cognitive psychology and evolutionary theory to illuminate the process by which the subgenres of the motet arose and evolved. One important finding is the nature and extent of the crucial role that English music played in the genre's transformation. Cumming provides a close reading of many little-known pieces; she also shows how Du Fay's motets were the product of sophisticated experimentation with generic boundaries Dufay, Guillaume / -1474 / Motets Geschichte 1400-1500 Geschichte 1400-1475 gnd rswk-swf Motets / 15th century / History and criticism Motette (DE-588)4040357-9 gnd rswk-swf Motette (DE-588)4040357-9 s Geschichte 1400-1475 z 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-47377-4 Erscheint auch als Druckausgabe 978-0-521-54337-8 https://doi.org/10.1017/CBO9780511481789 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Cumming, Julie Emelyn The motet in the age of Du Fay Models and methods -- Motets in the early fifteenth century : the case of Bologna Q15 -- Motets in the mid-fifteenth century : the case of the Trent Codices Dufay, Guillaume / -1474 / Motets Motets / 15th century / History and criticism Motette (DE-588)4040357-9 gnd |
| subject_GND | (DE-588)4040357-9 |
| title | The motet in the age of Du Fay |
| title_auth | The motet in the age of Du Fay |
| title_exact_search | The motet in the age of Du Fay |
| title_full | The motet in the age of Du Fay Julie E. Cumming |
| title_fullStr | The motet in the age of Du Fay Julie E. Cumming |
| title_full_unstemmed | The motet in the age of Du Fay Julie E. Cumming |
| title_short | The motet in the age of Du Fay |
| title_sort | the motet in the age of du fay |
| topic | Dufay, Guillaume / -1474 / Motets Motets / 15th century / History and criticism Motette (DE-588)4040357-9 gnd |
| topic_facet | Dufay, Guillaume / -1474 / Motets Motets / 15th century / History and criticism Motette |
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