Engaging Bach: the keyboard legacy from Marpurg to Mendelssohn
More than any other part of Bach's output, his keyboard works conveyed the essence of his inimitable art to generations of admirers. The varied responses to this repertory - in scholarly and popular writing, public lectures, musical composition and transcription, performances and editions - ens...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2012
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| Schriftenreihe: | Musical performance and reception
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| Schlagworte: | |
| Online-Zugang: | BSB01 FUBA1 UBG01 Volltext |
| Zusammenfassung: | More than any other part of Bach's output, his keyboard works conveyed the essence of his inimitable art to generations of admirers. The varied responses to this repertory - in scholarly and popular writing, public lectures, musical composition and transcription, performances and editions - ensured its place in the canon and broadened its creator's appeal. The early reception of Bach's keyboard music also continues to affect how we understand and value it, though we rarely recognize that historical continuity. Here, Matthew Dirst investigates how Bach's music intersects with cultural, social and music history, focusing on a repertory which is often overshadowed in scholarly and popular literature on Bach reception. Organized around the most productive ideas generated by Bach's keyboard works from his own day to the middle of the nineteenth century, this study shows how Bach's remarkable and long-lasting legacy took shape amid critical changes in European musical thought and practice |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 Online-Ressource (xiii, 186 Seiten) |
| ISBN: | 9781139027908 |
| DOI: | 10.1017/CBO9781139027908 |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Dirst, Matthew ca. 20./21. Jh |
| author_GND | (DE-588)14286787X |
| author_facet | Dirst, Matthew ca. 20./21. Jh |
| author_role | aut |
| author_sort | Dirst, Matthew ca. 20./21. Jh |
| author_variant | m d md |
| building | Verbundindex |
| bvnumber | BV043921763 |
| collection | ZDB-20-CBO |
| contents | Part I. The posthumous reassessment of selected works. Why the keyboard works? ; Inventing the Bach chorale ; What Mozart learned from Bach -- Part II. Divergent streams of reception in the early nineteenth century ; A bürgerlicher Bach : turn-of-the-century German advocacy ; The virtuous fugue : English reception to 1840 ; Bach for whom? Modes of interpretation and performance, 1820-1850 |
| ctrlnum | (ZDB-20-CBO)CR9781139027908 (OCoLC)967406174 (DE-599)BVBBV043921763 |
| dewey-full | 786.092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.092 |
| dewey-search | 786.092 |
| dewey-sort | 3786.092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139027908 |
| era | Geschichte 1700-1800 Geschichte 1700-1850 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1700-1850 |
| format | Electronic eBook |
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| isbn | 9781139027908 |
| language | English |
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| spelling | Dirst, Matthew ca. 20./21. Jh. Verfasser (DE-588)14286787X aut Engaging Bach the keyboard legacy from Marpurg to Mendelssohn Matthew Dirst Cambridge Cambridge University Press 2012 1 Online-Ressource (xiii, 186 Seiten) txt rdacontent c rdamedia cr rdacarrier Musical performance and reception Title from publisher's bibliographic system (viewed on 05 Oct 2015) Part I. The posthumous reassessment of selected works. Why the keyboard works? ; Inventing the Bach chorale ; What Mozart learned from Bach -- Part II. Divergent streams of reception in the early nineteenth century ; A bürgerlicher Bach : turn-of-the-century German advocacy ; The virtuous fugue : English reception to 1840 ; Bach for whom? Modes of interpretation and performance, 1820-1850 More than any other part of Bach's output, his keyboard works conveyed the essence of his inimitable art to generations of admirers. The varied responses to this repertory - in scholarly and popular writing, public lectures, musical composition and transcription, performances and editions - ensured its place in the canon and broadened its creator's appeal. The early reception of Bach's keyboard music also continues to affect how we understand and value it, though we rarely recognize that historical continuity. Here, Matthew Dirst investigates how Bach's music intersects with cultural, social and music history, focusing on a repertory which is often overshadowed in scholarly and popular literature on Bach reception. Organized around the most productive ideas generated by Bach's keyboard works from his own day to the middle of the nineteenth century, this study shows how Bach's remarkable and long-lasting legacy took shape amid critical changes in European musical thought and practice Bach, Johann Sebastian / 1685-1750 / Criticism and interpretation Bach, Johann Sebastian / 1685-1750 / Keyboard music Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd rswk-swf Geschichte 1700-1800 Geschichte 1700-1850 gnd rswk-swf Musik Keyboard instrument music / 18th century / History and criticism Music / 18th century / History and criticism Rezeption (DE-588)4049716-1 gnd rswk-swf Klaviermusik (DE-588)4030993-9 gnd rswk-swf Bach, Johann Sebastian 1685-1750 (DE-588)11850553X p Klaviermusik (DE-588)4030993-9 s Rezeption (DE-588)4049716-1 s Geschichte 1700-1850 z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-521-65160-8 (DE-604)BV039870418 https://doi.org/10.1017/CBO9781139027908 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Dirst, Matthew ca. 20./21. Jh Engaging Bach the keyboard legacy from Marpurg to Mendelssohn Part I. The posthumous reassessment of selected works. Why the keyboard works? ; Inventing the Bach chorale ; What Mozart learned from Bach -- Part II. Divergent streams of reception in the early nineteenth century ; A bürgerlicher Bach : turn-of-the-century German advocacy ; The virtuous fugue : English reception to 1840 ; Bach for whom? Modes of interpretation and performance, 1820-1850 Bach, Johann Sebastian / 1685-1750 / Criticism and interpretation Bach, Johann Sebastian / 1685-1750 / Keyboard music Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd Musik Keyboard instrument music / 18th century / History and criticism Music / 18th century / History and criticism Rezeption (DE-588)4049716-1 gnd Klaviermusik (DE-588)4030993-9 gnd |
| subject_GND | (DE-588)11850553X (DE-588)4049716-1 (DE-588)4030993-9 |
| title | Engaging Bach the keyboard legacy from Marpurg to Mendelssohn |
| title_auth | Engaging Bach the keyboard legacy from Marpurg to Mendelssohn |
| title_exact_search | Engaging Bach the keyboard legacy from Marpurg to Mendelssohn |
| title_full | Engaging Bach the keyboard legacy from Marpurg to Mendelssohn Matthew Dirst |
| title_fullStr | Engaging Bach the keyboard legacy from Marpurg to Mendelssohn Matthew Dirst |
| title_full_unstemmed | Engaging Bach the keyboard legacy from Marpurg to Mendelssohn Matthew Dirst |
| title_short | Engaging Bach |
| title_sort | engaging bach the keyboard legacy from marpurg to mendelssohn |
| title_sub | the keyboard legacy from Marpurg to Mendelssohn |
| topic | Bach, Johann Sebastian / 1685-1750 / Criticism and interpretation Bach, Johann Sebastian / 1685-1750 / Keyboard music Bach, Johann Sebastian 1685-1750 (DE-588)11850553X gnd Musik Keyboard instrument music / 18th century / History and criticism Music / 18th century / History and criticism Rezeption (DE-588)4049716-1 gnd Klaviermusik (DE-588)4030993-9 gnd |
| topic_facet | Bach, Johann Sebastian / 1685-1750 / Criticism and interpretation Bach, Johann Sebastian / 1685-1750 / Keyboard music Bach, Johann Sebastian 1685-1750 Musik Keyboard instrument music / 18th century / History and criticism Music / 18th century / History and criticism Rezeption Klaviermusik |
| url | https://doi.org/10.1017/CBO9781139027908 |
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