Stravinsky and the Russian period: sound and legacy of a musical idiom
Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noc...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
2012
|
| Series: | Music since 1900
|
| Subjects: | |
| Online Access: | BSB01 UBG01 Volltext |
| Summary: | Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky's formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T. W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky's music |
| Item Description: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Physical Description: | 1 online resource (x, 324 pages) |
| ISBN: | 9781139108102 |
| DOI: | 10.1017/CBO9781139108102 |
Staff View
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043922244 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 161202s2012 |||| o||u| ||||||eng d | ||
| 020 | |a 9781139108102 |c Online |9 978-1-139-10810-2 | ||
| 024 | 7 | |a 10.1017/CBO9781139108102 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781139108102 | ||
| 035 | |a (OCoLC)967422411 | ||
| 035 | |a (DE-599)BVBBV043922244 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 | ||
| 082 | 0 | |a 780.92 |2 23 | |
| 084 | |a LP 94889 |0 (DE-625)108881: |2 rvk | ||
| 100 | 1 | |a Van den Toorn, Pieter C. |d 1938- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Stravinsky and the Russian period |b sound and legacy of a musical idiom |c Pieter C. van den Toorn, John McGinness |
| 246 | 1 | 3 | |a Stravinsky & the Russian Period |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2012 | |
| 300 | |a 1 online resource (x, 324 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Music since 1900 | |
| 500 | |a Title from publisher's bibliographic system (viewed on 05 Oct 2015) | ||
| 505 | 8 | |a Introduction -- Meter and metrical displacement in Stravinsky -- The octatonic scale -- A brief survey -- Meter, motive, and alignment in Les Noces : Stravinsky's block and layered structures -- Melody and harmony in Les Noces -- Meter, text, and alignment in Renard (1916) : Stravinsky's 'rejoicing discovery' -- Allegro! Renard reconsidered -- Melodic repeat structures in the music of Stravinsky, Debussy, and Rimsky-Korsakov : another look at the Symphonies of wind instruments (1920) -- Issues of performance practice and aesthetic belief -- Stravinsky and his critics | |
| 520 | |a Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky's formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T. W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky's music | ||
| 600 | 1 | 4 | |a Stravinsky, Igor / 1882-1971 / Criticism and interpretation |
| 600 | 1 | 7 | |a Stravinsky, Igor |d 1882-1971 |t Histoire du soldat |0 (DE-588)300157827 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Stravinsky, Igor |d 1882-1971 |t Symphonies d'instruments à vent |0 (DE-588)4465222-7 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Stravinsky, Igor |d 1882-1971 |t Svadebka |0 (DE-588)300158025 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Stravinsky, Igor |d 1882-1971 |t Bajka |0 (DE-588)300157576 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikalische Analyse |0 (DE-588)4040814-0 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Stravinsky, Igor |d 1882-1971 |t Svadebka |0 (DE-588)300158025 |D u |
| 689 | 0 | 1 | |a Stravinsky, Igor |d 1882-1971 |t Bajka |0 (DE-588)300157576 |D u |
| 689 | 0 | 2 | |a Stravinsky, Igor |d 1882-1971 |t Histoire du soldat |0 (DE-588)300157827 |D u |
| 689 | 0 | 3 | |a Stravinsky, Igor |d 1882-1971 |t Symphonies d'instruments à vent |0 (DE-588)4465222-7 |D u |
| 689 | 0 | 4 | |a Musikalische Analyse |0 (DE-588)4040814-0 |D s |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 700 | 1 | |a McGinness, John |e Sonstige |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-1-107-02100-6 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 978-1-107-54362-1 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/CBO9781139108102 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029331325 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u https://doi.org/10.1017/CBO9781139108102 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/CBO9781139108102 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Record in the Search Index
| _version_ | 1804176845220872192 |
|---|---|
| any_adam_object | |
| author | Van den Toorn, Pieter C. 1938- |
| author_facet | Van den Toorn, Pieter C. 1938- |
| author_role | aut |
| author_sort | Van den Toorn, Pieter C. 1938- |
| author_variant | d t p c v dtpc dtpcv |
| building | Verbundindex |
| bvnumber | BV043922244 |
| classification_rvk | LP 94889 |
| collection | ZDB-20-CBO |
| contents | Introduction -- Meter and metrical displacement in Stravinsky -- The octatonic scale -- A brief survey -- Meter, motive, and alignment in Les Noces : Stravinsky's block and layered structures -- Melody and harmony in Les Noces -- Meter, text, and alignment in Renard (1916) : Stravinsky's 'rejoicing discovery' -- Allegro! Renard reconsidered -- Melodic repeat structures in the music of Stravinsky, Debussy, and Rimsky-Korsakov : another look at the Symphonies of wind instruments (1920) -- Issues of performance practice and aesthetic belief -- Stravinsky and his critics |
| ctrlnum | (ZDB-20-CBO)CR9781139108102 (OCoLC)967422411 (DE-599)BVBBV043922244 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139108102 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04272nmm a2200601zc 4500</leader><controlfield tag="001">BV043922244</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">161202s2012 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139108102</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-139-10810-2</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/CBO9781139108102</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781139108102</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)967422411</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043922244</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.92</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 94889</subfield><subfield code="0">(DE-625)108881:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Van den Toorn, Pieter C.</subfield><subfield code="d">1938-</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Stravinsky and the Russian period</subfield><subfield code="b">sound and legacy of a musical idiom</subfield><subfield code="c">Pieter C. van den Toorn, John McGinness</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Stravinsky & the Russian Period</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (x, 324 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Music since 1900</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 05 Oct 2015)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction -- Meter and metrical displacement in Stravinsky -- The octatonic scale -- A brief survey -- Meter, motive, and alignment in Les Noces : Stravinsky's block and layered structures -- Melody and harmony in Les Noces -- Meter, text, and alignment in Renard (1916) : Stravinsky's 'rejoicing discovery' -- Allegro! Renard reconsidered -- Melodic repeat structures in the music of Stravinsky, Debussy, and Rimsky-Korsakov : another look at the Symphonies of wind instruments (1920) -- Issues of performance practice and aesthetic belief -- Stravinsky and his critics</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky's formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T. W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky's music</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Stravinsky, Igor / 1882-1971 / Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Stravinsky, Igor</subfield><subfield code="d">1882-1971</subfield><subfield code="t">Histoire du soldat</subfield><subfield code="0">(DE-588)300157827</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Stravinsky, Igor</subfield><subfield code="d">1882-1971</subfield><subfield code="t">Symphonies d'instruments à vent</subfield><subfield code="0">(DE-588)4465222-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Stravinsky, Igor</subfield><subfield code="d">1882-1971</subfield><subfield code="t">Svadebka</subfield><subfield code="0">(DE-588)300158025</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Stravinsky, Igor</subfield><subfield code="d">1882-1971</subfield><subfield code="t">Bajka</subfield><subfield code="0">(DE-588)300157576</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalische Analyse</subfield><subfield code="0">(DE-588)4040814-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Stravinsky, Igor</subfield><subfield code="d">1882-1971</subfield><subfield code="t">Svadebka</subfield><subfield code="0">(DE-588)300158025</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Stravinsky, Igor</subfield><subfield code="d">1882-1971</subfield><subfield code="t">Bajka</subfield><subfield code="0">(DE-588)300157576</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Stravinsky, Igor</subfield><subfield code="d">1882-1971</subfield><subfield code="t">Histoire du soldat</subfield><subfield code="0">(DE-588)300157827</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Stravinsky, Igor</subfield><subfield code="d">1882-1971</subfield><subfield code="t">Symphonies d'instruments à vent</subfield><subfield code="0">(DE-588)4465222-7</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Musikalische Analyse</subfield><subfield code="0">(DE-588)4040814-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">McGinness, John</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-1-107-02100-6</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">978-1-107-54362-1</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/CBO9781139108102</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029331325</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781139108102</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781139108102</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV043922244 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:39Z |
| institution | BVB |
| isbn | 9781139108102 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029331325 |
| oclc_num | 967422411 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 online resource (x, 324 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Music since 1900 |
| spelling | Van den Toorn, Pieter C. 1938- Verfasser aut Stravinsky and the Russian period sound and legacy of a musical idiom Pieter C. van den Toorn, John McGinness Stravinsky & the Russian Period Cambridge Cambridge University Press 2012 1 online resource (x, 324 pages) txt rdacontent c rdamedia cr rdacarrier Music since 1900 Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction -- Meter and metrical displacement in Stravinsky -- The octatonic scale -- A brief survey -- Meter, motive, and alignment in Les Noces : Stravinsky's block and layered structures -- Melody and harmony in Les Noces -- Meter, text, and alignment in Renard (1916) : Stravinsky's 'rejoicing discovery' -- Allegro! Renard reconsidered -- Melodic repeat structures in the music of Stravinsky, Debussy, and Rimsky-Korsakov : another look at the Symphonies of wind instruments (1920) -- Issues of performance practice and aesthetic belief -- Stravinsky and his critics Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky's formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T. W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky's music Stravinsky, Igor / 1882-1971 / Criticism and interpretation Stravinsky, Igor 1882-1971 Histoire du soldat (DE-588)300157827 gnd rswk-swf Stravinsky, Igor 1882-1971 Symphonies d'instruments à vent (DE-588)4465222-7 gnd rswk-swf Stravinsky, Igor 1882-1971 Svadebka (DE-588)300158025 gnd rswk-swf Stravinsky, Igor 1882-1971 Bajka (DE-588)300157576 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Stravinsky, Igor 1882-1971 Svadebka (DE-588)300158025 u Stravinsky, Igor 1882-1971 Bajka (DE-588)300157576 u Stravinsky, Igor 1882-1971 Histoire du soldat (DE-588)300157827 u Stravinsky, Igor 1882-1971 Symphonies d'instruments à vent (DE-588)4465222-7 u Musikalische Analyse (DE-588)4040814-0 s 1\p DE-604 McGinness, John Sonstige oth Erscheint auch als Druckausgabe 978-1-107-02100-6 Erscheint auch als Druckausgabe 978-1-107-54362-1 https://doi.org/10.1017/CBO9781139108102 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Van den Toorn, Pieter C. 1938- Stravinsky and the Russian period sound and legacy of a musical idiom Introduction -- Meter and metrical displacement in Stravinsky -- The octatonic scale -- A brief survey -- Meter, motive, and alignment in Les Noces : Stravinsky's block and layered structures -- Melody and harmony in Les Noces -- Meter, text, and alignment in Renard (1916) : Stravinsky's 'rejoicing discovery' -- Allegro! Renard reconsidered -- Melodic repeat structures in the music of Stravinsky, Debussy, and Rimsky-Korsakov : another look at the Symphonies of wind instruments (1920) -- Issues of performance practice and aesthetic belief -- Stravinsky and his critics Stravinsky, Igor / 1882-1971 / Criticism and interpretation Stravinsky, Igor 1882-1971 Histoire du soldat (DE-588)300157827 gnd Stravinsky, Igor 1882-1971 Symphonies d'instruments à vent (DE-588)4465222-7 gnd Stravinsky, Igor 1882-1971 Svadebka (DE-588)300158025 gnd Stravinsky, Igor 1882-1971 Bajka (DE-588)300157576 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| subject_GND | (DE-588)300157827 (DE-588)4465222-7 (DE-588)300158025 (DE-588)300157576 (DE-588)4040814-0 |
| title | Stravinsky and the Russian period sound and legacy of a musical idiom |
| title_alt | Stravinsky & the Russian Period |
| title_auth | Stravinsky and the Russian period sound and legacy of a musical idiom |
| title_exact_search | Stravinsky and the Russian period sound and legacy of a musical idiom |
| title_full | Stravinsky and the Russian period sound and legacy of a musical idiom Pieter C. van den Toorn, John McGinness |
| title_fullStr | Stravinsky and the Russian period sound and legacy of a musical idiom Pieter C. van den Toorn, John McGinness |
| title_full_unstemmed | Stravinsky and the Russian period sound and legacy of a musical idiom Pieter C. van den Toorn, John McGinness |
| title_short | Stravinsky and the Russian period |
| title_sort | stravinsky and the russian period sound and legacy of a musical idiom |
| title_sub | sound and legacy of a musical idiom |
| topic | Stravinsky, Igor / 1882-1971 / Criticism and interpretation Stravinsky, Igor 1882-1971 Histoire du soldat (DE-588)300157827 gnd Stravinsky, Igor 1882-1971 Symphonies d'instruments à vent (DE-588)4465222-7 gnd Stravinsky, Igor 1882-1971 Svadebka (DE-588)300158025 gnd Stravinsky, Igor 1882-1971 Bajka (DE-588)300157576 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| topic_facet | Stravinsky, Igor / 1882-1971 / Criticism and interpretation Stravinsky, Igor 1882-1971 Histoire du soldat Stravinsky, Igor 1882-1971 Symphonies d'instruments à vent Stravinsky, Igor 1882-1971 Svadebka Stravinsky, Igor 1882-1971 Bajka Musikalische Analyse |
| url | https://doi.org/10.1017/CBO9781139108102 |
| work_keys_str_mv | AT vandentoornpieterc stravinskyandtherussianperiodsoundandlegacyofamusicalidiom AT mcginnessjohn stravinskyandtherussianperiodsoundandlegacyofamusicalidiom AT vandentoornpieterc stravinskytherussianperiod AT mcginnessjohn stravinskytherussianperiod |