The first frame: theatre space in Enlightenment France
In the late eighteenth century, a movement to transform France's theatre architecture united the nation. Playwrights, philosophers, and powerful agents including King Louis XV rejected the modified structures that had housed the plays of Racine and Molière, and debated which playhouse form shou...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2014
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | In the late eighteenth century, a movement to transform France's theatre architecture united the nation. Playwrights, philosophers, and powerful agents including King Louis XV rejected the modified structures that had housed the plays of Racine and Molière, and debated which playhouse form should support the future of French stagecraft. In The First Frame, Pannill Camp argues that these reforms helped to lay down the theoretical and practical foundations of modern theatre space. Examining dramatic theory, architecture, and philosophy, Camp explores how architects, dramatists, and spectators began to see theatre and scientific experimentation as parallel enterprises. During this period of modernisation, physicists began to cite dramatic theory and adopt theatrical staging techniques, while playwrights sought to reveal observable truths of human nature. Camp goes on to show that these reforms had consequences for the way we understand both modern theatrical aesthetics and the production of scientific knowledge in the present day |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xii, 288 pages) |
| ISBN: | 9781139941372 |
| DOI: | 10.1017/CBO9781139941372 |
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| 520 | |a In the late eighteenth century, a movement to transform France's theatre architecture united the nation. Playwrights, philosophers, and powerful agents including King Louis XV rejected the modified structures that had housed the plays of Racine and Molière, and debated which playhouse form should support the future of French stagecraft. In The First Frame, Pannill Camp argues that these reforms helped to lay down the theoretical and practical foundations of modern theatre space. Examining dramatic theory, architecture, and philosophy, Camp explores how architects, dramatists, and spectators began to see theatre and scientific experimentation as parallel enterprises. During this period of modernisation, physicists began to cite dramatic theory and adopt theatrical staging techniques, while playwrights sought to reveal observable truths of human nature. Camp goes on to show that these reforms had consequences for the way we understand both modern theatrical aesthetics and the production of scientific knowledge in the present day | ||
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| author | Camp, Pannill 1977- |
| author_GND | (DE-588)1065637136 |
| author_facet | Camp, Pannill 1977- |
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| author_sort | Camp, Pannill 1977- |
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| contents | Introduction: The "first frame" of Enlightenment theatre space. Theatre space -- Perspective -- Natural philosophy -- Spectators -- The divided scene of theatre space in the neo-classical era. Paris theatre spaces before reform -- The perspective apparatus -- The versatile space of the Jeu de paume -- The theatrical frame in French neo-classical dramatic theory. Mirror plays -- Rationalist and theatrical minor worlds -- Dubos' Lockean formula -- Diderot's first paradox -- Enlightenment spectators and the theatre of experiment. The spectator as epistemological figure -- Experimental physics and its spaces -- Experimental dramaturgy -- Window plays -- Theatre architecture reform and the spectator as sense function. Mid-century critiques -- The spectatorial act -- The geometry of sense -- Optics and stage space in enlightenment theatre design. Epistemologies of visual space -- Models of the eye -- Ocular morphology -- Perspective destabilized -- Epilogue: Modern spectatorial consciousness |
| ctrlnum | (ZDB-20-CBO)CR9781139941372 (OCoLC)949923361 (DE-599)BVBBV043924842 |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 725 - Public structures |
| dewey-raw | 725/.822094409033 |
| dewey-search | 725/.822094409033 |
| dewey-sort | 3725 12822094409033 |
| dewey-tens | 720 - Architecture |
| discipline | Architektur |
| doi_str_mv | 10.1017/CBO9781139941372 |
| era | Geschichte 1700-1800 Geschichte 1700-1800 gnd |
| era_facet | Geschichte 1700-1800 |
| format | Electronic eBook |
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| spelling | Camp, Pannill 1977- Verfasser (DE-588)1065637136 aut The first frame theatre space in Enlightenment France Pannill Camp, Washington University in St. Louis Cambridge Cambridge University Press 2014 1 online resource (xii, 288 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction: The "first frame" of Enlightenment theatre space. Theatre space -- Perspective -- Natural philosophy -- Spectators -- The divided scene of theatre space in the neo-classical era. Paris theatre spaces before reform -- The perspective apparatus -- The versatile space of the Jeu de paume -- The theatrical frame in French neo-classical dramatic theory. Mirror plays -- Rationalist and theatrical minor worlds -- Dubos' Lockean formula -- Diderot's first paradox -- Enlightenment spectators and the theatre of experiment. The spectator as epistemological figure -- Experimental physics and its spaces -- Experimental dramaturgy -- Window plays -- Theatre architecture reform and the spectator as sense function. Mid-century critiques -- The spectatorial act -- The geometry of sense -- Optics and stage space in enlightenment theatre design. Epistemologies of visual space -- Models of the eye -- Ocular morphology -- Perspective destabilized -- Epilogue: Modern spectatorial consciousness In the late eighteenth century, a movement to transform France's theatre architecture united the nation. Playwrights, philosophers, and powerful agents including King Louis XV rejected the modified structures that had housed the plays of Racine and Molière, and debated which playhouse form should support the future of French stagecraft. In The First Frame, Pannill Camp argues that these reforms helped to lay down the theoretical and practical foundations of modern theatre space. Examining dramatic theory, architecture, and philosophy, Camp explores how architects, dramatists, and spectators began to see theatre and scientific experimentation as parallel enterprises. During this period of modernisation, physicists began to cite dramatic theory and adopt theatrical staging techniques, while playwrights sought to reveal observable truths of human nature. Camp goes on to show that these reforms had consequences for the way we understand both modern theatrical aesthetics and the production of scientific knowledge in the present day Geschichte 1700-1800 Geschichte 1700-1800 gnd rswk-swf Geschichte Theater architecture / France / History / 18th century Theaters / France / History / 18th century French drama / 18th century / History and criticism Architecture and society / France / History / 18th century Theater (DE-588)4059702-7 gnd rswk-swf Frankreich Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Theater (DE-588)4059702-7 s Geschichte 1700-1800 z 1\p DE-604 Erscheint auch als Druckausgabe 978-1-107-07916-8 Erscheint auch als Druckausgabe 978-1-107-43740-1 https://doi.org/10.1017/CBO9781139941372 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Camp, Pannill 1977- The first frame theatre space in Enlightenment France Introduction: The "first frame" of Enlightenment theatre space. Theatre space -- Perspective -- Natural philosophy -- Spectators -- The divided scene of theatre space in the neo-classical era. Paris theatre spaces before reform -- The perspective apparatus -- The versatile space of the Jeu de paume -- The theatrical frame in French neo-classical dramatic theory. Mirror plays -- Rationalist and theatrical minor worlds -- Dubos' Lockean formula -- Diderot's first paradox -- Enlightenment spectators and the theatre of experiment. The spectator as epistemological figure -- Experimental physics and its spaces -- Experimental dramaturgy -- Window plays -- Theatre architecture reform and the spectator as sense function. Mid-century critiques -- The spectatorial act -- The geometry of sense -- Optics and stage space in enlightenment theatre design. Epistemologies of visual space -- Models of the eye -- Ocular morphology -- Perspective destabilized -- Epilogue: Modern spectatorial consciousness Geschichte Theater architecture / France / History / 18th century Theaters / France / History / 18th century French drama / 18th century / History and criticism Architecture and society / France / History / 18th century Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4018145-5 |
| title | The first frame theatre space in Enlightenment France |
| title_auth | The first frame theatre space in Enlightenment France |
| title_exact_search | The first frame theatre space in Enlightenment France |
| title_full | The first frame theatre space in Enlightenment France Pannill Camp, Washington University in St. Louis |
| title_fullStr | The first frame theatre space in Enlightenment France Pannill Camp, Washington University in St. Louis |
| title_full_unstemmed | The first frame theatre space in Enlightenment France Pannill Camp, Washington University in St. Louis |
| title_short | The first frame |
| title_sort | the first frame theatre space in enlightenment france |
| title_sub | theatre space in Enlightenment France |
| topic | Geschichte Theater architecture / France / History / 18th century Theaters / France / History / 18th century French drama / 18th century / History and criticism Architecture and society / France / History / 18th century Theater (DE-588)4059702-7 gnd |
| topic_facet | Geschichte Theater architecture / France / History / 18th century Theaters / France / History / 18th century French drama / 18th century / History and criticism Architecture and society / France / History / 18th century Theater Frankreich |
| url | https://doi.org/10.1017/CBO9781139941372 |
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