The limits of illusion: a critical study of Calderón
This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its ph...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
1984
|
Schriftenreihe: | Cambridge Iberian and Latin American studies
|
Schlagworte: | |
Online-Zugang: | BSB01 UBG01 UBW01 Volltext |
Zusammenfassung: | This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderón's moral will to reject illusion and on the other his theatrical need to embrace it. Cascardi discusses plays from every period to show how in Calderón's best work illusion is not rejected; instead, scepticism is absorbed. Calderón is placed in and defined against the philosophical line of Vives, Descartes, and Spinoza. Of central importance to this argument is Calderón's idea of theatre and the various transformations of that idea. This emphasis will give the book an additional interest to students, readers in philosophy and comparative literature |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Beschreibung: | 1 online resource (xvii, 181 pages) |
ISBN: | 9780511659416 |
DOI: | 10.1017/CBO9780511659416 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV043922883 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 161202s1984 |||| o||u| ||||||eng d | ||
020 | |a 9780511659416 |c Online |9 978-0-511-65941-6 | ||
024 | 7 | |a 10.1017/CBO9780511659416 |2 doi | |
035 | |a (ZDB-20-CBO)CR9780511659416 | ||
035 | |a (OCoLC)967408440 | ||
035 | |a (DE-599)BVBBV043922883 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-473 |a DE-20 | ||
082 | 0 | |a 862/.3 |2 19eng | |
084 | |a IO 3505 |0 (DE-625)61564:11856 |2 rvk | ||
100 | 1 | |a Cascardi, Anthony J. |d 1953- |e Verfasser |4 aut | |
245 | 1 | 0 | |a The limits of illusion |b a critical study of Calderón |c Anthony J. Cascardi |
264 | 1 | |a Cambridge |b Cambridge University Press |c 1984 | |
300 | |a 1 online resource (xvii, 181 pages) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Cambridge Iberian and Latin American studies | |
500 | |a Title from publisher's bibliographic system (viewed on 05 Oct 2015) | ||
505 | 8 | |a La vida es sueno: Calderon's idea of a theatre -- La dama duende -- Calderon and Tirso: El galan fantasma -- El secreto a voces: language and social illusion -- Toward tragedy -- El medico de su honra -- Herod and Hercules: theatrical space and the body -- El magico prodigioso and the theatre of alchemy -- The illusions of history -- Authority and illusion: En la vida todo es verdad y todo mentira -- The use of myth: Eco y Narciso -- Prometheus and the theatre of the mind -- Calderon's last play: the comedia as technology and romance | |
520 | |a This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderón's moral will to reject illusion and on the other his theatrical need to embrace it. Cascardi discusses plays from every period to show how in Calderón's best work illusion is not rejected; instead, scepticism is absorbed. Calderón is placed in and defined against the philosophical line of Vives, Descartes, and Spinoza. Of central importance to this argument is Calderón's idea of theatre and the various transformations of that idea. This emphasis will give the book an additional interest to students, readers in philosophy and comparative literature | ||
600 | 1 | 4 | |a Calderón de la Barca, Pedro / 1600-1681 / Criticism and interpretation |
600 | 1 | 7 | |a Calderón de la Barca, Pedro |d 1600-1681 |0 (DE-588)118518399 |2 gnd |9 rswk-swf |
650 | 4 | |a Illusion in literature | |
655 | 7 | |8 1\p |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
689 | 0 | 0 | |a Calderón de la Barca, Pedro |d 1600-1681 |0 (DE-588)118518399 |D p |
689 | 0 | |8 2\p |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-0-521-02277-4 |
776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-0-521-26281-1 |
856 | 4 | 0 | |u https://doi.org/10.1017/CBO9780511659416 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-20-CBO | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-029331963 | ||
883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
966 | e | |u https://doi.org/10.1017/CBO9780511659416 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/CBO9780511659416 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/CBO9780511659416 |l UBW01 |p ZDB-20-CBO |q UBW_PDA_CBO_Kauf_2023 |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804176846515863552 |
---|---|
any_adam_object | |
author | Cascardi, Anthony J. 1953- |
author_facet | Cascardi, Anthony J. 1953- |
author_role | aut |
author_sort | Cascardi, Anthony J. 1953- |
author_variant | a j c aj ajc |
building | Verbundindex |
bvnumber | BV043922883 |
classification_rvk | IO 3505 |
collection | ZDB-20-CBO |
contents | La vida es sueno: Calderon's idea of a theatre -- La dama duende -- Calderon and Tirso: El galan fantasma -- El secreto a voces: language and social illusion -- Toward tragedy -- El medico de su honra -- Herod and Hercules: theatrical space and the body -- El magico prodigioso and the theatre of alchemy -- The illusions of history -- Authority and illusion: En la vida todo es verdad y todo mentira -- The use of myth: Eco y Narciso -- Prometheus and the theatre of the mind -- Calderon's last play: the comedia as technology and romance |
ctrlnum | (ZDB-20-CBO)CR9780511659416 (OCoLC)967408440 (DE-599)BVBBV043922883 |
dewey-full | 862/.3 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 862 - Spanish drama |
dewey-raw | 862/.3 |
dewey-search | 862/.3 |
dewey-sort | 3862 13 |
dewey-tens | 860 - Spanish & Portuguese literatures |
discipline | Romanistik |
doi_str_mv | 10.1017/CBO9780511659416 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03782nmm a2200529zc 4500</leader><controlfield tag="001">BV043922883</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161202s1984 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780511659416</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-511-65941-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/CBO9780511659416</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9780511659416</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)967408440</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043922883</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-20</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">862/.3</subfield><subfield code="2">19eng</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">IO 3505</subfield><subfield code="0">(DE-625)61564:11856</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cascardi, Anthony J.</subfield><subfield code="d">1953-</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The limits of illusion</subfield><subfield code="b">a critical study of Calderón</subfield><subfield code="c">Anthony J. Cascardi</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">1984</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xvii, 181 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cambridge Iberian and Latin American studies</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 05 Oct 2015)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">La vida es sueno: Calderon's idea of a theatre -- La dama duende -- Calderon and Tirso: El galan fantasma -- El secreto a voces: language and social illusion -- Toward tragedy -- El medico de su honra -- Herod and Hercules: theatrical space and the body -- El magico prodigioso and the theatre of alchemy -- The illusions of history -- Authority and illusion: En la vida todo es verdad y todo mentira -- The use of myth: Eco y Narciso -- Prometheus and the theatre of the mind -- Calderon's last play: the comedia as technology and romance</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderón's moral will to reject illusion and on the other his theatrical need to embrace it. Cascardi discusses plays from every period to show how in Calderón's best work illusion is not rejected; instead, scepticism is absorbed. Calderón is placed in and defined against the philosophical line of Vives, Descartes, and Spinoza. Of central importance to this argument is Calderón's idea of theatre and the various transformations of that idea. This emphasis will give the book an additional interest to students, readers in philosophy and comparative literature</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Calderón de la Barca, Pedro / 1600-1681 / Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Calderón de la Barca, Pedro</subfield><subfield code="d">1600-1681</subfield><subfield code="0">(DE-588)118518399</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Illusion in literature</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Calderón de la Barca, Pedro</subfield><subfield code="d">1600-1681</subfield><subfield code="0">(DE-588)118518399</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-0-521-02277-4</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-0-521-26281-1</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/CBO9780511659416</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029331963</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9780511659416</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9780511659416</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9780511659416</subfield><subfield code="l">UBW01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBW_PDA_CBO_Kauf_2023</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
genre | 1\p (DE-588)4113937-9 Hochschulschrift gnd-content |
genre_facet | Hochschulschrift |
id | DE-604.BV043922883 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:38:40Z |
institution | BVB |
isbn | 9780511659416 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029331963 |
oclc_num | 967408440 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG DE-20 |
owner_facet | DE-12 DE-473 DE-BY-UBG DE-20 |
physical | 1 online resource (xvii, 181 pages) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO ZDB-20-CBO UBW_PDA_CBO_Kauf_2023 |
publishDate | 1984 |
publishDateSearch | 1984 |
publishDateSort | 1984 |
publisher | Cambridge University Press |
record_format | marc |
series2 | Cambridge Iberian and Latin American studies |
spelling | Cascardi, Anthony J. 1953- Verfasser aut The limits of illusion a critical study of Calderón Anthony J. Cascardi Cambridge Cambridge University Press 1984 1 online resource (xvii, 181 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge Iberian and Latin American studies Title from publisher's bibliographic system (viewed on 05 Oct 2015) La vida es sueno: Calderon's idea of a theatre -- La dama duende -- Calderon and Tirso: El galan fantasma -- El secreto a voces: language and social illusion -- Toward tragedy -- El medico de su honra -- Herod and Hercules: theatrical space and the body -- El magico prodigioso and the theatre of alchemy -- The illusions of history -- Authority and illusion: En la vida todo es verdad y todo mentira -- The use of myth: Eco y Narciso -- Prometheus and the theatre of the mind -- Calderon's last play: the comedia as technology and romance This is the first thorough study of Calderón in comparison with other important dramatists of the period: Lope de Vega and Tirso de Molina in Spain, Racine and Corneille in France, and Shakespeare and Marlowe in England. Cascardi studies Calderón's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderón's moral will to reject illusion and on the other his theatrical need to embrace it. Cascardi discusses plays from every period to show how in Calderón's best work illusion is not rejected; instead, scepticism is absorbed. Calderón is placed in and defined against the philosophical line of Vives, Descartes, and Spinoza. Of central importance to this argument is Calderón's idea of theatre and the various transformations of that idea. This emphasis will give the book an additional interest to students, readers in philosophy and comparative literature Calderón de la Barca, Pedro / 1600-1681 / Criticism and interpretation Calderón de la Barca, Pedro 1600-1681 (DE-588)118518399 gnd rswk-swf Illusion in literature 1\p (DE-588)4113937-9 Hochschulschrift gnd-content Calderón de la Barca, Pedro 1600-1681 (DE-588)118518399 p 2\p DE-604 Erscheint auch als Druckausgabe 978-0-521-02277-4 Erscheint auch als Druckausgabe 978-0-521-26281-1 https://doi.org/10.1017/CBO9780511659416 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Cascardi, Anthony J. 1953- The limits of illusion a critical study of Calderón La vida es sueno: Calderon's idea of a theatre -- La dama duende -- Calderon and Tirso: El galan fantasma -- El secreto a voces: language and social illusion -- Toward tragedy -- El medico de su honra -- Herod and Hercules: theatrical space and the body -- El magico prodigioso and the theatre of alchemy -- The illusions of history -- Authority and illusion: En la vida todo es verdad y todo mentira -- The use of myth: Eco y Narciso -- Prometheus and the theatre of the mind -- Calderon's last play: the comedia as technology and romance Calderón de la Barca, Pedro / 1600-1681 / Criticism and interpretation Calderón de la Barca, Pedro 1600-1681 (DE-588)118518399 gnd Illusion in literature |
subject_GND | (DE-588)118518399 (DE-588)4113937-9 |
title | The limits of illusion a critical study of Calderón |
title_auth | The limits of illusion a critical study of Calderón |
title_exact_search | The limits of illusion a critical study of Calderón |
title_full | The limits of illusion a critical study of Calderón Anthony J. Cascardi |
title_fullStr | The limits of illusion a critical study of Calderón Anthony J. Cascardi |
title_full_unstemmed | The limits of illusion a critical study of Calderón Anthony J. Cascardi |
title_short | The limits of illusion |
title_sort | the limits of illusion a critical study of calderon |
title_sub | a critical study of Calderón |
topic | Calderón de la Barca, Pedro / 1600-1681 / Criticism and interpretation Calderón de la Barca, Pedro 1600-1681 (DE-588)118518399 gnd Illusion in literature |
topic_facet | Calderón de la Barca, Pedro / 1600-1681 / Criticism and interpretation Calderón de la Barca, Pedro 1600-1681 Illusion in literature Hochschulschrift |
url | https://doi.org/10.1017/CBO9780511659416 |
work_keys_str_mv | AT cascardianthonyj thelimitsofillusionacriticalstudyofcalderon |