Stravinsky and the Russian period: sound and legacy of a musical idiom
Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noc...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2012
|
| Schriftenreihe: | Music since 1900
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky's formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T. W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky's music |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (x, 324 pages) |
| ISBN: | 9781139108102 |
| DOI: | 10.1017/CBO9781139108102 |
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| 520 | |a Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky's formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T. W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky's music | ||
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Datensatz im Suchindex
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| author | Van den Toorn, Pieter C. 1938- |
| author_facet | Van den Toorn, Pieter C. 1938- |
| author_role | aut |
| author_sort | Van den Toorn, Pieter C. 1938- |
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| contents | Introduction -- Meter and metrical displacement in Stravinsky -- The octatonic scale -- A brief survey -- Meter, motive, and alignment in Les Noces : Stravinsky's block and layered structures -- Melody and harmony in Les Noces -- Meter, text, and alignment in Renard (1916) : Stravinsky's 'rejoicing discovery' -- Allegro! Renard reconsidered -- Melodic repeat structures in the music of Stravinsky, Debussy, and Rimsky-Korsakov : another look at the Symphonies of wind instruments (1920) -- Issues of performance practice and aesthetic belief -- Stravinsky and his critics |
| ctrlnum | (ZDB-20-CBO)CR9781139108102 (OCoLC)967422411 (DE-599)BVBBV043922244 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139108102 |
| format | Electronic eBook |
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| id | DE-604.BV043922244 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:39Z |
| institution | BVB |
| isbn | 9781139108102 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029331325 |
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| spelling | Van den Toorn, Pieter C. 1938- Verfasser aut Stravinsky and the Russian period sound and legacy of a musical idiom Pieter C. van den Toorn, John McGinness Stravinsky & the Russian Period Cambridge Cambridge University Press 2012 1 online resource (x, 324 pages) txt rdacontent c rdamedia cr rdacarrier Music since 1900 Title from publisher's bibliographic system (viewed on 05 Oct 2015) Introduction -- Meter and metrical displacement in Stravinsky -- The octatonic scale -- A brief survey -- Meter, motive, and alignment in Les Noces : Stravinsky's block and layered structures -- Melody and harmony in Les Noces -- Meter, text, and alignment in Renard (1916) : Stravinsky's 'rejoicing discovery' -- Allegro! Renard reconsidered -- Melodic repeat structures in the music of Stravinsky, Debussy, and Rimsky-Korsakov : another look at the Symphonies of wind instruments (1920) -- Issues of performance practice and aesthetic belief -- Stravinsky and his critics Van den Toorn and McGinness take a fresh look at the dynamics of Stravinsky's musical style from a variety of analytical, critical and aesthetic angles. Starting with processes of juxtaposition and stratification, the book offers an in-depth analysis of works such as The Rite of Spring, Les Noces and Renard. Characteristic features of style, melody and harmony are traced to rhythmic forces, including those of metrical displacement. Along with Stravinsky's formalist aesthetics, the strict performing style he favoured is also traced to rhythmic factors, thus reversing the direction of the traditional causal relationship. Here, aesthetic belief and performance practice are seen as flowing directly from the musical invention. The book provides a counter-argument to the criticism and aesthetics of T. W. Adorno and Richard Taruskin, and will appeal to composers, critics and performers as well as scholars of Stravinsky's music Stravinsky, Igor / 1882-1971 / Criticism and interpretation Stravinsky, Igor 1882-1971 Histoire du soldat (DE-588)300157827 gnd rswk-swf Stravinsky, Igor 1882-1971 Symphonies d'instruments à vent (DE-588)4465222-7 gnd rswk-swf Stravinsky, Igor 1882-1971 Svadebka (DE-588)300158025 gnd rswk-swf Stravinsky, Igor 1882-1971 Bajka (DE-588)300157576 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Stravinsky, Igor 1882-1971 Svadebka (DE-588)300158025 u Stravinsky, Igor 1882-1971 Bajka (DE-588)300157576 u Stravinsky, Igor 1882-1971 Histoire du soldat (DE-588)300157827 u Stravinsky, Igor 1882-1971 Symphonies d'instruments à vent (DE-588)4465222-7 u Musikalische Analyse (DE-588)4040814-0 s 1\p DE-604 McGinness, John Sonstige oth Erscheint auch als Druckausgabe 978-1-107-02100-6 Erscheint auch als Druckausgabe 978-1-107-54362-1 https://doi.org/10.1017/CBO9781139108102 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Van den Toorn, Pieter C. 1938- Stravinsky and the Russian period sound and legacy of a musical idiom Introduction -- Meter and metrical displacement in Stravinsky -- The octatonic scale -- A brief survey -- Meter, motive, and alignment in Les Noces : Stravinsky's block and layered structures -- Melody and harmony in Les Noces -- Meter, text, and alignment in Renard (1916) : Stravinsky's 'rejoicing discovery' -- Allegro! Renard reconsidered -- Melodic repeat structures in the music of Stravinsky, Debussy, and Rimsky-Korsakov : another look at the Symphonies of wind instruments (1920) -- Issues of performance practice and aesthetic belief -- Stravinsky and his critics Stravinsky, Igor / 1882-1971 / Criticism and interpretation Stravinsky, Igor 1882-1971 Histoire du soldat (DE-588)300157827 gnd Stravinsky, Igor 1882-1971 Symphonies d'instruments à vent (DE-588)4465222-7 gnd Stravinsky, Igor 1882-1971 Svadebka (DE-588)300158025 gnd Stravinsky, Igor 1882-1971 Bajka (DE-588)300157576 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| subject_GND | (DE-588)300157827 (DE-588)4465222-7 (DE-588)300158025 (DE-588)300157576 (DE-588)4040814-0 |
| title | Stravinsky and the Russian period sound and legacy of a musical idiom |
| title_alt | Stravinsky & the Russian Period |
| title_auth | Stravinsky and the Russian period sound and legacy of a musical idiom |
| title_exact_search | Stravinsky and the Russian period sound and legacy of a musical idiom |
| title_full | Stravinsky and the Russian period sound and legacy of a musical idiom Pieter C. van den Toorn, John McGinness |
| title_fullStr | Stravinsky and the Russian period sound and legacy of a musical idiom Pieter C. van den Toorn, John McGinness |
| title_full_unstemmed | Stravinsky and the Russian period sound and legacy of a musical idiom Pieter C. van den Toorn, John McGinness |
| title_short | Stravinsky and the Russian period |
| title_sort | stravinsky and the russian period sound and legacy of a musical idiom |
| title_sub | sound and legacy of a musical idiom |
| topic | Stravinsky, Igor / 1882-1971 / Criticism and interpretation Stravinsky, Igor 1882-1971 Histoire du soldat (DE-588)300157827 gnd Stravinsky, Igor 1882-1971 Symphonies d'instruments à vent (DE-588)4465222-7 gnd Stravinsky, Igor 1882-1971 Svadebka (DE-588)300158025 gnd Stravinsky, Igor 1882-1971 Bajka (DE-588)300157576 gnd Musikalische Analyse (DE-588)4040814-0 gnd |
| topic_facet | Stravinsky, Igor / 1882-1971 / Criticism and interpretation Stravinsky, Igor 1882-1971 Histoire du soldat Stravinsky, Igor 1882-1971 Symphonies d'instruments à vent Stravinsky, Igor 1882-1971 Svadebka Stravinsky, Igor 1882-1971 Bajka Musikalische Analyse |
| url | https://doi.org/10.1017/CBO9781139108102 |
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