Harrison Birtwistle's operas and music theatre:
David Beard presents the first definitive survey of Harrison Birtwistle's music for the opera house and theatre, from his smaller-scale works, such as Down by the Greenwood Side and Bow Down, to the full-length operas, such as Punch and Judy, The Mask of Orpheus and Gawain. Blending source stud...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2012
|
| Schriftenreihe: | Music since 1900
|
| Schlagworte: | |
| Online-Zugang: | BSB01 FUBA1 UBG01 Volltext |
| Zusammenfassung: | David Beard presents the first definitive survey of Harrison Birtwistle's music for the opera house and theatre, from his smaller-scale works, such as Down by the Greenwood Side and Bow Down, to the full-length operas, such as Punch and Judy, The Mask of Orpheus and Gawain. Blending source study with both music analysis and cultural criticism, the book focuses on the sometimes tense but always revealing relationship between abstract musical processes and the practical demands of narrative drama, while touching on theories of parody, narrative, pastoral, film, the body and community. Each stage work is considered in terms of its own specific musico-dramatic themes, revealing how compositional scheme and dramatic conception are intertwined from the earliest stages of a project's genesis. The study draws on a substantial body of previously undocumented primary sources and goes beyond previous studies of the composer's output to include works unveiled from 2000 onwards |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 Online-Ressource (xvii, 469 Seiten) |
| ISBN: | 9781139021548 |
| DOI: | 10.1017/CBO9781139021548 |
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| 520 | |a David Beard presents the first definitive survey of Harrison Birtwistle's music for the opera house and theatre, from his smaller-scale works, such as Down by the Greenwood Side and Bow Down, to the full-length operas, such as Punch and Judy, The Mask of Orpheus and Gawain. Blending source study with both music analysis and cultural criticism, the book focuses on the sometimes tense but always revealing relationship between abstract musical processes and the practical demands of narrative drama, while touching on theories of parody, narrative, pastoral, film, the body and community. Each stage work is considered in terms of its own specific musico-dramatic themes, revealing how compositional scheme and dramatic conception are intertwined from the earliest stages of a project's genesis. The study draws on a substantial body of previously undocumented primary sources and goes beyond previous studies of the composer's output to include works unveiled from 2000 onwards | ||
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Datensatz im Suchindex
| _version_ | 1804176844215287808 |
|---|---|
| any_adam_object | |
| author | Beard, David 1971- |
| author_GND | (DE-588)133050297 |
| author_facet | Beard, David 1971- |
| author_role | aut |
| author_sort | Beard, David 1971- |
| author_variant | d b db |
| building | Verbundindex |
| bvnumber | BV043921762 |
| collection | ZDB-20-CBO |
| contents | The roots of Birtwistle's theatrical expression : from pantomime to Down by the Greenwood Side -- Punch and Judy : parody, allusion and the grotesque -- The Mask of Orpheus : 'lyrical formalism', time and narrative -- Yan Tan Tethera : pastoral labyrinths and the scene-agent ratio -- The shadow of opera : dramatic narrative and musical discourse in Gawain -- 'A face like music' : shaping images into sound in The Second Mrs Kong -- Corporeal music : Bow Down, The Io Passion and The Corridor 270 Artaud's 'true' theatre -- The Last Supper and The Minotaur : eyes 'half filled and half deserted' |
| ctrlnum | (ZDB-20-CBO)CR9781139021548 (OCoLC)876234055 (DE-599)BVBBV043921762 |
| dewey-full | 782.1092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1092 |
| dewey-search | 782.1092 |
| dewey-sort | 3782.1092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139021548 |
| format | Electronic eBook |
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| id | DE-604.BV043921762 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:38Z |
| institution | BVB |
| isbn | 9781139021548 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029330844 |
| oclc_num | 876234055 |
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| physical | 1 Online-Ressource (xvii, 469 Seiten) |
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| spelling | Beard, David 1971- Verfasser (DE-588)133050297 aut Harrison Birtwistle's operas and music theatre David Beard Harrison Birtwistle's Operas & Music Theatre Cambridge Cambridge University Press 2012 1 Online-Ressource (xvii, 469 Seiten) txt rdacontent c rdamedia cr rdacarrier Music since 1900 Title from publisher's bibliographic system (viewed on 05 Oct 2015) The roots of Birtwistle's theatrical expression : from pantomime to Down by the Greenwood Side -- Punch and Judy : parody, allusion and the grotesque -- The Mask of Orpheus : 'lyrical formalism', time and narrative -- Yan Tan Tethera : pastoral labyrinths and the scene-agent ratio -- The shadow of opera : dramatic narrative and musical discourse in Gawain -- 'A face like music' : shaping images into sound in The Second Mrs Kong -- Corporeal music : Bow Down, The Io Passion and The Corridor 270 Artaud's 'true' theatre -- The Last Supper and The Minotaur : eyes 'half filled and half deserted' David Beard presents the first definitive survey of Harrison Birtwistle's music for the opera house and theatre, from his smaller-scale works, such as Down by the Greenwood Side and Bow Down, to the full-length operas, such as Punch and Judy, The Mask of Orpheus and Gawain. Blending source study with both music analysis and cultural criticism, the book focuses on the sometimes tense but always revealing relationship between abstract musical processes and the practical demands of narrative drama, while touching on theories of parody, narrative, pastoral, film, the body and community. Each stage work is considered in terms of its own specific musico-dramatic themes, revealing how compositional scheme and dramatic conception are intertwined from the earliest stages of a project's genesis. The study draws on a substantial body of previously undocumented primary sources and goes beyond previous studies of the composer's output to include works unveiled from 2000 onwards Birtwistle, Harrison / Criticism and interpretation Birtwistle, Harrison / Operas Birtwistle, Harrison 1934-2022 (DE-588)118851780 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Musikalische Form (DE-588)4040821-8 gnd rswk-swf Birtwistle, Harrison 1934-2022 (DE-588)118851780 p Oper (DE-588)4043582-9 s Musikalische Form (DE-588)4040821-8 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-521-89534-7 (DE-604)BV040101720 Erscheint auch als Druck-Ausgabe, Paperback 978-1-316-64198-9 (DE-604)BV040101720 https://doi.org/10.1017/CBO9781139021548 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Beard, David 1971- Harrison Birtwistle's operas and music theatre The roots of Birtwistle's theatrical expression : from pantomime to Down by the Greenwood Side -- Punch and Judy : parody, allusion and the grotesque -- The Mask of Orpheus : 'lyrical formalism', time and narrative -- Yan Tan Tethera : pastoral labyrinths and the scene-agent ratio -- The shadow of opera : dramatic narrative and musical discourse in Gawain -- 'A face like music' : shaping images into sound in The Second Mrs Kong -- Corporeal music : Bow Down, The Io Passion and The Corridor 270 Artaud's 'true' theatre -- The Last Supper and The Minotaur : eyes 'half filled and half deserted' Birtwistle, Harrison / Criticism and interpretation Birtwistle, Harrison / Operas Birtwistle, Harrison 1934-2022 (DE-588)118851780 gnd Oper (DE-588)4043582-9 gnd Musikalische Form (DE-588)4040821-8 gnd |
| subject_GND | (DE-588)118851780 (DE-588)4043582-9 (DE-588)4040821-8 |
| title | Harrison Birtwistle's operas and music theatre |
| title_alt | Harrison Birtwistle's Operas & Music Theatre |
| title_auth | Harrison Birtwistle's operas and music theatre |
| title_exact_search | Harrison Birtwistle's operas and music theatre |
| title_full | Harrison Birtwistle's operas and music theatre David Beard |
| title_fullStr | Harrison Birtwistle's operas and music theatre David Beard |
| title_full_unstemmed | Harrison Birtwistle's operas and music theatre David Beard |
| title_short | Harrison Birtwistle's operas and music theatre |
| title_sort | harrison birtwistle s operas and music theatre |
| topic | Birtwistle, Harrison / Criticism and interpretation Birtwistle, Harrison / Operas Birtwistle, Harrison 1934-2022 (DE-588)118851780 gnd Oper (DE-588)4043582-9 gnd Musikalische Form (DE-588)4040821-8 gnd |
| topic_facet | Birtwistle, Harrison / Criticism and interpretation Birtwistle, Harrison / Operas Birtwistle, Harrison 1934-2022 Oper Musikalische Form |
| url | https://doi.org/10.1017/CBO9781139021548 |
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