The African American theatrical body: reception, performance, and the stage
Presenting an innovative approach to performance studies and literary history, Soyica Colbert argues for the centrality of black performance traditions to African American literature, including preaching, dancing, blues and gospel, and theatre itself, showing how these performance traditions create...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; Sao Paulo ; Delhi ; Tokyo ; Mexico City
Cambridge University Press
2011
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| Schlagworte: | |
| Online-Zugang: | BSB01 FUBA1 UBG01 Volltext |
| Zusammenfassung: | Presenting an innovative approach to performance studies and literary history, Soyica Colbert argues for the centrality of black performance traditions to African American literature, including preaching, dancing, blues and gospel, and theatre itself, showing how these performance traditions create the 'performative ground' of African American literary texts. Across a century of literary production using the physical space of the theatre and the discursive space of the page, W. E. B. Du Bois, Zora Neale Hurston, James Baldwin, August Wilson and others deploy performances to re-situate black people in time and space. The study examines African American plays past and present, including A Raisin in the Sun, Blues for Mister Charlie and Joe Turner's Come and Gone, demonstrating how African American dramatists stage black performances in their plays as acts of recuperation and restoration, creating sites that have the potential to repair the damage caused by slavery and its aftermath |
| Beschreibung: | 1 Online-Resource (xiii, 329 Seiten) |
| ISBN: | 9781139027243 |
| DOI: | 10.1017/CBO9781139027243 |
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Datensatz im Suchindex
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| spelling | Colbert, Soyica Diggs 1979- Verfasser (DE-588)1017304904 aut The African American theatrical body reception, performance, and the stage Soyica Diggs Colbert Cambridge; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; Sao Paulo ; Delhi ; Tokyo ; Mexico City Cambridge University Press 2011 1 Online-Resource (xiii, 329 Seiten) txt rdacontent c rdamedia cr rdacarrier Presenting an innovative approach to performance studies and literary history, Soyica Colbert argues for the centrality of black performance traditions to African American literature, including preaching, dancing, blues and gospel, and theatre itself, showing how these performance traditions create the 'performative ground' of African American literary texts. Across a century of literary production using the physical space of the theatre and the discursive space of the page, W. E. B. Du Bois, Zora Neale Hurston, James Baldwin, August Wilson and others deploy performances to re-situate black people in time and space. The study examines African American plays past and present, including A Raisin in the Sun, Blues for Mister Charlie and Joe Turner's Come and Gone, demonstrating how African American dramatists stage black performances in their plays as acts of recuperation and restoration, creating sites that have the potential to repair the damage caused by slavery and its aftermath Geschichte gnd rswk-swf American literature / African American authors / History and criticism African Americans in literature Performance Künste (DE-588)4173750-7 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Drama (DE-588)4012899-4 s Performance Künste (DE-588)4173750-7 s Geschichte z 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-107-01438-1 (DE-604)BV039687745 https://doi.org/10.1017/CBO9781139027243 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Colbert, Soyica Diggs 1979- The African American theatrical body reception, performance, and the stage American literature / African American authors / History and criticism African Americans in literature Performance Künste (DE-588)4173750-7 gnd Drama (DE-588)4012899-4 gnd Schwarze (DE-588)4116433-7 gnd |
| subject_GND | (DE-588)4173750-7 (DE-588)4012899-4 (DE-588)4116433-7 (DE-588)4078704-7 |
| title | The African American theatrical body reception, performance, and the stage |
| title_auth | The African American theatrical body reception, performance, and the stage |
| title_exact_search | The African American theatrical body reception, performance, and the stage |
| title_full | The African American theatrical body reception, performance, and the stage Soyica Diggs Colbert |
| title_fullStr | The African American theatrical body reception, performance, and the stage Soyica Diggs Colbert |
| title_full_unstemmed | The African American theatrical body reception, performance, and the stage Soyica Diggs Colbert |
| title_short | The African American theatrical body |
| title_sort | the african american theatrical body reception performance and the stage |
| title_sub | reception, performance, and the stage |
| topic | American literature / African American authors / History and criticism African Americans in literature Performance Künste (DE-588)4173750-7 gnd Drama (DE-588)4012899-4 gnd Schwarze (DE-588)4116433-7 gnd |
| topic_facet | American literature / African American authors / History and criticism African Americans in literature Performance Künste Drama Schwarze USA |
| url | https://doi.org/10.1017/CBO9781139027243 |
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