The Shakespearean stage space:
How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores the original staging of plays by Shakespeare and his contemporaries to build a new picture of the artistry of the Renaissance stage. Dealing with problematic scen...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Mexiko City
Cambridge University Press
2013
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Schlagworte: | |
Online-Zugang: | BSB01 FUBA1 UBG01 Volltext |
Zusammenfassung: | How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores the original staging of plays by Shakespeare and his contemporaries to build a new picture of the artistry of the Renaissance stage. Dealing with problematic scenes and stage directions, Ichikawa closely examines the playing conditions in early modern playhouses to reveal the ways in which the structure of the stage was used to ensure the audibility of offstage sounds, to control the visibility of characters, to convey fictional locales, to create specific moods and atmospheres and to maintain a frequently shifting balance between fictional and theatrical realities. She argues that basic theatrical terms were used in a much broader and more flexible way than we usually assume and demonstrates that, rather than imposing limitations, the bare stage of the Shakespearean theatre offered dramatists and actors a variety of imaginative possibilities |
Beschreibung: | 1 Online-Ressource (xiii, 221 Seiten) Illustrationen |
ISBN: | 9781139097192 |
DOI: | 10.1017/CBO9781139097192 |
Internformat
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505 | 8 | |a Playhouses, play texts and the theatrical language -- 'Maluolio within' -- 'Music within' and 'Music above' -- Were the doors open or closed? -- 'Enter Brutus in his Orchard -- What to do with onstage corpses? -- Conclusion: the Shakespearean stage space and stage directions | |
520 | |a How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores the original staging of plays by Shakespeare and his contemporaries to build a new picture of the artistry of the Renaissance stage. Dealing with problematic scenes and stage directions, Ichikawa closely examines the playing conditions in early modern playhouses to reveal the ways in which the structure of the stage was used to ensure the audibility of offstage sounds, to control the visibility of characters, to convey fictional locales, to create specific moods and atmospheres and to maintain a frequently shifting balance between fictional and theatrical realities. She argues that basic theatrical terms were used in a much broader and more flexible way than we usually assume and demonstrates that, rather than imposing limitations, the bare stage of the Shakespearean theatre offered dramatists and actors a variety of imaginative possibilities | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Ichikawa, Mariko |
author_GND | (DE-588)1048500276 |
author_facet | Ichikawa, Mariko |
author_role | aut |
author_sort | Ichikawa, Mariko |
author_variant | m i mi |
building | Verbundindex |
bvnumber | BV043927376 |
classification_rvk | HI 3390 HI 3560 HI 1260 |
collection | ZDB-20-CBO |
contents | Playhouses, play texts and the theatrical language -- 'Maluolio within' -- 'Music within' and 'Music above' -- Were the doors open or closed? -- 'Enter Brutus in his Orchard -- What to do with onstage corpses? -- Conclusion: the Shakespearean stage space and stage directions |
ctrlnum | (ZDB-20-CBO)CR9781139097192 (OCoLC)967419853 (DE-599)BVBBV043927376 |
dewey-full | 792.0942/09031 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.0942/09031 |
dewey-search | 792.0942/09031 |
dewey-sort | 3792.0942 49031 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Anglistik / Amerikanistik |
doi_str_mv | 10.1017/CBO9781139097192 |
era | Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1580-1642 gnd Geschichte 1567-1642 gnd |
era_facet | Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1580-1642 Geschichte 1567-1642 |
format | Electronic eBook |
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isbn | 9781139097192 |
language | English |
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spelling | Ichikawa, Mariko Verfasser (DE-588)1048500276 aut The Shakespearean stage space Mariko Ichikawa Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Mexiko City Cambridge University Press 2013 1 Online-Ressource (xiii, 221 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Playhouses, play texts and the theatrical language -- 'Maluolio within' -- 'Music within' and 'Music above' -- Were the doors open or closed? -- 'Enter Brutus in his Orchard -- What to do with onstage corpses? -- Conclusion: the Shakespearean stage space and stage directions How did Renaissance theatre create its powerful effects with so few resources? In The Shakespearean Stage Space, Mariko Ichikawa explores the original staging of plays by Shakespeare and his contemporaries to build a new picture of the artistry of the Renaissance stage. Dealing with problematic scenes and stage directions, Ichikawa closely examines the playing conditions in early modern playhouses to reveal the ways in which the structure of the stage was used to ensure the audibility of offstage sounds, to control the visibility of characters, to convey fictional locales, to create specific moods and atmospheres and to maintain a frequently shifting balance between fictional and theatrical realities. She argues that basic theatrical terms were used in a much broader and more flexible way than we usually assume and demonstrates that, rather than imposing limitations, the bare stage of the Shakespearean theatre offered dramatists and actors a variety of imaginative possibilities Shakespeare, William / 1564-1616 / Stage history / To 1625 Shakespeare, William / 1564-1616 / Stage history / England / London Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1580-1642 gnd rswk-swf Geschichte 1567-1642 gnd rswk-swf Geschichte Theaters / Stage-setting and scenery / England / History / 16th century Theaters / Stage-setting and scenery / England / History / 17th century Theater / England / London / History / 16th century Theater / England / London / History / 17th century English drama / Early modern and Elizabethan, 1500-1600 / History and criticism English drama / 17th century / History and criticism Theater (DE-588)4059702-7 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf London (DE-588)4074335-4 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Aufführung (DE-588)4143388-9 s Geschichte 1580-1642 z DE-604 London (DE-588)4074335-4 g Theater (DE-588)4059702-7 s Geschichte 1567-1642 z Erscheint auch als Druck-Ausgabe, Hardcover 978-1-107-02035-1 (DE-604)BV040575032 Erscheint auch als Druck-Ausgabe 978-1-107-55953-0 https://doi.org/10.1017/CBO9781139097192 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Ichikawa, Mariko The Shakespearean stage space Playhouses, play texts and the theatrical language -- 'Maluolio within' -- 'Music within' and 'Music above' -- Were the doors open or closed? -- 'Enter Brutus in his Orchard -- What to do with onstage corpses? -- Conclusion: the Shakespearean stage space and stage directions Shakespeare, William / 1564-1616 / Stage history / To 1625 Shakespeare, William / 1564-1616 / Stage history / England / London Shakespeare, William 1564-1616 (DE-588)118613723 gnd Geschichte Theaters / Stage-setting and scenery / England / History / 16th century Theaters / Stage-setting and scenery / England / History / 17th century Theater / England / London / History / 16th century Theater / England / London / History / 17th century English drama / Early modern and Elizabethan, 1500-1600 / History and criticism English drama / 17th century / History and criticism Theater (DE-588)4059702-7 gnd Drama (DE-588)4012899-4 gnd Aufführung (DE-588)4143388-9 gnd |
subject_GND | (DE-588)118613723 (DE-588)4059702-7 (DE-588)4012899-4 (DE-588)4143388-9 (DE-588)4074335-4 |
title | The Shakespearean stage space |
title_auth | The Shakespearean stage space |
title_exact_search | The Shakespearean stage space |
title_full | The Shakespearean stage space Mariko Ichikawa |
title_fullStr | The Shakespearean stage space Mariko Ichikawa |
title_full_unstemmed | The Shakespearean stage space Mariko Ichikawa |
title_short | The Shakespearean stage space |
title_sort | the shakespearean stage space |
topic | Shakespeare, William / 1564-1616 / Stage history / To 1625 Shakespeare, William / 1564-1616 / Stage history / England / London Shakespeare, William 1564-1616 (DE-588)118613723 gnd Geschichte Theaters / Stage-setting and scenery / England / History / 16th century Theaters / Stage-setting and scenery / England / History / 17th century Theater / England / London / History / 16th century Theater / England / London / History / 17th century English drama / Early modern and Elizabethan, 1500-1600 / History and criticism English drama / 17th century / History and criticism Theater (DE-588)4059702-7 gnd Drama (DE-588)4012899-4 gnd Aufführung (DE-588)4143388-9 gnd |
topic_facet | Shakespeare, William / 1564-1616 / Stage history / To 1625 Shakespeare, William / 1564-1616 / Stage history / England / London Shakespeare, William 1564-1616 Geschichte Theaters / Stage-setting and scenery / England / History / 16th century Theaters / Stage-setting and scenery / England / History / 17th century Theater / England / London / History / 16th century Theater / England / London / History / 17th century English drama / Early modern and Elizabethan, 1500-1600 / History and criticism English drama / 17th century / History and criticism Theater Drama Aufführung London |
url | https://doi.org/10.1017/CBO9781139097192 |
work_keys_str_mv | AT ichikawamariko theshakespeareanstagespace |