Mahler's Sixth symphony: a study in musical semiotics
The terms of structuralist and post-structuralist theory have been widely debated within the field of music analysis in recent years. However, very few analyses have attempted to address the repertoire of large orchestral works of the turn of the century - works which seem most obviously to escape t...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
1995
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Schriftenreihe: | Cambridge studies in music theory and analysis
6 |
Schlagworte: | |
Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
Zusammenfassung: | The terms of structuralist and post-structuralist theory have been widely debated within the field of music analysis in recent years. However, very few analyses have attempted to address the repertoire of large orchestral works of the turn of the century - works which seem most obviously to escape the categories of conventional analysis. This study uses a semiotic theory of signification in order to investigate different types of musical communication. Musical meaning is defined on several levels from structures immanent to the work, through questions of tradition and genre, to consideration of the symphony as a narrative alongside other contemporary non-musical texts. Ideas from Eco, Barthes, and Derrida are deployed within the context of close analysis of the score in order to unite specifically analytical insights with cultural hermeneutics |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Beschreibung: | 1 online resource (xv, 175 pages) |
ISBN: | 9780511597305 |
DOI: | 10.1017/CBO9780511597305 |
Internformat
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505 | 8 | |a Foreword / Ian Bent -- 1. Music, theory and signification -- 2. Motive as sign: an analysis of the Andante -- 3. Coding of musical form: the Finale -- 4. Genre and presupposition in the Mahlerian scherzo -- 5. Musical narrative and the suicide of the symphony -- 6. Coda | |
520 | |a The terms of structuralist and post-structuralist theory have been widely debated within the field of music analysis in recent years. However, very few analyses have attempted to address the repertoire of large orchestral works of the turn of the century - works which seem most obviously to escape the categories of conventional analysis. This study uses a semiotic theory of signification in order to investigate different types of musical communication. Musical meaning is defined on several levels from structures immanent to the work, through questions of tradition and genre, to consideration of the symphony as a narrative alongside other contemporary non-musical texts. Ideas from Eco, Barthes, and Derrida are deployed within the context of close analysis of the score in order to unite specifically analytical insights with cultural hermeneutics | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Samuels, Robert 1962- |
author_facet | Samuels, Robert 1962- |
author_role | aut |
author_sort | Samuels, Robert 1962- |
author_variant | r s rs |
building | Verbundindex |
bvnumber | BV043922173 |
classification_rvk | LP 64730 |
collection | ZDB-20-CBO |
contents | Foreword / Ian Bent -- 1. Music, theory and signification -- 2. Motive as sign: an analysis of the Andante -- 3. Coding of musical form: the Finale -- 4. Genre and presupposition in the Mahlerian scherzo -- 5. Musical narrative and the suicide of the symphony -- 6. Coda |
ctrlnum | (ZDB-20-CBO)CR9780511597305 (OCoLC)849961364 (DE-599)BVBBV043922173 |
dewey-full | 784.2/184 |
dewey-hundreds | 700 - The arts |
dewey-ones | 784 - Instruments & instrumental ensembles |
dewey-raw | 784.2/184 |
dewey-search | 784.2/184 |
dewey-sort | 3784.2 3184 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
doi_str_mv | 10.1017/CBO9780511597305 |
format | Electronic eBook |
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indexdate | 2024-07-10T07:38:39Z |
institution | BVB |
isbn | 9780511597305 |
language | English |
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publishDate | 1995 |
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spelling | Samuels, Robert 1962- Verfasser aut Mahler's Sixth symphony a study in musical semiotics Robert Samuels Cambridge Cambridge University Press 1995 1 online resource (xv, 175 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in music theory and analysis 6 Title from publisher's bibliographic system (viewed on 05 Oct 2015) Foreword / Ian Bent -- 1. Music, theory and signification -- 2. Motive as sign: an analysis of the Andante -- 3. Coding of musical form: the Finale -- 4. Genre and presupposition in the Mahlerian scherzo -- 5. Musical narrative and the suicide of the symphony -- 6. Coda The terms of structuralist and post-structuralist theory have been widely debated within the field of music analysis in recent years. However, very few analyses have attempted to address the repertoire of large orchestral works of the turn of the century - works which seem most obviously to escape the categories of conventional analysis. This study uses a semiotic theory of signification in order to investigate different types of musical communication. Musical meaning is defined on several levels from structures immanent to the work, through questions of tradition and genre, to consideration of the symphony as a narrative alongside other contemporary non-musical texts. Ideas from Eco, Barthes, and Derrida are deployed within the context of close analysis of the score in order to unite specifically analytical insights with cultural hermeneutics Mahler, Gustav / 1860-1911 / Symphonies / no. 6 / A minor Mahler, Gustav 1860-1911 Sinfonien Nr. 6 (DE-588)300098073 gnd rswk-swf Musik Symphonies / Analysis, appreciation Music / Semiotics Mahler, Gustav 1860-1911 Sinfonien Nr. 6 (DE-588)300098073 u 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-48166-3 Erscheint auch als Druckausgabe 978-0-521-60283-9 https://doi.org/10.1017/CBO9780511597305 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Samuels, Robert 1962- Mahler's Sixth symphony a study in musical semiotics Foreword / Ian Bent -- 1. Music, theory and signification -- 2. Motive as sign: an analysis of the Andante -- 3. Coding of musical form: the Finale -- 4. Genre and presupposition in the Mahlerian scherzo -- 5. Musical narrative and the suicide of the symphony -- 6. Coda Mahler, Gustav / 1860-1911 / Symphonies / no. 6 / A minor Mahler, Gustav 1860-1911 Sinfonien Nr. 6 (DE-588)300098073 gnd Musik Symphonies / Analysis, appreciation Music / Semiotics |
subject_GND | (DE-588)300098073 |
title | Mahler's Sixth symphony a study in musical semiotics |
title_auth | Mahler's Sixth symphony a study in musical semiotics |
title_exact_search | Mahler's Sixth symphony a study in musical semiotics |
title_full | Mahler's Sixth symphony a study in musical semiotics Robert Samuels |
title_fullStr | Mahler's Sixth symphony a study in musical semiotics Robert Samuels |
title_full_unstemmed | Mahler's Sixth symphony a study in musical semiotics Robert Samuels |
title_short | Mahler's Sixth symphony |
title_sort | mahler s sixth symphony a study in musical semiotics |
title_sub | a study in musical semiotics |
topic | Mahler, Gustav / 1860-1911 / Symphonies / no. 6 / A minor Mahler, Gustav 1860-1911 Sinfonien Nr. 6 (DE-588)300098073 gnd Musik Symphonies / Analysis, appreciation Music / Semiotics |
topic_facet | Mahler, Gustav / 1860-1911 / Symphonies / no. 6 / A minor Mahler, Gustav 1860-1911 Sinfonien Nr. 6 Musik Symphonies / Analysis, appreciation Music / Semiotics |
url | https://doi.org/10.1017/CBO9780511597305 |
work_keys_str_mv | AT samuelsrobert mahlerssixthsymphonyastudyinmusicalsemiotics |