Clowning and authorship in early modern theatre:
To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomized a theatre t...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2014
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomized a theatre that was heterogeneous, improvised, participatory, and irreducible to dramatic texts. How, then, did those texts emerge? Why did playgoers buy books that deleted not only the clown, but them as well? Challenging the narrative that clowns were 'banished' by playwrights like Shakespeare and Jonson, Richard Preiss argues that clowns such as Richard Tarlton, Will Kemp, and Robert Armin actually made playwrights possible - bridging, through the publication of their routines, the experience of 'live' and scripted performance. Clowning and Authorship tells the story of how, as the clown's presence decayed into print, he bequeathed the new categories around which theatre would organize: the author, and the actor |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (x, 287 pages) |
| ISBN: | 9781139567794 |
| DOI: | 10.1017/CBO9781139567794 |
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Datensatz im Suchindex
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| author | Preiss, Richard |
| author_facet | Preiss, Richard |
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| author_sort | Preiss, Richard |
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| building | Verbundindex |
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| contents | Machine generated contents note: Introduction: the play is not the thing; 1. What audiences did; 2. Send in the clown; 3. Wiring Richard Tarlton; 4. Nobody's business; 5. Private practice; Epilogue: the principal verb |
| ctrlnum | (ZDB-20-CBO)CR9781139567794 (OCoLC)949926475 (DE-599)BVBBV043924832 |
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| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9781139567794 |
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| isbn | 9781139567794 |
| language | English |
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| spelling | Preiss, Richard Verfasser aut Clowning and authorship in early modern theatre Richard Preiss Clowning & Authorship in Early Modern Theatre Cambridge Cambridge University Press 2014 1 online resource (x, 287 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Machine generated contents note: Introduction: the play is not the thing; 1. What audiences did; 2. Send in the clown; 3. Wiring Richard Tarlton; 4. Nobody's business; 5. Private practice; Epilogue: the principal verb To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomized a theatre that was heterogeneous, improvised, participatory, and irreducible to dramatic texts. How, then, did those texts emerge? Why did playgoers buy books that deleted not only the clown, but them as well? Challenging the narrative that clowns were 'banished' by playwrights like Shakespeare and Jonson, Richard Preiss argues that clowns such as Richard Tarlton, Will Kemp, and Robert Armin actually made playwrights possible - bridging, through the publication of their routines, the experience of 'live' and scripted performance. Clowning and Authorship tells the story of how, as the clown's presence decayed into print, he bequeathed the new categories around which theatre would organize: the author, and the actor Geschichte 1500-1600 gnd rswk-swf English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Fools and jesters in literature Clowns in literature Englisch (DE-588)4014777-0 gnd rswk-swf Narr Motiv (DE-588)4171169-5 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Clown Motiv (DE-588)4207375-3 gnd rswk-swf Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Clown Motiv (DE-588)4207375-3 s Narr Motiv (DE-588)4171169-5 s Geschichte 1500-1600 z 1\p DE-604 Erscheint auch als Druckausgabe 978-1-107-03657-4 https://doi.org/10.1017/CBO9781139567794 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Preiss, Richard Clowning and authorship in early modern theatre Machine generated contents note: Introduction: the play is not the thing; 1. What audiences did; 2. Send in the clown; 3. Wiring Richard Tarlton; 4. Nobody's business; 5. Private practice; Epilogue: the principal verb English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Fools and jesters in literature Clowns in literature Englisch (DE-588)4014777-0 gnd Narr Motiv (DE-588)4171169-5 gnd Drama (DE-588)4012899-4 gnd Clown Motiv (DE-588)4207375-3 gnd |
| subject_GND | (DE-588)4014777-0 (DE-588)4171169-5 (DE-588)4012899-4 (DE-588)4207375-3 |
| title | Clowning and authorship in early modern theatre |
| title_alt | Clowning & Authorship in Early Modern Theatre |
| title_auth | Clowning and authorship in early modern theatre |
| title_exact_search | Clowning and authorship in early modern theatre |
| title_full | Clowning and authorship in early modern theatre Richard Preiss |
| title_fullStr | Clowning and authorship in early modern theatre Richard Preiss |
| title_full_unstemmed | Clowning and authorship in early modern theatre Richard Preiss |
| title_short | Clowning and authorship in early modern theatre |
| title_sort | clowning and authorship in early modern theatre |
| topic | English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Fools and jesters in literature Clowns in literature Englisch (DE-588)4014777-0 gnd Narr Motiv (DE-588)4171169-5 gnd Drama (DE-588)4012899-4 gnd Clown Motiv (DE-588)4207375-3 gnd |
| topic_facet | English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Fools and jesters in literature Clowns in literature Englisch Narr Motiv Drama Clown Motiv |
| url | https://doi.org/10.1017/CBO9781139567794 |
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