Tales from Shakespeare: creative collisions
In this engaging new book, writer and critic Graham Holderness shows how a classic Shakespeare play can be the source for a modern story, providing a creative 'collision' between the Shakespeare text and contemporary concerns. Using an analogy from particle physics, Holderness tests his me...
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| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2014
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | In this engaging new book, writer and critic Graham Holderness shows how a classic Shakespeare play can be the source for a modern story, providing a creative 'collision' between the Shakespeare text and contemporary concerns. Using an analogy from particle physics, Holderness tests his methodology through specific examples, structured in four parts: a recreation of performances of Hamlet and Richard II aboard the East India Company ship the Red Dragon in 1607; an imagined encounter between Shakespeare and Ben Jonson writing the King James Bible; the creation of a contemporary folk hero based on Coriolanus and drawing on films such as Skyfall and The Hurt Locker; and an account of the terrorist bombing at a performance of Twelfth Night in Qatar in 2005. These pieces of narrative and drama are interspersed with literary criticism, each using a feature of the original Shakespeare play or its performance to illuminate the extraordinary elasticity of Shakespeare. The 'tales' provoke questions about what we understand to be Shakespeare and not-Shakespeare, making the book of vital interest to students, scholars, and enthusiasts of Shakespeare, literary criticism and creative writing |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xv, 245 pages) |
| ISBN: | 9781107775466 |
| DOI: | 10.1017/CBO9781107775466 |
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| 520 | |a In this engaging new book, writer and critic Graham Holderness shows how a classic Shakespeare play can be the source for a modern story, providing a creative 'collision' between the Shakespeare text and contemporary concerns. Using an analogy from particle physics, Holderness tests his methodology through specific examples, structured in four parts: a recreation of performances of Hamlet and Richard II aboard the East India Company ship the Red Dragon in 1607; an imagined encounter between Shakespeare and Ben Jonson writing the King James Bible; the creation of a contemporary folk hero based on Coriolanus and drawing on films such as Skyfall and The Hurt Locker; and an account of the terrorist bombing at a performance of Twelfth Night in Qatar in 2005. These pieces of narrative and drama are interspersed with literary criticism, each using a feature of the original Shakespeare play or its performance to illuminate the extraordinary elasticity of Shakespeare. The 'tales' provoke questions about what we understand to be Shakespeare and not-Shakespeare, making the book of vital interest to students, scholars, and enthusiasts of Shakespeare, literary criticism and creative writing | ||
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| contents | Machine generated contents note: Introduction: from appropriation to collision; Part I: 1. The voyage of the Red Dragon; 2. 'Shooting an elephant'; Part II: 3. Shakespeare and the King James Bible; 4. 'Wholly writ': a play in two acts; Part III: 5. The Coriolanus myth; 6. 'The lonely dragon'; Part IV: 7. Shakespeare and 9/11; 8. 'Rudely interrupted'; Afterword: 'tales from Shakespeare' |
| ctrlnum | (ZDB-20-CBO)CR9781107775466 (OCoLC)967413090 (DE-599)BVBBV043925309 |
| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9781107775466 |
| format | Electronic eBook |
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| id | DE-604.BV043925309 |
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| indexdate | 2024-07-10T07:38:45Z |
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| isbn | 9781107775466 |
| language | English |
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| spelling | Holderness, Graham 1947- Verfasser (DE-588)132782332 aut Tales from Shakespeare creative collisions Graham Holderness Cambridge Cambridge University Press 2014 1 online resource (xv, 245 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Machine generated contents note: Introduction: from appropriation to collision; Part I: 1. The voyage of the Red Dragon; 2. 'Shooting an elephant'; Part II: 3. Shakespeare and the King James Bible; 4. 'Wholly writ': a play in two acts; Part III: 5. The Coriolanus myth; 6. 'The lonely dragon'; Part IV: 7. Shakespeare and 9/11; 8. 'Rudely interrupted'; Afterword: 'tales from Shakespeare' In this engaging new book, writer and critic Graham Holderness shows how a classic Shakespeare play can be the source for a modern story, providing a creative 'collision' between the Shakespeare text and contemporary concerns. Using an analogy from particle physics, Holderness tests his methodology through specific examples, structured in four parts: a recreation of performances of Hamlet and Richard II aboard the East India Company ship the Red Dragon in 1607; an imagined encounter between Shakespeare and Ben Jonson writing the King James Bible; the creation of a contemporary folk hero based on Coriolanus and drawing on films such as Skyfall and The Hurt Locker; and an account of the terrorist bombing at a performance of Twelfth Night in Qatar in 2005. These pieces of narrative and drama are interspersed with literary criticism, each using a feature of the original Shakespeare play or its performance to illuminate the extraordinary elasticity of Shakespeare. The 'tales' provoke questions about what we understand to be Shakespeare and not-Shakespeare, making the book of vital interest to students, scholars, and enthusiasts of Shakespeare, literary criticism and creative writing Shakespeare, William / 1564-1616 / Adaptations / History and criticism Shakespeare, William / 1564-1616 / Influence Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Shakespeare, William 1564-1616 Coriolanus (DE-588)4099348-6 gnd rswk-swf Bibel King James version (DE-588)4143678-7 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Elfter September (DE-588)4667841-4 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Beeinflussung (DE-588)4005203-5 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Rezeption (DE-588)4049716-1 s Beeinflussung (DE-588)4005203-5 s Elfter September (DE-588)4667841-4 s Bibel King James version (DE-588)4143678-7 u Shakespeare, William 1564-1616 Coriolanus (DE-588)4099348-6 u 1\p DE-604 Erscheint auch als Druckausgabe 978-1-107-07129-2 Erscheint auch als Druckausgabe 978-1-107-41662-8 https://doi.org/10.1017/CBO9781107775466 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Holderness, Graham 1947- Tales from Shakespeare creative collisions Machine generated contents note: Introduction: from appropriation to collision; Part I: 1. The voyage of the Red Dragon; 2. 'Shooting an elephant'; Part II: 3. Shakespeare and the King James Bible; 4. 'Wholly writ': a play in two acts; Part III: 5. The Coriolanus myth; 6. 'The lonely dragon'; Part IV: 7. Shakespeare and 9/11; 8. 'Rudely interrupted'; Afterword: 'tales from Shakespeare' Shakespeare, William / 1564-1616 / Adaptations / History and criticism Shakespeare, William / 1564-1616 / Influence Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Shakespeare, William 1564-1616 Coriolanus (DE-588)4099348-6 gnd Bibel King James version (DE-588)4143678-7 gnd Rezeption (DE-588)4049716-1 gnd Elfter September (DE-588)4667841-4 gnd Drama (DE-588)4012899-4 gnd Beeinflussung (DE-588)4005203-5 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4099348-6 (DE-588)4143678-7 (DE-588)4049716-1 (DE-588)4667841-4 (DE-588)4012899-4 (DE-588)4005203-5 |
| title | Tales from Shakespeare creative collisions |
| title_auth | Tales from Shakespeare creative collisions |
| title_exact_search | Tales from Shakespeare creative collisions |
| title_full | Tales from Shakespeare creative collisions Graham Holderness |
| title_fullStr | Tales from Shakespeare creative collisions Graham Holderness |
| title_full_unstemmed | Tales from Shakespeare creative collisions Graham Holderness |
| title_short | Tales from Shakespeare |
| title_sort | tales from shakespeare creative collisions |
| title_sub | creative collisions |
| topic | Shakespeare, William / 1564-1616 / Adaptations / History and criticism Shakespeare, William / 1564-1616 / Influence Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Shakespeare, William 1564-1616 Coriolanus (DE-588)4099348-6 gnd Bibel King James version (DE-588)4143678-7 gnd Rezeption (DE-588)4049716-1 gnd Elfter September (DE-588)4667841-4 gnd Drama (DE-588)4012899-4 gnd Beeinflussung (DE-588)4005203-5 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Adaptations / History and criticism Shakespeare, William / 1564-1616 / Influence Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William 1564-1616 Shakespeare, William 1564-1616 Coriolanus Bibel King James version Rezeption Elfter September Drama Beeinflussung |
| url | https://doi.org/10.1017/CBO9781107775466 |
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