Opera and drama in eighteenth-century London: the King's Theatre, Garrick and the business of performance
In this study, Ian Woodfield explores the cultural and commercial life of Italian opera in late eighteenth-century London. It was a period when theatre and opera worlds mixed, venues were shared, and agents and managers collaborated and competed. Through primary sources, many analysed for the first...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2001
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| Schriftenreihe: | Cambridge studies in opera
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 Volltext |
| Zusammenfassung: | In this study, Ian Woodfield explores the cultural and commercial life of Italian opera in late eighteenth-century London. It was a period when theatre and opera worlds mixed, venues were shared, and agents and managers collaborated and competed. Through primary sources, many analysed for the first time, Woodfield examines such issues as finances, recruitment policy, the handling of singers and composers, links with Paris and Italy, and the role of women in opera management. These key topics are also placed within the context of a personal dispute between two of the most important managers of the day, the woman writer Frances Brooke and the actor David Garrick, which influenced the running of the major venues, the King's Theatre, Drury Lane and Covent Garden. Woodfield has also uncovered new information concerning the influential role of the eighteenth-century music historian and critic Charles Burney, as artistic advisor to the King's Theatre |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xii, 339 pages) |
| ISBN: | 9780511481758 |
| DOI: | 10.1017/CBO9780511481758 |
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Datensatz im Suchindex
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| contents | 1. The Hobart management -- 2. The new managers take control -- 3. Sacchini and the revival of opera seria -- 4. Recruitment procedures and artistic policy -- 5. The King's Theatre in crisis -- 6. The recruitment of Lovattini -- 7. The English community in Rome -- 8. Lucrezia Agujari at the Pantheon -- 9. Caterina Gabrielli -- 10. Rauzzini's last season -- 11. The King's Theatre flourishes -- 12. The Queen of Quavers satire -- 13. Financial management -- 14. Opera salaries -- 15. The sale of 1778 -- App. 1a. The accounts of Richard Yates and James Brooke at Henry Hoare & Co. (1773-1777) -- App. 1b. The customers account ledgers of Sheridan and Harris (1778-1779) -- App. 1c. Selected entries from the account of Jonathan Garton at Drummonds Bank (1778-1779) -- App. 1d. The account of Gasparo Pacchierotti at Coutts & Co. (1779-1784) -- App. 1e. A page of opera payments and receipts in the Salt MSS (1780) -- App. 2a. Petition to the Lord Chamberlain (c. 1770) -- App. 2b. Petition to the Lord Chamberlain (c. 1775) -- App. 2c. Draft petition to the Lord Chamberlain from Sheridan and Harris (1777) -- App. 3a. Journal Etranger, No. 1 (June 1777) -- App. 3b. Opera reviews from Journal Etranger (1777-1778) |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Anglistik / Amerikanistik Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511481758 |
| era | Geschichte 1700-1800 Geschichte 1700-1800 gnd |
| era_facet | Geschichte 1700-1800 |
| format | Electronic eBook |
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| spelling | Woodfield, Ian Verfasser aut Opera and drama in eighteenth-century London the King's Theatre, Garrick and the business of performance Ian Woodfield Opera & Drama in Eighteenth-Century London Cambridge Cambridge University Press 2001 1 online resource (xii, 339 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in opera Title from publisher's bibliographic system (viewed on 05 Oct 2015) 1. The Hobart management -- 2. The new managers take control -- 3. Sacchini and the revival of opera seria -- 4. Recruitment procedures and artistic policy -- 5. The King's Theatre in crisis -- 6. The recruitment of Lovattini -- 7. The English community in Rome -- 8. Lucrezia Agujari at the Pantheon -- 9. Caterina Gabrielli -- 10. Rauzzini's last season -- 11. The King's Theatre flourishes -- 12. The Queen of Quavers satire -- 13. Financial management -- 14. Opera salaries -- 15. The sale of 1778 -- App. 1a. The accounts of Richard Yates and James Brooke at Henry Hoare & Co. (1773-1777) -- App. 1b. The customers account ledgers of Sheridan and Harris (1778-1779) -- App. 1c. Selected entries from the account of Jonathan Garton at Drummonds Bank (1778-1779) -- App. 1d. The account of Gasparo Pacchierotti at Coutts & Co. (1779-1784) -- App. 1e. A page of opera payments and receipts in the Salt MSS (1780) -- App. 2a. Petition to the Lord Chamberlain (c. 1770) -- App. 2b. Petition to the Lord Chamberlain (c. 1775) -- App. 2c. Draft petition to the Lord Chamberlain from Sheridan and Harris (1777) -- App. 3a. Journal Etranger, No. 1 (June 1777) -- App. 3b. Opera reviews from Journal Etranger (1777-1778) In this study, Ian Woodfield explores the cultural and commercial life of Italian opera in late eighteenth-century London. It was a period when theatre and opera worlds mixed, venues were shared, and agents and managers collaborated and competed. Through primary sources, many analysed for the first time, Woodfield examines such issues as finances, recruitment policy, the handling of singers and composers, links with Paris and Italy, and the role of women in opera management. These key topics are also placed within the context of a personal dispute between two of the most important managers of the day, the woman writer Frances Brooke and the actor David Garrick, which influenced the running of the major venues, the King's Theatre, Drury Lane and Covent Garden. Woodfield has also uncovered new information concerning the influential role of the eighteenth-century music historian and critic Charles Burney, as artistic advisor to the King's Theatre King's Theatre (London, England) / Management Geschichte 1700-1800 Geschichte 1700-1800 gnd rswk-swf Theater management / England / London / 18th century Opera / England / London / 18th century Englisch (DE-588)4014777-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Geschichte 1700-1800 z 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-02883-7 Erscheint auch als Druckausgabe 978-0-521-80012-9 https://doi.org/10.1017/CBO9780511481758 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Woodfield, Ian Opera and drama in eighteenth-century London the King's Theatre, Garrick and the business of performance 1. The Hobart management -- 2. The new managers take control -- 3. Sacchini and the revival of opera seria -- 4. Recruitment procedures and artistic policy -- 5. The King's Theatre in crisis -- 6. The recruitment of Lovattini -- 7. The English community in Rome -- 8. Lucrezia Agujari at the Pantheon -- 9. Caterina Gabrielli -- 10. Rauzzini's last season -- 11. The King's Theatre flourishes -- 12. The Queen of Quavers satire -- 13. Financial management -- 14. Opera salaries -- 15. The sale of 1778 -- App. 1a. The accounts of Richard Yates and James Brooke at Henry Hoare & Co. (1773-1777) -- App. 1b. The customers account ledgers of Sheridan and Harris (1778-1779) -- App. 1c. Selected entries from the account of Jonathan Garton at Drummonds Bank (1778-1779) -- App. 1d. The account of Gasparo Pacchierotti at Coutts & Co. (1779-1784) -- App. 1e. A page of opera payments and receipts in the Salt MSS (1780) -- App. 2a. Petition to the Lord Chamberlain (c. 1770) -- App. 2b. Petition to the Lord Chamberlain (c. 1775) -- App. 2c. Draft petition to the Lord Chamberlain from Sheridan and Harris (1777) -- App. 3a. Journal Etranger, No. 1 (June 1777) -- App. 3b. Opera reviews from Journal Etranger (1777-1778) King's Theatre (London, England) / Management Theater management / England / London / 18th century Opera / England / London / 18th century Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)4014777-0 (DE-588)4012899-4 |
| title | Opera and drama in eighteenth-century London the King's Theatre, Garrick and the business of performance |
| title_alt | Opera & Drama in Eighteenth-Century London |
| title_auth | Opera and drama in eighteenth-century London the King's Theatre, Garrick and the business of performance |
| title_exact_search | Opera and drama in eighteenth-century London the King's Theatre, Garrick and the business of performance |
| title_full | Opera and drama in eighteenth-century London the King's Theatre, Garrick and the business of performance Ian Woodfield |
| title_fullStr | Opera and drama in eighteenth-century London the King's Theatre, Garrick and the business of performance Ian Woodfield |
| title_full_unstemmed | Opera and drama in eighteenth-century London the King's Theatre, Garrick and the business of performance Ian Woodfield |
| title_short | Opera and drama in eighteenth-century London |
| title_sort | opera and drama in eighteenth century london the king s theatre garrick and the business of performance |
| title_sub | the King's Theatre, Garrick and the business of performance |
| topic | King's Theatre (London, England) / Management Theater management / England / London / 18th century Opera / England / London / 18th century Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | King's Theatre (London, England) / Management Theater management / England / London / 18th century Opera / England / London / 18th century Englisch Drama |
| url | https://doi.org/10.1017/CBO9780511481758 |
| work_keys_str_mv | AT woodfieldian operaanddramaineighteenthcenturylondonthekingstheatregarrickandthebusinessofperformance AT woodfieldian operadramaineighteenthcenturylondon |