Mozart's piano sonatas: contexts, sources, style
Mozart's piano sonatas form a richly diverse and significant part of his instrumental output, and span much of his mature composing career, thereby representing a microcosm of the composer's changing style. Part I examines the contexts in which the sonatas were composed and performed, and...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1997
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Mozart's piano sonatas form a richly diverse and significant part of his instrumental output, and span much of his mature composing career, thereby representing a microcosm of the composer's changing style. Part I examines the contexts in which the sonatas were composed and performed, and reviews likely sources of influence. Part II concentrates on the genesis of the sonatas and the surviving autographs, which reveal important information about Mozart's compositional process. In Part III the music is studied from the standpoint of rhetoric - a discipline featured in numerous contemporary aesthetic and theoretical textbooks on music - and proceeds through an investigation of the nature of the musical ideas, followed by a discussion of formal design and finally a consideration of the style. The resulting picture affords a cross-section of Mozart's compositional strategies |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xxii, 215 pages) |
| ISBN: | 9780511612121 |
| DOI: | 10.1017/CBO9780511612121 |
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| 505 | 8 | |a Part I : Contexts -- The solo sonata in context -- Stylistic models for Mozart's sonatas -- Part II : Sources -- Six sonatas, K. 279-K. 284 -- Three sonatas, K. 309-K. 311 -- Four sonatas, K. 330-K. 332, K. 333 -- Fantasia and Sonata in C minor, K. 475 and K. 457 -- Later Viennese sonatas : K. 533 and K. 494, K. 545, K. 570, K. 576 -- Fragments -- Part III : Style -- Eighteenth-century views of sonata form -- Pre-compositional choices : the rhetorical inventio -- Dispositio : rhetoric and design -- The rhetorical elocutio | |
| 520 | |a Mozart's piano sonatas form a richly diverse and significant part of his instrumental output, and span much of his mature composing career, thereby representing a microcosm of the composer's changing style. Part I examines the contexts in which the sonatas were composed and performed, and reviews likely sources of influence. Part II concentrates on the genesis of the sonatas and the surviving autographs, which reveal important information about Mozart's compositional process. In Part III the music is studied from the standpoint of rhetoric - a discipline featured in numerous contemporary aesthetic and theoretical textbooks on music - and proceeds through an investigation of the nature of the musical ideas, followed by a discussion of formal design and finally a consideration of the style. The resulting picture affords a cross-section of Mozart's compositional strategies | ||
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Datensatz im Suchindex
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|---|---|
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| author | Irving, John 1959- |
| author_facet | Irving, John 1959- |
| author_role | aut |
| author_sort | Irving, John 1959- |
| author_variant | j i ji |
| building | Verbundindex |
| bvnumber | BV043925183 |
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| collection | ZDB-20-CBO |
| contents | Part I : Contexts -- The solo sonata in context -- Stylistic models for Mozart's sonatas -- Part II : Sources -- Six sonatas, K. 279-K. 284 -- Three sonatas, K. 309-K. 311 -- Four sonatas, K. 330-K. 332, K. 333 -- Fantasia and Sonata in C minor, K. 475 and K. 457 -- Later Viennese sonatas : K. 533 and K. 494, K. 545, K. 570, K. 576 -- Fragments -- Part III : Style -- Eighteenth-century views of sonata form -- Pre-compositional choices : the rhetorical inventio -- Dispositio : rhetoric and design -- The rhetorical elocutio |
| ctrlnum | (ZDB-20-CBO)CR9780511612121 (OCoLC)849941521 (DE-599)BVBBV043925183 |
| dewey-full | 786.2/183/092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.2/183/092 |
| dewey-search | 786.2/183/092 |
| dewey-sort | 3786.2 3183 292 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511612121 |
| format | Electronic eBook |
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| id | DE-604.BV043925183 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:45Z |
| institution | BVB |
| isbn | 9780511612121 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029334262 |
| oclc_num | 849941521 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 online resource (xxii, 215 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 1997 |
| publishDateSearch | 1997 |
| publishDateSort | 1997 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Irving, John 1959- Verfasser aut Mozart's piano sonatas contexts, sources, style John Irving Cambridge Cambridge University Press 1997 1 online resource (xxii, 215 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Part I : Contexts -- The solo sonata in context -- Stylistic models for Mozart's sonatas -- Part II : Sources -- Six sonatas, K. 279-K. 284 -- Three sonatas, K. 309-K. 311 -- Four sonatas, K. 330-K. 332, K. 333 -- Fantasia and Sonata in C minor, K. 475 and K. 457 -- Later Viennese sonatas : K. 533 and K. 494, K. 545, K. 570, K. 576 -- Fragments -- Part III : Style -- Eighteenth-century views of sonata form -- Pre-compositional choices : the rhetorical inventio -- Dispositio : rhetoric and design -- The rhetorical elocutio Mozart's piano sonatas form a richly diverse and significant part of his instrumental output, and span much of his mature composing career, thereby representing a microcosm of the composer's changing style. Part I examines the contexts in which the sonatas were composed and performed, and reviews likely sources of influence. Part II concentrates on the genesis of the sonatas and the surviving autographs, which reveal important information about Mozart's compositional process. In Part III the music is studied from the standpoint of rhetoric - a discipline featured in numerous contemporary aesthetic and theoretical textbooks on music - and proceeds through an investigation of the nature of the musical ideas, followed by a discussion of formal design and finally a consideration of the style. The resulting picture affords a cross-section of Mozart's compositional strategies Mozart, Wolfgang Amadeus / 1756-1791 / Sonatas / piano Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd rswk-swf Sonatas (Piano) / History and criticism Klaviersonate (DE-588)4030995-2 gnd rswk-swf Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 p Klaviersonate (DE-588)4030995-2 s 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-02741-0 Erscheint auch als Druckausgabe 978-0-521-49631-5 https://doi.org/10.1017/CBO9780511612121 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Irving, John 1959- Mozart's piano sonatas contexts, sources, style Part I : Contexts -- The solo sonata in context -- Stylistic models for Mozart's sonatas -- Part II : Sources -- Six sonatas, K. 279-K. 284 -- Three sonatas, K. 309-K. 311 -- Four sonatas, K. 330-K. 332, K. 333 -- Fantasia and Sonata in C minor, K. 475 and K. 457 -- Later Viennese sonatas : K. 533 and K. 494, K. 545, K. 570, K. 576 -- Fragments -- Part III : Style -- Eighteenth-century views of sonata form -- Pre-compositional choices : the rhetorical inventio -- Dispositio : rhetoric and design -- The rhetorical elocutio Mozart, Wolfgang Amadeus / 1756-1791 / Sonatas / piano Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Sonatas (Piano) / History and criticism Klaviersonate (DE-588)4030995-2 gnd |
| subject_GND | (DE-588)118584596 (DE-588)4030995-2 |
| title | Mozart's piano sonatas contexts, sources, style |
| title_auth | Mozart's piano sonatas contexts, sources, style |
| title_exact_search | Mozart's piano sonatas contexts, sources, style |
| title_full | Mozart's piano sonatas contexts, sources, style John Irving |
| title_fullStr | Mozart's piano sonatas contexts, sources, style John Irving |
| title_full_unstemmed | Mozart's piano sonatas contexts, sources, style John Irving |
| title_short | Mozart's piano sonatas |
| title_sort | mozart s piano sonatas contexts sources style |
| title_sub | contexts, sources, style |
| topic | Mozart, Wolfgang Amadeus / 1756-1791 / Sonatas / piano Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Sonatas (Piano) / History and criticism Klaviersonate (DE-588)4030995-2 gnd |
| topic_facet | Mozart, Wolfgang Amadeus / 1756-1791 / Sonatas / piano Mozart, Wolfgang Amadeus 1756-1791 Sonatas (Piano) / History and criticism Klaviersonate |
| url | https://doi.org/10.1017/CBO9780511612121 |
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