The orchestral music of Michael Tippett: creative development and the compositional process
With extracts from the composer's letters, writings, interviews and broadcasts, and supported by evidence from his sketchbooks and manuscripts, The Orchestral Music of Michael Tippett explores Tippett's intentions and argues that the experiences that triggered his creative impulses are int...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2014
|
| Schriftenreihe: | Music since 1900
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | With extracts from the composer's letters, writings, interviews and broadcasts, and supported by evidence from his sketchbooks and manuscripts, The Orchestral Music of Michael Tippett explores Tippett's intentions and argues that the experiences that triggered his creative impulses are integral to understanding his music. In his discussion of Tippett's creative process, Thomas Schuttenhelm attempts to recapture the circumstances under which Tippett's orchestral works were created, to document how his visionary aspirations were developed and sustained throughout the creative cycle, and to chart how conception was transmuted from idea through to performance. Analysing Tippett's orchestral works throughout his long career, from the Symphonic Movement of 1931 to his final masterpiece The Rose Lake in 1991–3, Schuttenhelm explores each work in detail to provide a comprehensive commentary on one of the most influential British composers of the twentieth century |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xii, 327 pages) |
| ISBN: | 9781139034944 |
| DOI: | 10.1017/CBO9781139034944 |
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| 520 | |a With extracts from the composer's letters, writings, interviews and broadcasts, and supported by evidence from his sketchbooks and manuscripts, The Orchestral Music of Michael Tippett explores Tippett's intentions and argues that the experiences that triggered his creative impulses are integral to understanding his music. In his discussion of Tippett's creative process, Thomas Schuttenhelm attempts to recapture the circumstances under which Tippett's orchestral works were created, to document how his visionary aspirations were developed and sustained throughout the creative cycle, and to chart how conception was transmuted from idea through to performance. Analysing Tippett's orchestral works throughout his long career, from the Symphonic Movement of 1931 to his final masterpiece The Rose Lake in 1991–3, Schuttenhelm explores each work in detail to provide a comprehensive commentary on one of the most influential British composers of the twentieth century | ||
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Datensatz im Suchindex
| _version_ | 1804176844750061568 |
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| any_adam_object | |
| author | Schuttenhelm, Thomas |
| author_facet | Schuttenhelm, Thomas |
| author_role | aut |
| author_sort | Schuttenhelm, Thomas |
| author_variant | t s ts |
| building | Verbundindex |
| bvnumber | BV043922016 |
| classification_rvk | LP 95080 |
| collection | ZDB-20-CBO |
| contents | Symphonic Movement (1930-1) and the Symphony in B-flat (1933-4) -- Concerto for Double String Orchestra (1938-9) -- Fantasia on a Theme of Handel (1939-41) -- Symphony No. 1 (1944-5) -- Little Music for String Orchestra (1946) -- Suite in D (for the Birthday of Prince Charles) (1948) -- Fantasia Concertante on a Theme of Corelli (1953) -- Divertimento on 'Sellinger's Round' (1953-4) -- Piano Concerto (1953-5) -- Symphony No. 2 (1956-7) -- Praeludium for Brass, Bells and Percussion (1962) -- Concerto for Orchestra (1962-3) -- Symphony No. 3 (1970-2) -- Symphony No. 4 (1976-7) -- Triple Concerto (1978-9) -- The Rose Lake (1991-3) |
| ctrlnum | (ZDB-20-CBO)CR9781139034944 (OCoLC)949923161 (DE-599)BVBBV043922016 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139034944 |
| format | Electronic eBook |
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| geographic_facet | Großbritannien |
| id | DE-604.BV043922016 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:39Z |
| institution | BVB |
| isbn | 9781139034944 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029331097 |
| oclc_num | 949923161 |
| open_access_boolean | |
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| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 online resource (xii, 327 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Music since 1900 |
| spelling | Schuttenhelm, Thomas Verfasser aut The orchestral music of Michael Tippett creative development and the compositional process by Thomas Schuttenhelm Cambridge Cambridge University Press 2014 1 online resource (xii, 327 pages) txt rdacontent c rdamedia cr rdacarrier Music since 1900 Title from publisher's bibliographic system (viewed on 05 Oct 2015) Symphonic Movement (1930-1) and the Symphony in B-flat (1933-4) -- Concerto for Double String Orchestra (1938-9) -- Fantasia on a Theme of Handel (1939-41) -- Symphony No. 1 (1944-5) -- Little Music for String Orchestra (1946) -- Suite in D (for the Birthday of Prince Charles) (1948) -- Fantasia Concertante on a Theme of Corelli (1953) -- Divertimento on 'Sellinger's Round' (1953-4) -- Piano Concerto (1953-5) -- Symphony No. 2 (1956-7) -- Praeludium for Brass, Bells and Percussion (1962) -- Concerto for Orchestra (1962-3) -- Symphony No. 3 (1970-2) -- Symphony No. 4 (1976-7) -- Triple Concerto (1978-9) -- The Rose Lake (1991-3) With extracts from the composer's letters, writings, interviews and broadcasts, and supported by evidence from his sketchbooks and manuscripts, The Orchestral Music of Michael Tippett explores Tippett's intentions and argues that the experiences that triggered his creative impulses are integral to understanding his music. In his discussion of Tippett's creative process, Thomas Schuttenhelm attempts to recapture the circumstances under which Tippett's orchestral works were created, to document how his visionary aspirations were developed and sustained throughout the creative cycle, and to chart how conception was transmuted from idea through to performance. Analysing Tippett's orchestral works throughout his long career, from the Symphonic Movement of 1931 to his final masterpiece The Rose Lake in 1991–3, Schuttenhelm explores each work in detail to provide a comprehensive commentary on one of the most influential British composers of the twentieth century Tippett, Michael / 1905-1998 / Criticism and interpretation Tippett, Michael 1905-1998 (DE-588)118802348 gnd rswk-swf Orchestral music / Great Britain / History and criticism Orchestermusik (DE-588)4131523-6 gnd rswk-swf Großbritannien Tippett, Michael 1905-1998 (DE-588)118802348 p Orchestermusik (DE-588)4131523-6 s 1\p DE-604 Erscheint auch als Druckausgabe 978-1-107-00024-7 https://doi.org/10.1017/CBO9781139034944 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Schuttenhelm, Thomas The orchestral music of Michael Tippett creative development and the compositional process Symphonic Movement (1930-1) and the Symphony in B-flat (1933-4) -- Concerto for Double String Orchestra (1938-9) -- Fantasia on a Theme of Handel (1939-41) -- Symphony No. 1 (1944-5) -- Little Music for String Orchestra (1946) -- Suite in D (for the Birthday of Prince Charles) (1948) -- Fantasia Concertante on a Theme of Corelli (1953) -- Divertimento on 'Sellinger's Round' (1953-4) -- Piano Concerto (1953-5) -- Symphony No. 2 (1956-7) -- Praeludium for Brass, Bells and Percussion (1962) -- Concerto for Orchestra (1962-3) -- Symphony No. 3 (1970-2) -- Symphony No. 4 (1976-7) -- Triple Concerto (1978-9) -- The Rose Lake (1991-3) Tippett, Michael / 1905-1998 / Criticism and interpretation Tippett, Michael 1905-1998 (DE-588)118802348 gnd Orchestral music / Great Britain / History and criticism Orchestermusik (DE-588)4131523-6 gnd |
| subject_GND | (DE-588)118802348 (DE-588)4131523-6 |
| title | The orchestral music of Michael Tippett creative development and the compositional process |
| title_auth | The orchestral music of Michael Tippett creative development and the compositional process |
| title_exact_search | The orchestral music of Michael Tippett creative development and the compositional process |
| title_full | The orchestral music of Michael Tippett creative development and the compositional process by Thomas Schuttenhelm |
| title_fullStr | The orchestral music of Michael Tippett creative development and the compositional process by Thomas Schuttenhelm |
| title_full_unstemmed | The orchestral music of Michael Tippett creative development and the compositional process by Thomas Schuttenhelm |
| title_short | The orchestral music of Michael Tippett |
| title_sort | the orchestral music of michael tippett creative development and the compositional process |
| title_sub | creative development and the compositional process |
| topic | Tippett, Michael / 1905-1998 / Criticism and interpretation Tippett, Michael 1905-1998 (DE-588)118802348 gnd Orchestral music / Great Britain / History and criticism Orchestermusik (DE-588)4131523-6 gnd |
| topic_facet | Tippett, Michael / 1905-1998 / Criticism and interpretation Tippett, Michael 1905-1998 Orchestral music / Great Britain / History and criticism Orchestermusik Großbritannien |
| url | https://doi.org/10.1017/CBO9781139034944 |
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