Slave portraiture in the Atlantic world:
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emer...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2013
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xix, 468 pages) |
| ISBN: | 9781139021845 |
| DOI: | 10.1017/CBO9781139021845 |
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| 245 | 1 | 0 | |a Slave portraiture in the Atlantic world |c edited by Agnes Lugo-Ortiz, Angela Rosenthal |
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| 505 | 8 | 0 | |g Introduction |t envisioning slave portraiture |r Angela Rosenthal and Agnes Lugo-Ortiz |g I. |t Visibility and invisibility |t Slavery and the possibilities of portraiture |r Marcia Pointon |t Looking for Scipio Moorhead |r Eric Slauter |g II. |t Slave portraiture, colonialism, and modern imperial culture |t Three gentlemen from Esmeralda |r Tom Cummins |t Metamorphoses of the self in early-modern Spain |r Carmen Fracchia |t Of sailors and slaves |r Geoff Quilley |t Between violence and redemption |r Agnes Lugo-Ortiz |g III. |t Subjects to scientific and ethnographic knowledge |t Albert Eckhout's African Woman and Child (1641) |r Rebecca P. Brienen |t Embodying African knowledge in colonial Surinam |r Susan Scott Parrish |t Exquisite empty shells |r James Smalls |g IV. |t Facing Abolition |t Who is the subject? |r Viktoria Schmidt-Linsenhoff |t The many faces of Toussaint Loverture |r Helen Weston |t Cinqué |r Toby Chieffo-Reidway |t The Intrepid Mariner Simão |r Daryle Williams |
| 520 | |a Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery | ||
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| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Sklaverei | |
| 650 | 4 | |a Slavery in art | |
| 650 | 4 | |a Portraits | |
| 650 | 4 | |a Slavery / Atlantic Ocean Region / History | |
| 650 | 4 | |a Blacks in art | |
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| 700 | 1 | |a Rosenthal, Angela |d 1963-2010 |0 (DE-588)1042427747 |4 edt | |
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Datensatz im Suchindex
| _version_ | 1804176853369356288 |
|---|---|
| any_adam_object | |
| author2 | Lugo-Ortiz, Agnes J. 1960- Rosenthal, Angela 1963-2010 |
| author2_role | edt edt |
| author2_variant | a j l o ajl ajlo a r ar |
| author_GND | (DE-588)1046327763 (DE-588)1042427747 |
| author_additional | Angela Rosenthal and Agnes Lugo-Ortiz Marcia Pointon Eric Slauter Tom Cummins Carmen Fracchia Geoff Quilley Agnes Lugo-Ortiz Rebecca P. Brienen Susan Scott Parrish James Smalls Viktoria Schmidt-Linsenhoff Helen Weston Toby Chieffo-Reidway Daryle Williams |
| author_facet | Lugo-Ortiz, Agnes J. 1960- Rosenthal, Angela 1963-2010 |
| building | Verbundindex |
| bvnumber | BV043926210 |
| classification_rvk | NW 8295 |
| collection | ZDB-20-CBO |
| contents | envisioning slave portraiture Visibility and invisibility Slavery and the possibilities of portraiture Looking for Scipio Moorhead Slave portraiture, colonialism, and modern imperial culture Three gentlemen from Esmeralda Metamorphoses of the self in early-modern Spain Of sailors and slaves Between violence and redemption Subjects to scientific and ethnographic knowledge Albert Eckhout's African Woman and Child (1641) Embodying African knowledge in colonial Surinam Exquisite empty shells Facing Abolition Who is the subject? The many faces of Toussaint Loverture Cinqué The Intrepid Mariner Simão |
| ctrlnum | (ZDB-20-CBO)CR9781139021845 (OCoLC)907963037 (DE-599)BVBBV043926210 |
| dewey-full | 704.9/49306362 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
| dewey-raw | 704.9/49306362 |
| dewey-search | 704.9/49306362 |
| dewey-sort | 3704.9 849306362 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Geschichte |
| doi_str_mv | 10.1017/CBO9781139021845 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| isbn | 9781139021845 |
| language | English |
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| spelling | Slave portraiture in the Atlantic world edited by Agnes Lugo-Ortiz, Angela Rosenthal Cambridge Cambridge University Press 2013 1 online resource (xix, 468 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction envisioning slave portraiture Angela Rosenthal and Agnes Lugo-Ortiz I. Visibility and invisibility Slavery and the possibilities of portraiture Marcia Pointon Looking for Scipio Moorhead Eric Slauter II. Slave portraiture, colonialism, and modern imperial culture Three gentlemen from Esmeralda Tom Cummins Metamorphoses of the self in early-modern Spain Carmen Fracchia Of sailors and slaves Geoff Quilley Between violence and redemption Agnes Lugo-Ortiz III. Subjects to scientific and ethnographic knowledge Albert Eckhout's African Woman and Child (1641) Rebecca P. Brienen Embodying African knowledge in colonial Surinam Susan Scott Parrish Exquisite empty shells James Smalls IV. Facing Abolition Who is the subject? Viktoria Schmidt-Linsenhoff The many faces of Toussaint Loverture Helen Weston Cinqué Toby Chieffo-Reidway The Intrepid Mariner Simão Daryle Williams Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery Geschichte gnd rswk-swf Geschichte Sklaverei Slavery in art Portraits Slavery / Atlantic Ocean Region / History Blacks in art Sklave Motiv (DE-588)4204854-0 gnd rswk-swf Bildnis (DE-588)4006627-7 gnd rswk-swf Atlantischer Raum (DE-588)4206638-4 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Atlantischer Raum (DE-588)4206638-4 g Sklave Motiv (DE-588)4204854-0 s Bildnis (DE-588)4006627-7 s Geschichte z 2\p DE-604 Lugo-Ortiz, Agnes J. 1960- (DE-588)1046327763 edt Rosenthal, Angela 1963-2010 (DE-588)1042427747 edt Erscheint auch als Druckausgabe 978-1-107-00439-9 Erscheint auch als Druckausgabe 978-1-107-53375-2 https://doi.org/10.1017/CBO9781139021845 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Slave portraiture in the Atlantic world envisioning slave portraiture Visibility and invisibility Slavery and the possibilities of portraiture Looking for Scipio Moorhead Slave portraiture, colonialism, and modern imperial culture Three gentlemen from Esmeralda Metamorphoses of the self in early-modern Spain Of sailors and slaves Between violence and redemption Subjects to scientific and ethnographic knowledge Albert Eckhout's African Woman and Child (1641) Embodying African knowledge in colonial Surinam Exquisite empty shells Facing Abolition Who is the subject? The many faces of Toussaint Loverture Cinqué The Intrepid Mariner Simão Geschichte Sklaverei Slavery in art Portraits Slavery / Atlantic Ocean Region / History Blacks in art Sklave Motiv (DE-588)4204854-0 gnd Bildnis (DE-588)4006627-7 gnd |
| subject_GND | (DE-588)4204854-0 (DE-588)4006627-7 (DE-588)4206638-4 (DE-588)4143413-4 |
| title | Slave portraiture in the Atlantic world |
| title_alt | envisioning slave portraiture Visibility and invisibility Slavery and the possibilities of portraiture Looking for Scipio Moorhead Slave portraiture, colonialism, and modern imperial culture Three gentlemen from Esmeralda Metamorphoses of the self in early-modern Spain Of sailors and slaves Between violence and redemption Subjects to scientific and ethnographic knowledge Albert Eckhout's African Woman and Child (1641) Embodying African knowledge in colonial Surinam Exquisite empty shells Facing Abolition Who is the subject? The many faces of Toussaint Loverture Cinqué The Intrepid Mariner Simão |
| title_auth | Slave portraiture in the Atlantic world |
| title_exact_search | Slave portraiture in the Atlantic world |
| title_full | Slave portraiture in the Atlantic world edited by Agnes Lugo-Ortiz, Angela Rosenthal |
| title_fullStr | Slave portraiture in the Atlantic world edited by Agnes Lugo-Ortiz, Angela Rosenthal |
| title_full_unstemmed | Slave portraiture in the Atlantic world edited by Agnes Lugo-Ortiz, Angela Rosenthal |
| title_short | Slave portraiture in the Atlantic world |
| title_sort | slave portraiture in the atlantic world |
| topic | Geschichte Sklaverei Slavery in art Portraits Slavery / Atlantic Ocean Region / History Blacks in art Sklave Motiv (DE-588)4204854-0 gnd Bildnis (DE-588)4006627-7 gnd |
| topic_facet | Geschichte Sklaverei Slavery in art Portraits Slavery / Atlantic Ocean Region / History Blacks in art Sklave Motiv Bildnis Atlantischer Raum Aufsatzsammlung |
| url | https://doi.org/10.1017/CBO9781139021845 |
| work_keys_str_mv | AT lugoortizagnesj slaveportraitureintheatlanticworld AT rosenthalangela slaveportraitureintheatlanticworld |