Women writing art history in the nineteenth century: looking like a woman
This book sets out to correct received accounts of the emergence of art history as a masculine field. It investigates the importance of female writers from Anna Jameson, Elizabeth Eastlake and George Eliot to Alice Meynell, Vernon Lee and Michael Field in developing a discourse of art notable for it...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2014
|
Schriftenreihe: | Cambridge studies in nineteenth-century literature and culture
95 |
Schlagworte: | |
Online-Zugang: | BSB01 FUBA1 UBG01 Volltext |
Zusammenfassung: | This book sets out to correct received accounts of the emergence of art history as a masculine field. It investigates the importance of female writers from Anna Jameson, Elizabeth Eastlake and George Eliot to Alice Meynell, Vernon Lee and Michael Field in developing a discourse of art notable for its complexity and cultural power, its increasing professionalism and reach, and its integration with other discourses of modernity. Proposing a more flexible and inclusive model of what constitutes art historical writing, including fiction, poetry and travel literature, this book offers a radically revisionist account of the genealogy of a discipline and a profession. It shows how women experienced forms of professional exclusion that, whilst detrimental to their careers, could be aesthetically formative; how working from the margins of established institutional structures gave women the freedom to be audaciously experimental in their writing about art in ways that resonate with modern readers |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Beschreibung: | 1 online resource (xv, 230 pages) |
ISBN: | 9781139871976 9781316076279 9781107075757 9781107428744 |
DOI: | 10.1017/CBO9781139871976 |
Internformat
MARC
LEADER | 00000nmm a2200000zcb4500 | ||
---|---|---|---|
001 | BV043922853 | ||
003 | DE-604 | ||
005 | 20190314 | ||
007 | cr|uuu---uuuuu | ||
008 | 161202s2014 |||| o||u| ||||||eng d | ||
020 | |a 9781139871976 |c Online |9 978-1-139-87197-6 | ||
020 | |a 9781316076279 |9 9781316076279 | ||
020 | |a 9781107075757 |c Print |9 978-1-107-07575-7 | ||
020 | |a 9781107428744 |c Print |9 978-1-107-42874-4 | ||
024 | 7 | |a 10.1017/CBO9781139871976 |2 doi | |
035 | |a (ZDB-20-CBO)CR9781139871976 | ||
035 | |a (OCoLC)907964468 | ||
035 | |a (DE-599)BVBBV043922853 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-473 |a DE-188 | ||
082 | 0 | |a 704/.04209034 |2 23 | |
100 | 1 | |a Fraser, Hilary |d 1953- |e Verfasser |4 aut | |
245 | 1 | 0 | |a Women writing art history in the nineteenth century |b looking like a woman |c Hilary Fraser |
264 | 1 | |a Cambridge |b Cambridge University Press |c 2014 | |
300 | |a 1 online resource (xv, 230 pages) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 1 | |a Cambridge studies in nineteenth-century literature and culture |v 95 | |
500 | |a Title from publisher's bibliographic system (viewed on 05 Oct 2015) | ||
520 | |a This book sets out to correct received accounts of the emergence of art history as a masculine field. It investigates the importance of female writers from Anna Jameson, Elizabeth Eastlake and George Eliot to Alice Meynell, Vernon Lee and Michael Field in developing a discourse of art notable for its complexity and cultural power, its increasing professionalism and reach, and its integration with other discourses of modernity. Proposing a more flexible and inclusive model of what constitutes art historical writing, including fiction, poetry and travel literature, this book offers a radically revisionist account of the genealogy of a discipline and a profession. It shows how women experienced forms of professional exclusion that, whilst detrimental to their careers, could be aesthetically formative; how working from the margins of established institutional structures gave women the freedom to be audaciously experimental in their writing about art in ways that resonate with modern readers | ||
648 | 4 | |a Geschichte 1800-1900 | |
648 | 7 | |a Geschichte 1800-1900 |2 gnd |9 rswk-swf | |
650 | 4 | |a Geschichte | |
650 | 4 | |a Kunst | |
650 | 4 | |a Art / Historiography / History / 19th century | |
650 | 4 | |a Art criticism / History / 19th century | |
650 | 4 | |a Women art historians | |
650 | 4 | |a Women art critics | |
650 | 0 | 7 | |a Kunstgeschichtsschreibung |0 (DE-588)4033643-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Frau |0 (DE-588)4018202-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunstwissenschaft |0 (DE-588)4120632-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
651 | 7 | |a Großbritannien |0 (DE-588)4022153-2 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
689 | 0 | 1 | |a Frau |0 (DE-588)4018202-2 |D s |
689 | 0 | 2 | |a Kunst |0 (DE-588)4114333-4 |D s |
689 | 0 | 3 | |a Kunstwissenschaft |0 (DE-588)4120632-0 |D s |
689 | 0 | 4 | |a Geschichte 1800-1900 |A z |
689 | 0 | |8 1\p |5 DE-604 | |
689 | 1 | 0 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
689 | 1 | 1 | |a Frau |0 (DE-588)4018202-2 |D s |
689 | 1 | 2 | |a Kunstgeschichtsschreibung |0 (DE-588)4033643-8 |D s |
689 | 1 | 3 | |a Geschichte 1800-1900 |A z |
689 | 1 | |8 2\p |5 DE-604 | |
830 | 0 | |a Cambridge studies in nineteenth-century literature and culture |v 95 |w (DE-604)BV042204349 |9 95 | |
856 | 4 | 0 | |u https://doi.org/10.1017/CBO9781139871976 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-30-PQE |a ZDB-20-CBO | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-029331933 | ||
883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
966 | e | |u https://doi.org/10.1017/CBO9781139871976 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
966 | e | |u https://ebookcentral.proquest.com/lib/fuberlin-ebooks/detail.action?docID=1719646 |l FUBA1 |p ZDB-30-PQE |x Aggregator |3 Volltext | |
966 | e | |u https://doi.org/10.1017/CBO9781139871976 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804176846444560384 |
---|---|
any_adam_object | |
author | Fraser, Hilary 1953- |
author_facet | Fraser, Hilary 1953- |
author_role | aut |
author_sort | Fraser, Hilary 1953- |
author_variant | h f hf |
building | Verbundindex |
bvnumber | BV043922853 |
collection | ZDB-30-PQE ZDB-20-CBO |
ctrlnum | (ZDB-20-CBO)CR9781139871976 (OCoLC)907964468 (DE-599)BVBBV043922853 |
dewey-full | 704/.04209034 |
dewey-hundreds | 700 - The arts |
dewey-ones | 704 - Special topics in fine and decorative arts |
dewey-raw | 704/.04209034 |
dewey-search | 704/.04209034 |
dewey-sort | 3704 74209034 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
doi_str_mv | 10.1017/CBO9781139871976 |
era | Geschichte 1800-1900 Geschichte 1800-1900 gnd |
era_facet | Geschichte 1800-1900 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04196nmm a2200745zcb4500</leader><controlfield tag="001">BV043922853</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190314 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161202s2014 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139871976</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-139-87197-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781316076279</subfield><subfield code="9">9781316076279</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781107075757</subfield><subfield code="c">Print</subfield><subfield code="9">978-1-107-07575-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781107428744</subfield><subfield code="c">Print</subfield><subfield code="9">978-1-107-42874-4</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/CBO9781139871976</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781139871976</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)907964468</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043922853</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">704/.04209034</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Fraser, Hilary</subfield><subfield code="d">1953-</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Women writing art history in the nineteenth century</subfield><subfield code="b">looking like a woman</subfield><subfield code="c">Hilary Fraser</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xv, 230 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Cambridge studies in nineteenth-century literature and culture</subfield><subfield code="v">95</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 05 Oct 2015)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This book sets out to correct received accounts of the emergence of art history as a masculine field. It investigates the importance of female writers from Anna Jameson, Elizabeth Eastlake and George Eliot to Alice Meynell, Vernon Lee and Michael Field in developing a discourse of art notable for its complexity and cultural power, its increasing professionalism and reach, and its integration with other discourses of modernity. Proposing a more flexible and inclusive model of what constitutes art historical writing, including fiction, poetry and travel literature, this book offers a radically revisionist account of the genealogy of a discipline and a profession. It shows how women experienced forms of professional exclusion that, whilst detrimental to their careers, could be aesthetically formative; how working from the margins of established institutional structures gave women the freedom to be audaciously experimental in their writing about art in ways that resonate with modern readers</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1800-1900</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Kunst</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art / Historiography / History / 19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art criticism / History / 19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women art historians</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women art critics</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstgeschichtsschreibung</subfield><subfield code="0">(DE-588)4033643-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Frau</subfield><subfield code="0">(DE-588)4018202-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstwissenschaft</subfield><subfield code="0">(DE-588)4120632-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Frau</subfield><subfield code="0">(DE-588)4018202-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Kunstwissenschaft</subfield><subfield code="0">(DE-588)4120632-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Großbritannien</subfield><subfield code="0">(DE-588)4022153-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Frau</subfield><subfield code="0">(DE-588)4018202-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Kunstgeschichtsschreibung</subfield><subfield code="0">(DE-588)4033643-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Cambridge studies in nineteenth-century literature and culture</subfield><subfield code="v">95</subfield><subfield code="w">(DE-604)BV042204349</subfield><subfield code="9">95</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/CBO9781139871976</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PQE</subfield><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029331933</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781139871976</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/fuberlin-ebooks/detail.action?docID=1719646</subfield><subfield code="l">FUBA1</subfield><subfield code="p">ZDB-30-PQE</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781139871976</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
geographic | Großbritannien (DE-588)4022153-2 gnd |
geographic_facet | Großbritannien |
id | DE-604.BV043922853 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:38:40Z |
institution | BVB |
isbn | 9781139871976 9781316076279 9781107075757 9781107428744 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029331933 |
oclc_num | 907964468 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG DE-188 |
owner_facet | DE-12 DE-473 DE-BY-UBG DE-188 |
physical | 1 online resource (xv, 230 pages) |
psigel | ZDB-30-PQE ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | Cambridge University Press |
record_format | marc |
series | Cambridge studies in nineteenth-century literature and culture |
series2 | Cambridge studies in nineteenth-century literature and culture |
spelling | Fraser, Hilary 1953- Verfasser aut Women writing art history in the nineteenth century looking like a woman Hilary Fraser Cambridge Cambridge University Press 2014 1 online resource (xv, 230 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in nineteenth-century literature and culture 95 Title from publisher's bibliographic system (viewed on 05 Oct 2015) This book sets out to correct received accounts of the emergence of art history as a masculine field. It investigates the importance of female writers from Anna Jameson, Elizabeth Eastlake and George Eliot to Alice Meynell, Vernon Lee and Michael Field in developing a discourse of art notable for its complexity and cultural power, its increasing professionalism and reach, and its integration with other discourses of modernity. Proposing a more flexible and inclusive model of what constitutes art historical writing, including fiction, poetry and travel literature, this book offers a radically revisionist account of the genealogy of a discipline and a profession. It shows how women experienced forms of professional exclusion that, whilst detrimental to their careers, could be aesthetically formative; how working from the margins of established institutional structures gave women the freedom to be audaciously experimental in their writing about art in ways that resonate with modern readers Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf Geschichte Kunst Art / Historiography / History / 19th century Art criticism / History / 19th century Women art historians Women art critics Kunstgeschichtsschreibung (DE-588)4033643-8 gnd rswk-swf Frau (DE-588)4018202-2 gnd rswk-swf Kunstwissenschaft (DE-588)4120632-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Frau (DE-588)4018202-2 s Kunst (DE-588)4114333-4 s Kunstwissenschaft (DE-588)4120632-0 s Geschichte 1800-1900 z 1\p DE-604 Kunstgeschichtsschreibung (DE-588)4033643-8 s 2\p DE-604 Cambridge studies in nineteenth-century literature and culture 95 (DE-604)BV042204349 95 https://doi.org/10.1017/CBO9781139871976 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Fraser, Hilary 1953- Women writing art history in the nineteenth century looking like a woman Cambridge studies in nineteenth-century literature and culture Geschichte Kunst Art / Historiography / History / 19th century Art criticism / History / 19th century Women art historians Women art critics Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Frau (DE-588)4018202-2 gnd Kunstwissenschaft (DE-588)4120632-0 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4033643-8 (DE-588)4018202-2 (DE-588)4120632-0 (DE-588)4114333-4 (DE-588)4022153-2 |
title | Women writing art history in the nineteenth century looking like a woman |
title_auth | Women writing art history in the nineteenth century looking like a woman |
title_exact_search | Women writing art history in the nineteenth century looking like a woman |
title_full | Women writing art history in the nineteenth century looking like a woman Hilary Fraser |
title_fullStr | Women writing art history in the nineteenth century looking like a woman Hilary Fraser |
title_full_unstemmed | Women writing art history in the nineteenth century looking like a woman Hilary Fraser |
title_short | Women writing art history in the nineteenth century |
title_sort | women writing art history in the nineteenth century looking like a woman |
title_sub | looking like a woman |
topic | Geschichte Kunst Art / Historiography / History / 19th century Art criticism / History / 19th century Women art historians Women art critics Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Frau (DE-588)4018202-2 gnd Kunstwissenschaft (DE-588)4120632-0 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Geschichte Kunst Art / Historiography / History / 19th century Art criticism / History / 19th century Women art historians Women art critics Kunstgeschichtsschreibung Frau Kunstwissenschaft Großbritannien |
url | https://doi.org/10.1017/CBO9781139871976 |
volume_link | (DE-604)BV042204349 |
work_keys_str_mv | AT fraserhilary womenwritingarthistoryinthenineteenthcenturylookinglikeawoman |