Three modes of perception in Mozart: the philosophical, pastoral, and comic in Così fan tutte
This 2004 book is a full-length, scholarly study of what is widely regarded as Mozart's most enigmatic opera and Lorenzo Da Ponte's most erudite text. Against the long-standing judgement that the opera uses a misguided confidence in reason to traduce feeling, Goehring's study shows ho...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2004
|
| Schriftenreihe: | Cambridge studies in opera
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | This 2004 book is a full-length, scholarly study of what is widely regarded as Mozart's most enigmatic opera and Lorenzo Da Ponte's most erudite text. Against the long-standing judgement that the opera uses a misguided confidence in reason to traduce feeling, Goehring's study shows how Cosi affirms comedy's regenerative powers and its capacity to grant access to modes of sympathy and understanding that are otherwise inaccessible. In making this argument, the book surveys a rich literary, operatic and intellectual territory. It offers fresh perspective on the relationships between text and tone in the opera, on the tension between comedy and philosophy and its representation in stage works and on the pastoral mode which the opera uses in subtle ways. Throughout, Goehring's argument is sustained by close readings of primary sources, many of them little known, and is richly illustrated with musical examples |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xvii, 301 pages) |
| ISBN: | 9780511481727 |
| DOI: | 10.1017/CBO9780511481727 |
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Datensatz im Suchindex
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| author | Goehring, Edmund Joseph |
| author_facet | Goehring, Edmund Joseph |
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| contents | An overture to Cosi fan tutte: the poetics of the opera over two centuries -- The philosophical mode -- The pastoral mode -- The comic mode |
| ctrlnum | (ZDB-20-CBO)CR9780511481727 (OCoLC)992929544 (DE-599)BVBBV043921788 |
| dewey-full | 782.1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1 |
| dewey-search | 782.1 |
| dewey-sort | 3782.1 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511481727 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:38Z |
| institution | BVB |
| isbn | 9780511481727 |
| language | English |
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| spelling | Goehring, Edmund Joseph Verfasser aut Three modes of perception in Mozart the philosophical, pastoral, and comic in Così fan tutte Edmund J. Goehring Cambridge Cambridge University Press 2004 1 online resource (xvii, 301 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in opera Title from publisher's bibliographic system (viewed on 05 Oct 2015) An overture to Cosi fan tutte: the poetics of the opera over two centuries -- The philosophical mode -- The pastoral mode -- The comic mode This 2004 book is a full-length, scholarly study of what is widely regarded as Mozart's most enigmatic opera and Lorenzo Da Ponte's most erudite text. Against the long-standing judgement that the opera uses a misguided confidence in reason to traduce feeling, Goehring's study shows how Cosi affirms comedy's regenerative powers and its capacity to grant access to modes of sympathy and understanding that are otherwise inaccessible. In making this argument, the book surveys a rich literary, operatic and intellectual territory. It offers fresh perspective on the relationships between text and tone in the opera, on the tension between comedy and philosophy and its representation in stage works and on the pastoral mode which the opera uses in subtle ways. Throughout, Goehring's argument is sustained by close readings of primary sources, many of them little known, and is richly illustrated with musical examples Mozart, Wolfgang Amadeus / 1756-1791 / Così fan tutte Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 gnd rswk-swf Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 u 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-09916-5 Erscheint auch als Druckausgabe 978-0-521-83881-8 https://doi.org/10.1017/CBO9780511481727 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Goehring, Edmund Joseph Three modes of perception in Mozart the philosophical, pastoral, and comic in Così fan tutte An overture to Cosi fan tutte: the poetics of the opera over two centuries -- The philosophical mode -- The pastoral mode -- The comic mode Mozart, Wolfgang Amadeus / 1756-1791 / Così fan tutte Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 gnd |
| subject_GND | (DE-588)300107331 |
| title | Three modes of perception in Mozart the philosophical, pastoral, and comic in Così fan tutte |
| title_auth | Three modes of perception in Mozart the philosophical, pastoral, and comic in Così fan tutte |
| title_exact_search | Three modes of perception in Mozart the philosophical, pastoral, and comic in Così fan tutte |
| title_full | Three modes of perception in Mozart the philosophical, pastoral, and comic in Così fan tutte Edmund J. Goehring |
| title_fullStr | Three modes of perception in Mozart the philosophical, pastoral, and comic in Così fan tutte Edmund J. Goehring |
| title_full_unstemmed | Three modes of perception in Mozart the philosophical, pastoral, and comic in Così fan tutte Edmund J. Goehring |
| title_short | Three modes of perception in Mozart |
| title_sort | three modes of perception in mozart the philosophical pastoral and comic in cosi fan tutte |
| title_sub | the philosophical, pastoral, and comic in Così fan tutte |
| topic | Mozart, Wolfgang Amadeus / 1756-1791 / Così fan tutte Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 gnd |
| topic_facet | Mozart, Wolfgang Amadeus / 1756-1791 / Così fan tutte Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte |
| url | https://doi.org/10.1017/CBO9780511481727 |
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