Music in Germany since 1968:
Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Wil...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2013
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| Schriftenreihe: | Music since 1900
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 Volltext |
| Zusammenfassung: | Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Williams examines the key topics, including responses to serialism, music and politics, and the re-evaluation of tradition. The book devotes central chapters to Helmut Lachenmann and Wolfgang Rihm, as focal points for areas such as postmodernism, musical semiotics and action-based gestures. Further chapters widen the scope by considering the precursors and contemporaries of Rihm and Lachenmann, especially in relation to the idea of historical inclusion. Williams's study also assesses the development of the Darmstadt summer courses, addresses the significance of German reunification, and considers the role of Germany in a new stage of musical modernism |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xi, 280 pages) |
| ISBN: | 9781139034081 |
| DOI: | 10.1017/CBO9781139034081 |
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| 520 | |a Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Williams examines the key topics, including responses to serialism, music and politics, and the re-evaluation of tradition. The book devotes central chapters to Helmut Lachenmann and Wolfgang Rihm, as focal points for areas such as postmodernism, musical semiotics and action-based gestures. Further chapters widen the scope by considering the precursors and contemporaries of Rihm and Lachenmann, especially in relation to the idea of historical inclusion. Williams's study also assesses the development of the Darmstadt summer courses, addresses the significance of German reunification, and considers the role of Germany in a new stage of musical modernism | ||
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Datensatz im Suchindex
| _version_ | 1806052988222963712 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Williams, Alastair |
| author_facet | Williams, Alastair |
| author_role | aut |
| author_sort | Williams, Alastair |
| author_variant | a w aw |
| building | Verbundindex |
| bvnumber | BV043922241 |
| classification_rvk | LQ 80107 |
| collection | ZDB-20-CBO |
| contents | Contexts and institutions -- Expanded horizons: established composers after 1968 -- The refusal of habit: Helmut Lachenmann -- Music and signs: Wolfgang Rihm -- Contemporaries of Lachenmann and Rihm: the younger generation |
| ctrlnum | (ZDB-20-CBO)CR9781139034081 (OCoLC)967422282 (DE-599)BVBBV043922241 |
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| dewey-raw | 780.943/09045 |
| dewey-search | 780.943/09045 |
| dewey-sort | 3780.943 49045 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139034081 |
| era | Geschichte 1900-2000 Geschichte 1968- gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1968- |
| format | Electronic eBook |
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| id | DE-604.BV043922241 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-31T00:39:08Z |
| institution | BVB |
| isbn | 9781139034081 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029331322 |
| oclc_num | 967422282 |
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| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 online resource (xi, 280 pages) |
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| publishDate | 2013 |
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| publisher | Cambridge University Press |
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| series2 | Music since 1900 |
| spelling | Williams, Alastair Verfasser aut Music in Germany since 1968 Alastair Williams Cambridge Cambridge University Press 2013 1 online resource (xi, 280 pages) txt rdacontent c rdamedia cr rdacarrier Music since 1900 Title from publisher's bibliographic system (viewed on 05 Oct 2015) Contexts and institutions -- Expanded horizons: established composers after 1968 -- The refusal of habit: Helmut Lachenmann -- Music and signs: Wolfgang Rihm -- Contemporaries of Lachenmann and Rihm: the younger generation Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Williams examines the key topics, including responses to serialism, music and politics, and the re-evaluation of tradition. The book devotes central chapters to Helmut Lachenmann and Wolfgang Rihm, as focal points for areas such as postmodernism, musical semiotics and action-based gestures. Further chapters widen the scope by considering the precursors and contemporaries of Rihm and Lachenmann, especially in relation to the idea of historical inclusion. Williams's study also assesses the development of the Darmstadt summer courses, addresses the significance of German reunification, and considers the role of Germany in a new stage of musical modernism Rihm, Wolfgang 1952-2024 (DE-588)118803409 gnd rswk-swf Lachenmann, Helmut 1935- (DE-588)118844725 gnd rswk-swf Geschichte 1900-2000 Geschichte 1968- gnd rswk-swf Musik Music / Germany / 20th century / History and criticism Musik (DE-588)4040802-4 gnd rswk-swf Deutschland Deutschland (DE-588)4011882-4 gnd rswk-swf Deutschland (DE-588)4011882-4 g Musik (DE-588)4040802-4 s Geschichte 1968- z 1\p DE-604 Lachenmann, Helmut 1935- (DE-588)118844725 p 2\p DE-604 Rihm, Wolfgang 1952-2024 (DE-588)118803409 p 3\p DE-604 Erscheint auch als Druckausgabe 978-0-521-87759-6 https://doi.org/10.1017/CBO9781139034081 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Williams, Alastair Music in Germany since 1968 Contexts and institutions -- Expanded horizons: established composers after 1968 -- The refusal of habit: Helmut Lachenmann -- Music and signs: Wolfgang Rihm -- Contemporaries of Lachenmann and Rihm: the younger generation Rihm, Wolfgang 1952-2024 (DE-588)118803409 gnd Lachenmann, Helmut 1935- (DE-588)118844725 gnd Musik Music / Germany / 20th century / History and criticism Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)118803409 (DE-588)118844725 (DE-588)4040802-4 (DE-588)4011882-4 |
| title | Music in Germany since 1968 |
| title_auth | Music in Germany since 1968 |
| title_exact_search | Music in Germany since 1968 |
| title_full | Music in Germany since 1968 Alastair Williams |
| title_fullStr | Music in Germany since 1968 Alastair Williams |
| title_full_unstemmed | Music in Germany since 1968 Alastair Williams |
| title_short | Music in Germany since 1968 |
| title_sort | music in germany since 1968 |
| topic | Rihm, Wolfgang 1952-2024 (DE-588)118803409 gnd Lachenmann, Helmut 1935- (DE-588)118844725 gnd Musik Music / Germany / 20th century / History and criticism Musik (DE-588)4040802-4 gnd |
| topic_facet | Rihm, Wolfgang 1952-2024 Lachenmann, Helmut 1935- Musik Music / Germany / 20th century / History and criticism Deutschland |
| url | https://doi.org/10.1017/CBO9781139034081 |
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