Palestrina and the German romantic imagination: interpreting historicism in nineteenth-century music
Focusing on the reception of Palestrina, this bold interdisciplinary study explains how and why the works of a sixteenth-century composer came to be viewed as a paradigm for modern church music. It explores the diverse ways in which later composers responded to his works and style, and expounds a pr...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2002
|
Schriftenreihe: | Musical performance and reception
|
Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | Focusing on the reception of Palestrina, this bold interdisciplinary study explains how and why the works of a sixteenth-century composer came to be viewed as a paradigm for modern church music. It explores the diverse ways in which later composers responded to his works and style, and expounds a provocative model for interpreting compositional historicism. In addition to presenting insights into the works of Bruckner, Mendelssohn and Liszt, the book offers fresh perspectives on the institutional, aesthetic and ideological frameworks sustaining the cultivation of choral music in this period. This publication provides an overview and analysis of the relation between the Palestrina revival and nineteenth-century composition and it demonstrates that the Palestrina revival was just as significant for nineteenth-century culture as parallel movements in the other arts, such as the Gothic revival |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Beschreibung: | 1 online resource (xiv, 318 pages) |
ISBN: | 9780511481796 |
DOI: | 10.1017/CBO9780511481796 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV043922832 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 161202s2002 |||| o||u| ||||||eng d | ||
020 | |a 9780511481796 |c Online |9 978-0-511-48179-6 | ||
024 | 7 | |a 10.1017/CBO9780511481796 |2 doi | |
035 | |a (ZDB-20-CBO)CR9780511481796 | ||
035 | |a (OCoLC)849998356 | ||
035 | |a (DE-599)BVBBV043922832 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-473 | ||
082 | 0 | |a 780/.9/034 |2 21 | |
084 | |a LP 24390 |0 (DE-625)106202: |2 rvk | ||
100 | 1 | |a Garratt, James |d 1974- |e Verfasser |4 aut | |
245 | 1 | 0 | |a Palestrina and the German romantic imagination |b interpreting historicism in nineteenth-century music |c James Garratt |
246 | 1 | 3 | |a Palestrina & the German Romantic Imagination |
264 | 1 | |a Cambridge |b Cambridge University Press |c 2002 | |
300 | |a 1 online resource (xiv, 318 pages) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Musical performance and reception | |
500 | |a Title from publisher's bibliographic system (viewed on 05 Oct 2015) | ||
505 | 8 | 0 | |t Historicism in nineteenth-century art, aesthetics and culture |t Romanticism and the problem of church music |t Protestant Palestrina revival |t Catholic Palestrina revival |t Palestrina in the concert hall |t Interpreting the secondary discourse of nineteenth-century music |
520 | |a Focusing on the reception of Palestrina, this bold interdisciplinary study explains how and why the works of a sixteenth-century composer came to be viewed as a paradigm for modern church music. It explores the diverse ways in which later composers responded to his works and style, and expounds a provocative model for interpreting compositional historicism. In addition to presenting insights into the works of Bruckner, Mendelssohn and Liszt, the book offers fresh perspectives on the institutional, aesthetic and ideological frameworks sustaining the cultivation of choral music in this period. This publication provides an overview and analysis of the relation between the Palestrina revival and nineteenth-century composition and it demonstrates that the Palestrina revival was just as significant for nineteenth-century culture as parallel movements in the other arts, such as the Gothic revival | ||
600 | 1 | 4 | |a Palestrina, Giovanni Pierluigi da / 1525?-1594 |
600 | 1 | 7 | |a Palestrina, Giovanni Pierluigi da |d 1525-1594 |0 (DE-588)118818686 |2 gnd |9 rswk-swf |
648 | 4 | |a Geschichte 1800-1900 | |
648 | 7 | |a Geschichte 1800-1900 |2 gnd |9 rswk-swf | |
650 | 4 | |a Musik | |
650 | 4 | |a Music / 19th century / History and criticism | |
650 | 4 | |a Choral music | |
650 | 4 | |a Historicism | |
650 | 0 | 7 | |a Rezeption |0 (DE-588)4049716-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Caecilianismus |0 (DE-588)4147125-8 |2 gnd |9 rswk-swf |
651 | 7 | |a Deutschland |0 (DE-588)4011882-4 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Palestrina, Giovanni Pierluigi da |d 1525-1594 |0 (DE-588)118818686 |D p |
689 | 0 | 1 | |a Rezeption |0 (DE-588)4049716-1 |D s |
689 | 0 | 2 | |a Deutschland |0 (DE-588)4011882-4 |D g |
689 | 0 | 3 | |a Geschichte 1800-1900 |A z |
689 | 0 | |8 1\p |5 DE-604 | |
689 | 1 | 0 | |a Deutschland |0 (DE-588)4011882-4 |D g |
689 | 1 | 1 | |a Caecilianismus |0 (DE-588)4147125-8 |D s |
689 | 1 | |8 2\p |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-0-521-00196-0 |
776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-0-521-80737-1 |
856 | 4 | 0 | |u https://doi.org/10.1017/CBO9780511481796 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-20-CBO | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-029331912 | ||
883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
966 | e | |u https://doi.org/10.1017/CBO9780511481796 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/CBO9780511481796 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804176846387937280 |
---|---|
any_adam_object | |
author | Garratt, James 1974- |
author_facet | Garratt, James 1974- |
author_role | aut |
author_sort | Garratt, James 1974- |
author_variant | j g jg |
building | Verbundindex |
bvnumber | BV043922832 |
classification_rvk | LP 24390 |
collection | ZDB-20-CBO |
contents | Historicism in nineteenth-century art, aesthetics and culture Romanticism and the problem of church music Protestant Palestrina revival Catholic Palestrina revival Palestrina in the concert hall Interpreting the secondary discourse of nineteenth-century music |
ctrlnum | (ZDB-20-CBO)CR9780511481796 (OCoLC)849998356 (DE-599)BVBBV043922832 |
dewey-full | 780/.9/034 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780/.9/034 |
dewey-search | 780/.9/034 |
dewey-sort | 3780 19 234 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
doi_str_mv | 10.1017/CBO9780511481796 |
era | Geschichte 1800-1900 Geschichte 1800-1900 gnd |
era_facet | Geschichte 1800-1900 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04003nmm a2200685zc 4500</leader><controlfield tag="001">BV043922832</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161202s2002 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780511481796</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-511-48179-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/CBO9780511481796</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9780511481796</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)849998356</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043922832</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780/.9/034</subfield><subfield code="2">21</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 24390</subfield><subfield code="0">(DE-625)106202:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Garratt, James</subfield><subfield code="d">1974-</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Palestrina and the German romantic imagination</subfield><subfield code="b">interpreting historicism in nineteenth-century music</subfield><subfield code="c">James Garratt</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Palestrina & the German Romantic Imagination</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2002</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xiv, 318 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Musical performance and reception</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 05 Oct 2015)</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Historicism in nineteenth-century art, aesthetics and culture</subfield><subfield code="t">Romanticism and the problem of church music</subfield><subfield code="t">Protestant Palestrina revival</subfield><subfield code="t">Catholic Palestrina revival</subfield><subfield code="t">Palestrina in the concert hall</subfield><subfield code="t">Interpreting the secondary discourse of nineteenth-century music</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Focusing on the reception of Palestrina, this bold interdisciplinary study explains how and why the works of a sixteenth-century composer came to be viewed as a paradigm for modern church music. It explores the diverse ways in which later composers responded to his works and style, and expounds a provocative model for interpreting compositional historicism. In addition to presenting insights into the works of Bruckner, Mendelssohn and Liszt, the book offers fresh perspectives on the institutional, aesthetic and ideological frameworks sustaining the cultivation of choral music in this period. This publication provides an overview and analysis of the relation between the Palestrina revival and nineteenth-century composition and it demonstrates that the Palestrina revival was just as significant for nineteenth-century culture as parallel movements in the other arts, such as the Gothic revival</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Palestrina, Giovanni Pierluigi da / 1525?-1594</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Palestrina, Giovanni Pierluigi da</subfield><subfield code="d">1525-1594</subfield><subfield code="0">(DE-588)118818686</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1800-1900</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / 19th century / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Choral music</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Historicism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Caecilianismus</subfield><subfield code="0">(DE-588)4147125-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Deutschland</subfield><subfield code="0">(DE-588)4011882-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Palestrina, Giovanni Pierluigi da</subfield><subfield code="d">1525-1594</subfield><subfield code="0">(DE-588)118818686</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Deutschland</subfield><subfield code="0">(DE-588)4011882-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Deutschland</subfield><subfield code="0">(DE-588)4011882-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Caecilianismus</subfield><subfield code="0">(DE-588)4147125-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-0-521-00196-0</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-0-521-80737-1</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/CBO9780511481796</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029331912</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9780511481796</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9780511481796</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
geographic | Deutschland (DE-588)4011882-4 gnd |
geographic_facet | Deutschland |
id | DE-604.BV043922832 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:38:40Z |
institution | BVB |
isbn | 9780511481796 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029331912 |
oclc_num | 849998356 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG |
owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 online resource (xiv, 318 pages) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
publishDate | 2002 |
publishDateSearch | 2002 |
publishDateSort | 2002 |
publisher | Cambridge University Press |
record_format | marc |
series2 | Musical performance and reception |
spelling | Garratt, James 1974- Verfasser aut Palestrina and the German romantic imagination interpreting historicism in nineteenth-century music James Garratt Palestrina & the German Romantic Imagination Cambridge Cambridge University Press 2002 1 online resource (xiv, 318 pages) txt rdacontent c rdamedia cr rdacarrier Musical performance and reception Title from publisher's bibliographic system (viewed on 05 Oct 2015) Historicism in nineteenth-century art, aesthetics and culture Romanticism and the problem of church music Protestant Palestrina revival Catholic Palestrina revival Palestrina in the concert hall Interpreting the secondary discourse of nineteenth-century music Focusing on the reception of Palestrina, this bold interdisciplinary study explains how and why the works of a sixteenth-century composer came to be viewed as a paradigm for modern church music. It explores the diverse ways in which later composers responded to his works and style, and expounds a provocative model for interpreting compositional historicism. In addition to presenting insights into the works of Bruckner, Mendelssohn and Liszt, the book offers fresh perspectives on the institutional, aesthetic and ideological frameworks sustaining the cultivation of choral music in this period. This publication provides an overview and analysis of the relation between the Palestrina revival and nineteenth-century composition and it demonstrates that the Palestrina revival was just as significant for nineteenth-century culture as parallel movements in the other arts, such as the Gothic revival Palestrina, Giovanni Pierluigi da / 1525?-1594 Palestrina, Giovanni Pierluigi da 1525-1594 (DE-588)118818686 gnd rswk-swf Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf Musik Music / 19th century / History and criticism Choral music Historicism Rezeption (DE-588)4049716-1 gnd rswk-swf Caecilianismus (DE-588)4147125-8 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Palestrina, Giovanni Pierluigi da 1525-1594 (DE-588)118818686 p Rezeption (DE-588)4049716-1 s Deutschland (DE-588)4011882-4 g Geschichte 1800-1900 z 1\p DE-604 Caecilianismus (DE-588)4147125-8 s 2\p DE-604 Erscheint auch als Druckausgabe 978-0-521-00196-0 Erscheint auch als Druckausgabe 978-0-521-80737-1 https://doi.org/10.1017/CBO9780511481796 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Garratt, James 1974- Palestrina and the German romantic imagination interpreting historicism in nineteenth-century music Historicism in nineteenth-century art, aesthetics and culture Romanticism and the problem of church music Protestant Palestrina revival Catholic Palestrina revival Palestrina in the concert hall Interpreting the secondary discourse of nineteenth-century music Palestrina, Giovanni Pierluigi da / 1525?-1594 Palestrina, Giovanni Pierluigi da 1525-1594 (DE-588)118818686 gnd Musik Music / 19th century / History and criticism Choral music Historicism Rezeption (DE-588)4049716-1 gnd Caecilianismus (DE-588)4147125-8 gnd |
subject_GND | (DE-588)118818686 (DE-588)4049716-1 (DE-588)4147125-8 (DE-588)4011882-4 |
title | Palestrina and the German romantic imagination interpreting historicism in nineteenth-century music |
title_alt | Palestrina & the German Romantic Imagination Historicism in nineteenth-century art, aesthetics and culture Romanticism and the problem of church music Protestant Palestrina revival Catholic Palestrina revival Palestrina in the concert hall Interpreting the secondary discourse of nineteenth-century music |
title_auth | Palestrina and the German romantic imagination interpreting historicism in nineteenth-century music |
title_exact_search | Palestrina and the German romantic imagination interpreting historicism in nineteenth-century music |
title_full | Palestrina and the German romantic imagination interpreting historicism in nineteenth-century music James Garratt |
title_fullStr | Palestrina and the German romantic imagination interpreting historicism in nineteenth-century music James Garratt |
title_full_unstemmed | Palestrina and the German romantic imagination interpreting historicism in nineteenth-century music James Garratt |
title_short | Palestrina and the German romantic imagination |
title_sort | palestrina and the german romantic imagination interpreting historicism in nineteenth century music |
title_sub | interpreting historicism in nineteenth-century music |
topic | Palestrina, Giovanni Pierluigi da / 1525?-1594 Palestrina, Giovanni Pierluigi da 1525-1594 (DE-588)118818686 gnd Musik Music / 19th century / History and criticism Choral music Historicism Rezeption (DE-588)4049716-1 gnd Caecilianismus (DE-588)4147125-8 gnd |
topic_facet | Palestrina, Giovanni Pierluigi da / 1525?-1594 Palestrina, Giovanni Pierluigi da 1525-1594 Musik Music / 19th century / History and criticism Choral music Historicism Rezeption Caecilianismus Deutschland |
url | https://doi.org/10.1017/CBO9780511481796 |
work_keys_str_mv | AT garrattjames palestrinaandthegermanromanticimaginationinterpretinghistoricisminnineteenthcenturymusic AT garrattjames palestrinathegermanromanticimagination |