Celebrity, performance, reception: British Georgian theatre as social assemblage
By 1800 London had as many theatre seats for sale as the city's population. This was the start of the capital's rise as a centre for performing arts. Bringing to life a period of extraordinary theatrical vitality, David Worrall re-examines the beginnings of celebrity culture amidst a monop...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2013
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | By 1800 London had as many theatre seats for sale as the city's population. This was the start of the capital's rise as a centre for performing arts. Bringing to life a period of extraordinary theatrical vitality, David Worrall re-examines the beginnings of celebrity culture amidst a monopolistic commercial theatrical marketplace. The book presents an innovative transposition of social assemblage theory into performance history. It argues that the cultural meaning of drama changes with every change in the performance location. This theoretical model is applied to a wide range of archival materials including censor's manuscripts, theatre ledger books, performance schedules, unfamiliar play texts and rare printed sources. By examining prompters' records, box office receipts and benefit night takings, the study questions the status of David Garrick, Sarah Siddons and Edmund Kean, and recovers the neglected actress, Elizabeth Younge, and her importance to Edmund Burke |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (vii, 305 pages) |
| ISBN: | 9781107338791 |
| DOI: | 10.1017/CBO9781107338791 |
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| 505 | 8 | |a Introduction: theatre, performance and social assemblage theory -- Theatrical assemblages and theatrical markets -- Georgian performance and the assemblage model -- Theatrical celebrity as social assemblage: from Garrick to Kean -- Celebrity networks: Kean and Siddons -- A working theatrical assemblage: 1790s -- Representations of naval conflict -- Theatrical assemblage populations: the Turkish ambassador's visits to London playhouses, 1794 -- Historicizing the theatrical assemblage: Marie Antoinette and the theatrical queens -- The regulatory assemblage: the Roman actor and the politics of self-censorship -- Conclusion | |
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Datensatz im Suchindex
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| author | Worrall, David |
| author_facet | Worrall, David |
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| author_sort | Worrall, David |
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| building | Verbundindex |
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| contents | Introduction: theatre, performance and social assemblage theory -- Theatrical assemblages and theatrical markets -- Georgian performance and the assemblage model -- Theatrical celebrity as social assemblage: from Garrick to Kean -- Celebrity networks: Kean and Siddons -- A working theatrical assemblage: 1790s -- Representations of naval conflict -- Theatrical assemblage populations: the Turkish ambassador's visits to London playhouses, 1794 -- Historicizing the theatrical assemblage: Marie Antoinette and the theatrical queens -- The regulatory assemblage: the Roman actor and the politics of self-censorship -- Conclusion |
| ctrlnum | (ZDB-20-CBO)CR9781107338791 (OCoLC)967411711 (DE-599)BVBBV043923597 |
| dewey-full | 792.0941/033 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.0941/033 |
| dewey-search | 792.0941/033 |
| dewey-sort | 3792.0941 233 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9781107338791 |
| era | Geschichte 1700-1800 Geschichte 1714 to 1830 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1714 to 1830 |
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| indexdate | 2024-07-10T07:38:42Z |
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| isbn | 9781107338791 |
| language | English |
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| publisher | Cambridge University Press |
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| spelling | Worrall, David Verfasser aut Celebrity, performance, reception British Georgian theatre as social assemblage David Worrall Cambridge Cambridge University Press 2013 1 online resource (vii, 305 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction: theatre, performance and social assemblage theory -- Theatrical assemblages and theatrical markets -- Georgian performance and the assemblage model -- Theatrical celebrity as social assemblage: from Garrick to Kean -- Celebrity networks: Kean and Siddons -- A working theatrical assemblage: 1790s -- Representations of naval conflict -- Theatrical assemblage populations: the Turkish ambassador's visits to London playhouses, 1794 -- Historicizing the theatrical assemblage: Marie Antoinette and the theatrical queens -- The regulatory assemblage: the Roman actor and the politics of self-censorship -- Conclusion By 1800 London had as many theatre seats for sale as the city's population. This was the start of the capital's rise as a centre for performing arts. Bringing to life a period of extraordinary theatrical vitality, David Worrall re-examines the beginnings of celebrity culture amidst a monopolistic commercial theatrical marketplace. The book presents an innovative transposition of social assemblage theory into performance history. It argues that the cultural meaning of drama changes with every change in the performance location. This theoretical model is applied to a wide range of archival materials including censor's manuscripts, theatre ledger books, performance schedules, unfamiliar play texts and rare printed sources. By examining prompters' records, box office receipts and benefit night takings, the study questions the status of David Garrick, Sarah Siddons and Edmund Kean, and recovers the neglected actress, Elizabeth Younge, and her importance to Edmund Burke Geschichte 1700-1800 Geschichte 1714 to 1830 gnd rswk-swf Geschichte Theater / Great Britain / History / 18th century Theater audiences / Great Britain / History / 18th century Theater (DE-588)4059702-7 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Theater (DE-588)4059702-7 s Geschichte 1714 to 1830 z 1\p DE-604 Erscheint auch als Druckausgabe 978-1-107-04360-2 https://doi.org/10.1017/CBO9781107338791 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Worrall, David Celebrity, performance, reception British Georgian theatre as social assemblage Introduction: theatre, performance and social assemblage theory -- Theatrical assemblages and theatrical markets -- Georgian performance and the assemblage model -- Theatrical celebrity as social assemblage: from Garrick to Kean -- Celebrity networks: Kean and Siddons -- A working theatrical assemblage: 1790s -- Representations of naval conflict -- Theatrical assemblage populations: the Turkish ambassador's visits to London playhouses, 1794 -- Historicizing the theatrical assemblage: Marie Antoinette and the theatrical queens -- The regulatory assemblage: the Roman actor and the politics of self-censorship -- Conclusion Geschichte Theater / Great Britain / History / 18th century Theater audiences / Great Britain / History / 18th century Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4022153-2 |
| title | Celebrity, performance, reception British Georgian theatre as social assemblage |
| title_auth | Celebrity, performance, reception British Georgian theatre as social assemblage |
| title_exact_search | Celebrity, performance, reception British Georgian theatre as social assemblage |
| title_full | Celebrity, performance, reception British Georgian theatre as social assemblage David Worrall |
| title_fullStr | Celebrity, performance, reception British Georgian theatre as social assemblage David Worrall |
| title_full_unstemmed | Celebrity, performance, reception British Georgian theatre as social assemblage David Worrall |
| title_short | Celebrity, performance, reception |
| title_sort | celebrity performance reception british georgian theatre as social assemblage |
| title_sub | British Georgian theatre as social assemblage |
| topic | Geschichte Theater / Great Britain / History / 18th century Theater audiences / Great Britain / History / 18th century Theater (DE-588)4059702-7 gnd |
| topic_facet | Geschichte Theater / Great Britain / History / 18th century Theater audiences / Great Britain / History / 18th century Theater Großbritannien |
| url | https://doi.org/10.1017/CBO9781107338791 |
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