Haydn's "Farewell" symphony and the idea of classical style: through-composition and cyclic integration in his instrumental music
This volume offers a new view of Joseph Haydn's instrumental music. It argues that many of Haydn's greatest and most characteristic instrumental works are 'through-composed' in the sense that their several movements are bound together into a cycle. This cyclic integration is arti...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1991
|
| Schriftenreihe: | Cambridge studies in music theory and analysis
1 |
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | This volume offers a new view of Joseph Haydn's instrumental music. It argues that many of Haydn's greatest and most characteristic instrumental works are 'through-composed' in the sense that their several movements are bound together into a cycle. This cyclic integration is articulated, among other ways, by the 'progressive' form of individual movements, structural and gestural links between the movements, and extramusical associations. Central to the study is a detailed and comprehensive analysis of the 'Farewell' Symphony, No. 45 in F sharp minor (1772). The analysis is distinguished by its systematic use of different methods (Toveyan formalism, Schenkerian voice leading, Schoenbergian developing variation) to elucidate the work's overall coherence. The work's unique musical processes, in turn, suggest an interpretation of the entire piece (not merely the famous 'farewell' finale) in terms of the familiar programmatic story of the musicians' wish to leave Castle Eszterhaza. In a book which relates systematically the results of analysis and interpretation, Professor Webster challenges the concept of 'classical style' which, he argues has distorted our understanding of Haydn's development, and he stresses the need for a greater appreciation of Haydn's early music and of his stature as Beethoven's equal |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (402 pages) |
| ISBN: | 9780511552434 |
| DOI: | 10.1017/CBO9780511552434 |
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| 505 | 8 | |a Part I : The Farewell Symphony. The construction of the whole ; Instability ; Resolution ; The program -- Part II : Cyclic organization in Haydn's instrumental music. Progressive form and the rhetoric of instability ; Integration of the cycle ; Extramusical associations ; Individual compositions -- Historiographical conclusion : Haydn's maturity and "Classical style." | |
| 520 | |a This volume offers a new view of Joseph Haydn's instrumental music. It argues that many of Haydn's greatest and most characteristic instrumental works are 'through-composed' in the sense that their several movements are bound together into a cycle. This cyclic integration is articulated, among other ways, by the 'progressive' form of individual movements, structural and gestural links between the movements, and extramusical associations. Central to the study is a detailed and comprehensive analysis of the 'Farewell' Symphony, No. 45 in F sharp minor (1772). The analysis is distinguished by its systematic use of different methods (Toveyan formalism, Schenkerian voice leading, Schoenbergian developing variation) to elucidate the work's overall coherence. The work's unique musical processes, in turn, suggest an interpretation of the entire piece (not merely the famous 'farewell' finale) in terms of the familiar programmatic story of the musicians' wish to leave Castle Eszterhaza. In a book which relates systematically the results of analysis and interpretation, Professor Webster challenges the concept of 'classical style' which, he argues has distorted our understanding of Haydn's development, and he stresses the need for a greater appreciation of Haydn's early music and of his stature as Beethoven's equal | ||
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Datensatz im Suchindex
| _version_ | 1804176846462386176 |
|---|---|
| any_adam_object | |
| author | Webster, James 1942- |
| author_facet | Webster, James 1942- |
| author_role | aut |
| author_sort | Webster, James 1942- |
| author_variant | j w jw |
| building | Verbundindex |
| bvnumber | BV043922870 |
| classification_rvk | LP 39240 |
| collection | ZDB-20-CBO |
| contents | Part I : The Farewell Symphony. The construction of the whole ; Instability ; Resolution ; The program -- Part II : Cyclic organization in Haydn's instrumental music. Progressive form and the rhetoric of instability ; Integration of the cycle ; Extramusical associations ; Individual compositions -- Historiographical conclusion : Haydn's maturity and "Classical style." |
| ctrlnum | (ZDB-20-CBO)CR9780511552434 (OCoLC)873876027 (DE-599)BVBBV043922870 |
| dewey-full | 784/.092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 784 - Instruments & instrumental ensembles |
| dewey-raw | 784/.092 |
| dewey-search | 784/.092 |
| dewey-sort | 3784 292 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511552434 |
| era | Geschichte 1700-1800 |
| era_facet | Geschichte 1700-1800 |
| format | Electronic eBook |
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| id | DE-604.BV043922870 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:40Z |
| institution | BVB |
| isbn | 9780511552434 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029331950 |
| oclc_num | 873876027 |
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| physical | 1 online resource (402 pages) |
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| spelling | Webster, James 1942- Verfasser aut Haydn's "Farewell" symphony and the idea of classical style through-composition and cyclic integration in his instrumental music James Webster Haydn's 'Farewell' Symphony & the Idea of Classical Style Cambridge Cambridge University Press 1991 1 online resource (402 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in music theory and analysis 1 Title from publisher's bibliographic system (viewed on 05 Oct 2015) Part I : The Farewell Symphony. The construction of the whole ; Instability ; Resolution ; The program -- Part II : Cyclic organization in Haydn's instrumental music. Progressive form and the rhetoric of instability ; Integration of the cycle ; Extramusical associations ; Individual compositions -- Historiographical conclusion : Haydn's maturity and "Classical style." This volume offers a new view of Joseph Haydn's instrumental music. It argues that many of Haydn's greatest and most characteristic instrumental works are 'through-composed' in the sense that their several movements are bound together into a cycle. This cyclic integration is articulated, among other ways, by the 'progressive' form of individual movements, structural and gestural links between the movements, and extramusical associations. Central to the study is a detailed and comprehensive analysis of the 'Farewell' Symphony, No. 45 in F sharp minor (1772). The analysis is distinguished by its systematic use of different methods (Toveyan formalism, Schenkerian voice leading, Schoenbergian developing variation) to elucidate the work's overall coherence. The work's unique musical processes, in turn, suggest an interpretation of the entire piece (not merely the famous 'farewell' finale) in terms of the familiar programmatic story of the musicians' wish to leave Castle Eszterhaza. In a book which relates systematically the results of analysis and interpretation, Professor Webster challenges the concept of 'classical style' which, he argues has distorted our understanding of Haydn's development, and he stresses the need for a greater appreciation of Haydn's early music and of his stature as Beethoven's equal Haydn, Joseph / 1732-1809 / Symphonies / H. I, 45 / F♯ minor Haydn, Joseph / 1732-1809 / Instrumental music Haydn, Joseph 1732-1809 Sinfonien Hob 1 45 (DE-588)300070225 gnd rswk-swf Haydn, Joseph 1732-1809 (DE-588)118547356 gnd rswk-swf Geschichte 1700-1800 Symphony / 18th century Instrumental music / 18th century / History and criticism Classicism in music Cyclic form (Music) Haydn, Joseph 1732-1809 Sinfonien Hob 1 45 (DE-588)300070225 u 1\p DE-604 Haydn, Joseph 1732-1809 (DE-588)118547356 p 2\p DE-604 Erscheint auch als Druckausgabe 978-0-521-38520-6 Erscheint auch als Druckausgabe 978-0-521-61201-2 https://doi.org/10.1017/CBO9780511552434 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Webster, James 1942- Haydn's "Farewell" symphony and the idea of classical style through-composition and cyclic integration in his instrumental music Part I : The Farewell Symphony. The construction of the whole ; Instability ; Resolution ; The program -- Part II : Cyclic organization in Haydn's instrumental music. Progressive form and the rhetoric of instability ; Integration of the cycle ; Extramusical associations ; Individual compositions -- Historiographical conclusion : Haydn's maturity and "Classical style." Haydn, Joseph / 1732-1809 / Symphonies / H. I, 45 / F♯ minor Haydn, Joseph / 1732-1809 / Instrumental music Haydn, Joseph 1732-1809 Sinfonien Hob 1 45 (DE-588)300070225 gnd Haydn, Joseph 1732-1809 (DE-588)118547356 gnd Symphony / 18th century Instrumental music / 18th century / History and criticism Classicism in music Cyclic form (Music) |
| subject_GND | (DE-588)300070225 (DE-588)118547356 |
| title | Haydn's "Farewell" symphony and the idea of classical style through-composition and cyclic integration in his instrumental music |
| title_alt | Haydn's 'Farewell' Symphony & the Idea of Classical Style |
| title_auth | Haydn's "Farewell" symphony and the idea of classical style through-composition and cyclic integration in his instrumental music |
| title_exact_search | Haydn's "Farewell" symphony and the idea of classical style through-composition and cyclic integration in his instrumental music |
| title_full | Haydn's "Farewell" symphony and the idea of classical style through-composition and cyclic integration in his instrumental music James Webster |
| title_fullStr | Haydn's "Farewell" symphony and the idea of classical style through-composition and cyclic integration in his instrumental music James Webster |
| title_full_unstemmed | Haydn's "Farewell" symphony and the idea of classical style through-composition and cyclic integration in his instrumental music James Webster |
| title_short | Haydn's "Farewell" symphony and the idea of classical style |
| title_sort | haydn s farewell symphony and the idea of classical style through composition and cyclic integration in his instrumental music |
| title_sub | through-composition and cyclic integration in his instrumental music |
| topic | Haydn, Joseph / 1732-1809 / Symphonies / H. I, 45 / F♯ minor Haydn, Joseph / 1732-1809 / Instrumental music Haydn, Joseph 1732-1809 Sinfonien Hob 1 45 (DE-588)300070225 gnd Haydn, Joseph 1732-1809 (DE-588)118547356 gnd Symphony / 18th century Instrumental music / 18th century / History and criticism Classicism in music Cyclic form (Music) |
| topic_facet | Haydn, Joseph / 1732-1809 / Symphonies / H. I, 45 / F♯ minor Haydn, Joseph / 1732-1809 / Instrumental music Haydn, Joseph 1732-1809 Sinfonien Hob 1 45 Haydn, Joseph 1732-1809 Symphony / 18th century Instrumental music / 18th century / History and criticism Classicism in music Cyclic form (Music) |
| url | https://doi.org/10.1017/CBO9780511552434 |
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