Subjectivity and subjugation in seventeenth-century drama and prose: the family romance of French classicism

This 1992 book analyses the relation between an emergent modern subjectivity in seventeenth-century French literature, particularly in dramatic works, and the contemporaneous evolution of the absolutist state. It shows how major writers of the Classical period (Corneille, Racine, Moliere, Lafayette)...

Full description

Saved in:
Bibliographic Details
Main Author: Greenberg, Mitchell 1946- (Author)
Format: Electronic eBook
Language:English
Published: Cambridge Cambridge University Press 1992
Series:Cambridge studies in French 36
Subjects:
Online Access:BSB01
UBG01
Volltext
Summary:This 1992 book analyses the relation between an emergent modern subjectivity in seventeenth-century French literature, particularly in dramatic works, and the contemporaneous evolution of the absolutist state. It shows how major writers of the Classical period (Corneille, Racine, Moliere, Lafayette) elaborate a new subject in and through their representations of the family, and argues that the family serves as the mediating locus of a patriarchal ideology of sexual and political containment. Most importantly, it asks why the theatre became the privileged form of representation in this state, and why this theatre concentrates almost exclusively on family conflict. Professor Greenberg argues that the narrative of oedipal sexuality and subjugation central to this new literary canon reflected the conflicting social, political and economic forces that were shifting European society away from the universe of the Renaissance and guiding it towards the 'transparency' of Classical representation
Item Description:Title from publisher's bibliographic system (viewed on 05 Oct 2015)
Physical Description:1 online resource (240 pages)
ISBN:9780511553936
DOI:10.1017/CBO9780511553936

There is no print copy available.

Interlibrary loan Place Request Caution: Not in THWS collection! Get full text