Brahms in the home and the concert hall: between private and public performance
Johannes Brahms was a consummate professional musician, a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brah...
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Weitere Verfasser: | , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2014
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Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | Johannes Brahms was a consummate professional musician, a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms' public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own, but also other composers' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point, the contributors trace the overlapping worlds of public and private music-making in the nineteenth century, discussing the boundaries between the composer's professional identity and his lifelong engagement with amateur music-making |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Beschreibung: | 1 online resource (xxvii, 395 pages) |
ISBN: | 9781107337404 |
DOI: | 10.1017/CBO9781107337404 |
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505 | 8 | 0 | |t Brahms in the home : an introduction |r Katy Hamilton and Natasha Loges |t The Joachim Quartet concerts at the Berlin Singakademie : Mendelssohnian Geselligkeit in Wilhelmine Germany |r Robert W. Eshbach |t Domesticity in Brahms's string sextets, opp. 18 and 36 |r Marie Sumner Lott |t Where was the home of Brahms's piano works? |r Katrin Eich |t Main and shadowy existence(s) : works and arrangements in the oeuvre of Johannes Brahms |r Michael Struck |t Brahms arranges his symphonies |r Robert Pascall |t At the piano with Joseph and Johannes : Joachim's overtures in Brahms's circle |r Valerie Woodring Goertzen |t Brahms and his arrangers |r Helen Paskins, with Katy Hamilton and Natasha Loges |t Brahms in the Wittgenstein homes : a memoir and letters |r Styra Avins |t The construction of gender and mores in Brahms's Mädchenlieder |r Heather Platt |t Music inside the home and outside the box : Brahms's vocal quartets in context |r Katy Hamilton |t The limits of the lied : Brahms's Magelone-Romanzen Op. 33 |r Natasha Loges |t Being (like) Brahms : emulation and ideology in late nineteenth-century Hausmusik |r Markus Böggemann |t The cultural dialectics of chamber music : Adorno and the visual-acoustic imaginary of Bildung |r Richard Leppert |
520 | |a Johannes Brahms was a consummate professional musician, a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms' public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own, but also other composers' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point, the contributors trace the overlapping worlds of public and private music-making in the nineteenth century, discussing the boundaries between the composer's professional identity and his lifelong engagement with amateur music-making | ||
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author2 | Hamilton, Katy 1982- Loges, Natasha |
author2_role | edt edt |
author2_variant | k h kh n l nl |
author_additional | Katy Hamilton and Natasha Loges Robert W. Eshbach Marie Sumner Lott Katrin Eich Michael Struck Robert Pascall Valerie Woodring Goertzen Helen Paskins, with Katy Hamilton and Natasha Loges Styra Avins Heather Platt Katy Hamilton Natasha Loges Markus Böggemann Richard Leppert |
author_facet | Hamilton, Katy 1982- Loges, Natasha |
building | Verbundindex |
bvnumber | BV043926540 |
classification_rvk | LP 63391 |
collection | ZDB-20-CBO |
contents | Brahms in the home : an introduction The Joachim Quartet concerts at the Berlin Singakademie : Mendelssohnian Geselligkeit in Wilhelmine Germany Domesticity in Brahms's string sextets, opp. 18 and 36 Where was the home of Brahms's piano works? Main and shadowy existence(s) : works and arrangements in the oeuvre of Johannes Brahms Brahms arranges his symphonies At the piano with Joseph and Johannes : Joachim's overtures in Brahms's circle Brahms and his arrangers Brahms in the Wittgenstein homes : a memoir and letters The construction of gender and mores in Brahms's Mädchenlieder Music inside the home and outside the box : Brahms's vocal quartets in context The limits of the lied : Brahms's Magelone-Romanzen Op. 33 Being (like) Brahms : emulation and ideology in late nineteenth-century Hausmusik The cultural dialectics of chamber music : Adorno and the visual-acoustic imaginary of Bildung |
ctrlnum | (ZDB-20-CBO)CR9781107337404 (OCoLC)967486801 (DE-599)BVBBV043926540 |
dewey-full | 780.92 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.92 |
dewey-search | 780.92 |
dewey-sort | 3780.92 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
doi_str_mv | 10.1017/CBO9781107337404 |
era | Geschichte 1800-1900 |
era_facet | Geschichte 1800-1900 |
format | Electronic eBook |
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geographic | Deutschland |
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id | DE-604.BV043926540 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:38:48Z |
institution | BVB |
isbn | 9781107337404 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029335619 |
oclc_num | 967486801 |
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publishDate | 2014 |
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publisher | Cambridge University Press |
record_format | marc |
spelling | Brahms in the home and the concert hall between private and public performance edited by Katy Hamilton and Natasha Loges Brahms in the Home & the Concert Hall Cambridge Cambridge University Press 2014 1 online resource (xxvii, 395 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Brahms in the home : an introduction Katy Hamilton and Natasha Loges The Joachim Quartet concerts at the Berlin Singakademie : Mendelssohnian Geselligkeit in Wilhelmine Germany Robert W. Eshbach Domesticity in Brahms's string sextets, opp. 18 and 36 Marie Sumner Lott Where was the home of Brahms's piano works? Katrin Eich Main and shadowy existence(s) : works and arrangements in the oeuvre of Johannes Brahms Michael Struck Brahms arranges his symphonies Robert Pascall At the piano with Joseph and Johannes : Joachim's overtures in Brahms's circle Valerie Woodring Goertzen Brahms and his arrangers Helen Paskins, with Katy Hamilton and Natasha Loges Brahms in the Wittgenstein homes : a memoir and letters Styra Avins The construction of gender and mores in Brahms's Mädchenlieder Heather Platt Music inside the home and outside the box : Brahms's vocal quartets in context Katy Hamilton The limits of the lied : Brahms's Magelone-Romanzen Op. 33 Natasha Loges Being (like) Brahms : emulation and ideology in late nineteenth-century Hausmusik Markus Böggemann The cultural dialectics of chamber music : Adorno and the visual-acoustic imaginary of Bildung Richard Leppert Johannes Brahms was a consummate professional musician, a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms' public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own, but also other composers' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point, the contributors trace the overlapping worlds of public and private music-making in the nineteenth century, discussing the boundaries between the composer's professional identity and his lifelong engagement with amateur music-making Brahms, Johannes / 1833-1897 / Criticism and interpretation Brahms, Johannes 1833-1897 (DE-588)118514253 gnd rswk-swf Geschichte 1800-1900 Musik Music / Germany / 19th century / History and criticism Privatheit (DE-588)4195103-7 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Öffentlichkeit (DE-588)4043183-6 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Arrangement (DE-588)4285138-5 gnd rswk-swf Deutschland 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Brahms, Johannes 1833-1897 (DE-588)118514253 p Komposition Musik (DE-588)4133320-2 s Aufführung (DE-588)4143388-9 s Öffentlichkeit (DE-588)4043183-6 s Privatheit (DE-588)4195103-7 s Arrangement (DE-588)4285138-5 s 2\p DE-604 Hamilton, Katy 1982- edt Loges, Natasha edt Erscheint auch als Druckausgabe 978-1-107-04270-4 https://doi.org/10.1017/CBO9781107337404 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Brahms in the home and the concert hall between private and public performance Brahms in the home : an introduction The Joachim Quartet concerts at the Berlin Singakademie : Mendelssohnian Geselligkeit in Wilhelmine Germany Domesticity in Brahms's string sextets, opp. 18 and 36 Where was the home of Brahms's piano works? Main and shadowy existence(s) : works and arrangements in the oeuvre of Johannes Brahms Brahms arranges his symphonies At the piano with Joseph and Johannes : Joachim's overtures in Brahms's circle Brahms and his arrangers Brahms in the Wittgenstein homes : a memoir and letters The construction of gender and mores in Brahms's Mädchenlieder Music inside the home and outside the box : Brahms's vocal quartets in context The limits of the lied : Brahms's Magelone-Romanzen Op. 33 Being (like) Brahms : emulation and ideology in late nineteenth-century Hausmusik The cultural dialectics of chamber music : Adorno and the visual-acoustic imaginary of Bildung Brahms, Johannes / 1833-1897 / Criticism and interpretation Brahms, Johannes 1833-1897 (DE-588)118514253 gnd Musik Music / Germany / 19th century / History and criticism Privatheit (DE-588)4195103-7 gnd Komposition Musik (DE-588)4133320-2 gnd Öffentlichkeit (DE-588)4043183-6 gnd Aufführung (DE-588)4143388-9 gnd Arrangement (DE-588)4285138-5 gnd |
subject_GND | (DE-588)118514253 (DE-588)4195103-7 (DE-588)4133320-2 (DE-588)4043183-6 (DE-588)4143388-9 (DE-588)4285138-5 (DE-588)4143413-4 |
title | Brahms in the home and the concert hall between private and public performance |
title_alt | Brahms in the Home & the Concert Hall Brahms in the home : an introduction The Joachim Quartet concerts at the Berlin Singakademie : Mendelssohnian Geselligkeit in Wilhelmine Germany Domesticity in Brahms's string sextets, opp. 18 and 36 Where was the home of Brahms's piano works? Main and shadowy existence(s) : works and arrangements in the oeuvre of Johannes Brahms Brahms arranges his symphonies At the piano with Joseph and Johannes : Joachim's overtures in Brahms's circle Brahms and his arrangers Brahms in the Wittgenstein homes : a memoir and letters The construction of gender and mores in Brahms's Mädchenlieder Music inside the home and outside the box : Brahms's vocal quartets in context The limits of the lied : Brahms's Magelone-Romanzen Op. 33 Being (like) Brahms : emulation and ideology in late nineteenth-century Hausmusik The cultural dialectics of chamber music : Adorno and the visual-acoustic imaginary of Bildung |
title_auth | Brahms in the home and the concert hall between private and public performance |
title_exact_search | Brahms in the home and the concert hall between private and public performance |
title_full | Brahms in the home and the concert hall between private and public performance edited by Katy Hamilton and Natasha Loges |
title_fullStr | Brahms in the home and the concert hall between private and public performance edited by Katy Hamilton and Natasha Loges |
title_full_unstemmed | Brahms in the home and the concert hall between private and public performance edited by Katy Hamilton and Natasha Loges |
title_short | Brahms in the home and the concert hall |
title_sort | brahms in the home and the concert hall between private and public performance |
title_sub | between private and public performance |
topic | Brahms, Johannes / 1833-1897 / Criticism and interpretation Brahms, Johannes 1833-1897 (DE-588)118514253 gnd Musik Music / Germany / 19th century / History and criticism Privatheit (DE-588)4195103-7 gnd Komposition Musik (DE-588)4133320-2 gnd Öffentlichkeit (DE-588)4043183-6 gnd Aufführung (DE-588)4143388-9 gnd Arrangement (DE-588)4285138-5 gnd |
topic_facet | Brahms, Johannes / 1833-1897 / Criticism and interpretation Brahms, Johannes 1833-1897 Musik Music / Germany / 19th century / History and criticism Privatheit Komposition Musik Öffentlichkeit Aufführung Arrangement Deutschland Aufsatzsammlung |
url | https://doi.org/10.1017/CBO9781107337404 |
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