Music, philosophy, and modernity:
Modern philosophers generally assume that music is a problem to which philosophy ought to offer an answer. Andrew Bowie's Music, Philosophy, and Modernity suggests, in contrast, that music might offer ways of responding to some central questions in modern philosophy. Bowie looks at key philosop...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2007
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| Schriftenreihe: | Modern European philosophy
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Modern philosophers generally assume that music is a problem to which philosophy ought to offer an answer. Andrew Bowie's Music, Philosophy, and Modernity suggests, in contrast, that music might offer ways of responding to some central questions in modern philosophy. Bowie looks at key philosophical approaches to music ranging from Kant, through the German Romantics and Wagner, to Wittgenstein, Heidegger and Adorno. He uses music to re-examine many ideas about language, subjectivity, metaphysics, truth and ethics, and he suggests that music can show how the predominant images of language, communication, and meaning in contemporary philosophy may be lacking in essential ways. His book will be of interest to philosophers, musicologists, and all who are interested in the relation between music and philosophy |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xiii, 428 pages) |
| ISBN: | 9780511487569 |
| DOI: | 10.1017/CBO9780511487569 |
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| 520 | |a Modern philosophers generally assume that music is a problem to which philosophy ought to offer an answer. Andrew Bowie's Music, Philosophy, and Modernity suggests, in contrast, that music might offer ways of responding to some central questions in modern philosophy. Bowie looks at key philosophical approaches to music ranging from Kant, through the German Romantics and Wagner, to Wittgenstein, Heidegger and Adorno. He uses music to re-examine many ideas about language, subjectivity, metaphysics, truth and ethics, and he suggests that music can show how the predominant images of language, communication, and meaning in contemporary philosophy may be lacking in essential ways. His book will be of interest to philosophers, musicologists, and all who are interested in the relation between music and philosophy | ||
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Datensatz im Suchindex
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| author | Bowie, Andrew 1952- |
| author_facet | Bowie, Andrew 1952- |
| author_role | aut |
| author_sort | Bowie, Andrew 1952- |
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| building | Verbundindex |
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| contents | Form, feeling, metaphysics, and music -- Music, language, and the origins of modernity -- Rhythm and romanticism -- Hegel, philosophy and music -- Music and the subjects of romanticism -- Music, freedom, and the critique of metaphysics -- Pro and contra Wagner -- Music, language, and being : Wittgenstein and Heidegger -- Adorno : musical philosophy or philosophical music? |
| ctrlnum | (ZDB-20-CBO)CR9780511487569 (OCoLC)850596172 (DE-599)BVBBV043922682 |
| dewey-full | 780/.01 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780/.01 |
| dewey-search | 780/.01 |
| dewey-sort | 3780 11 |
| dewey-tens | 780 - Music |
| discipline | Philosophie Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511487569 |
| era | Geschichte 1800-2000 gnd |
| era_facet | Geschichte 1800-2000 |
| format | Electronic eBook |
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| id | DE-604.BV043922682 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:40Z |
| institution | BVB |
| isbn | 9780511487569 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029331762 |
| oclc_num | 850596172 |
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| physical | 1 online resource (xiii, 428 pages) |
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| publisher | Cambridge University Press |
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| series2 | Modern European philosophy |
| spelling | Bowie, Andrew 1952- Verfasser aut Music, philosophy, and modernity Andrew Bowie Music, Philosophy, & Modernity Cambridge Cambridge University Press 2007 1 online resource (xiii, 428 pages) txt rdacontent c rdamedia cr rdacarrier Modern European philosophy Title from publisher's bibliographic system (viewed on 05 Oct 2015) Form, feeling, metaphysics, and music -- Music, language, and the origins of modernity -- Rhythm and romanticism -- Hegel, philosophy and music -- Music and the subjects of romanticism -- Music, freedom, and the critique of metaphysics -- Pro and contra Wagner -- Music, language, and being : Wittgenstein and Heidegger -- Adorno : musical philosophy or philosophical music? Modern philosophers generally assume that music is a problem to which philosophy ought to offer an answer. Andrew Bowie's Music, Philosophy, and Modernity suggests, in contrast, that music might offer ways of responding to some central questions in modern philosophy. Bowie looks at key philosophical approaches to music ranging from Kant, through the German Romantics and Wagner, to Wittgenstein, Heidegger and Adorno. He uses music to re-examine many ideas about language, subjectivity, metaphysics, truth and ethics, and he suggests that music can show how the predominant images of language, communication, and meaning in contemporary philosophy may be lacking in essential ways. His book will be of interest to philosophers, musicologists, and all who are interested in the relation between music and philosophy Geschichte 1800-2000 gnd rswk-swf Musik Music / Philosophy and aesthetics Musikästhetik (DE-588)4040808-5 gnd rswk-swf Musikphilosophie (DE-588)4123809-6 gnd rswk-swf Musikphilosophie (DE-588)4123809-6 s Musikästhetik (DE-588)4040808-5 s Geschichte 1800-2000 z 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-10782-2 Erscheint auch als Druckausgabe 978-0-521-87734-3 https://doi.org/10.1017/CBO9780511487569 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Bowie, Andrew 1952- Music, philosophy, and modernity Form, feeling, metaphysics, and music -- Music, language, and the origins of modernity -- Rhythm and romanticism -- Hegel, philosophy and music -- Music and the subjects of romanticism -- Music, freedom, and the critique of metaphysics -- Pro and contra Wagner -- Music, language, and being : Wittgenstein and Heidegger -- Adorno : musical philosophy or philosophical music? Musik Music / Philosophy and aesthetics Musikästhetik (DE-588)4040808-5 gnd Musikphilosophie (DE-588)4123809-6 gnd |
| subject_GND | (DE-588)4040808-5 (DE-588)4123809-6 |
| title | Music, philosophy, and modernity |
| title_alt | Music, Philosophy, & Modernity |
| title_auth | Music, philosophy, and modernity |
| title_exact_search | Music, philosophy, and modernity |
| title_full | Music, philosophy, and modernity Andrew Bowie |
| title_fullStr | Music, philosophy, and modernity Andrew Bowie |
| title_full_unstemmed | Music, philosophy, and modernity Andrew Bowie |
| title_short | Music, philosophy, and modernity |
| title_sort | music philosophy and modernity |
| topic | Musik Music / Philosophy and aesthetics Musikästhetik (DE-588)4040808-5 gnd Musikphilosophie (DE-588)4123809-6 gnd |
| topic_facet | Musik Music / Philosophy and aesthetics Musikästhetik Musikphilosophie |
| url | https://doi.org/10.1017/CBO9780511487569 |
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