Polish music since Szymanowski:
This book looks at Polish music since 1937 and its interaction with political and cultural turmoil. In Part I musical developments are placed in the context of the socio-political upheavals of inter-war Poland, Nazi occupation, and the rise and fall of the Stalinist policy of socialist realism (1948...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2005
|
| Schriftenreihe: | Music in the twentieth century
19 |
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | This book looks at Polish music since 1937 and its interaction with political and cultural turmoil. In Part I musical developments are placed in the context of the socio-political upheavals of inter-war Poland, Nazi occupation, and the rise and fall of the Stalinist policy of socialist realism (1948–54). Part II investigates the nature of the 'thaw' between 1954 and 1959, focusing on the role of the 'Warsaw Autumn' Festival. Part III discusses how composers reacted to the onset of serialism by establishing increasingly individual voices in the 1960s. In addition to a discussion of 'sonorism' (from Penderecki to Szalonek), it considers how different generations responded to the modernist aesthetic (Bacewicz and Lutoslawski, Baird and Serocki, Górecki and Krauze). Part IV views Polish music since the 1970s, including the issue of national identity and the arrival of a talented generation and its ironic, postmodern slant on the past |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Beschreibung: | 1 online resource (xxiv, 384 pages) |
| ISBN: | 9780511482038 |
| DOI: | 10.1017/CBO9780511482038 |
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| 505 | 8 | |a The captive muse -- Facing west -- The search for individual identity -- Modernisms and national iconographies -- Postscript | |
| 520 | |a This book looks at Polish music since 1937 and its interaction with political and cultural turmoil. In Part I musical developments are placed in the context of the socio-political upheavals of inter-war Poland, Nazi occupation, and the rise and fall of the Stalinist policy of socialist realism (1948–54). Part II investigates the nature of the 'thaw' between 1954 and 1959, focusing on the role of the 'Warsaw Autumn' Festival. Part III discusses how composers reacted to the onset of serialism by establishing increasingly individual voices in the 1960s. In addition to a discussion of 'sonorism' (from Penderecki to Szalonek), it considers how different generations responded to the modernist aesthetic (Bacewicz and Lutoslawski, Baird and Serocki, Górecki and Krauze). Part IV views Polish music since the 1970s, including the issue of national identity and the arrival of a talented generation and its ironic, postmodern slant on the past | ||
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Datensatz im Suchindex
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| author | Thomas, Adrian 1947- |
| author_facet | Thomas, Adrian 1947- |
| author_role | aut |
| author_sort | Thomas, Adrian 1947- |
| author_variant | a t at |
| building | Verbundindex |
| bvnumber | BV043921554 |
| classification_rvk | LQ 86507 |
| collection | ZDB-20-CBO |
| contents | The captive muse -- Facing west -- The search for individual identity -- Modernisms and national iconographies -- Postscript |
| ctrlnum | (ZDB-20-CBO)CR9780511482038 (OCoLC)850699208 (DE-599)BVBBV043921554 |
| dewey-full | 780/.9438/0904 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780/.9438/0904 |
| dewey-search | 780/.9438/0904 |
| dewey-sort | 3780 49438 3904 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511482038 |
| era | Geschichte 1900-2000 Geschichte 1937-2000 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1937-2000 |
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| geographic | Polen Polen (DE-588)4046496-9 gnd |
| geographic_facet | Polen |
| id | DE-604.BV043921554 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:38:38Z |
| institution | BVB |
| isbn | 9780511482038 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029330637 |
| oclc_num | 850699208 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 online resource (xxiv, 384 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Music in the twentieth century |
| spelling | Thomas, Adrian 1947- Verfasser aut Polish music since Szymanowski Adrian Thomas Cambridge Cambridge University Press 2005 1 online resource (xxiv, 384 pages) txt rdacontent c rdamedia cr rdacarrier Music in the twentieth century 19 Title from publisher's bibliographic system (viewed on 05 Oct 2015) The captive muse -- Facing west -- The search for individual identity -- Modernisms and national iconographies -- Postscript This book looks at Polish music since 1937 and its interaction with political and cultural turmoil. In Part I musical developments are placed in the context of the socio-political upheavals of inter-war Poland, Nazi occupation, and the rise and fall of the Stalinist policy of socialist realism (1948–54). Part II investigates the nature of the 'thaw' between 1954 and 1959, focusing on the role of the 'Warsaw Autumn' Festival. Part III discusses how composers reacted to the onset of serialism by establishing increasingly individual voices in the 1960s. In addition to a discussion of 'sonorism' (from Penderecki to Szalonek), it considers how different generations responded to the modernist aesthetic (Bacewicz and Lutoslawski, Baird and Serocki, Górecki and Krauze). Part IV views Polish music since the 1970s, including the issue of national identity and the arrival of a talented generation and its ironic, postmodern slant on the past Geschichte 1900-2000 Geschichte 1937-2000 gnd rswk-swf Musik Music / Poland / 20th century / History and criticism Musik (DE-588)4040802-4 gnd rswk-swf Polen Polen (DE-588)4046496-9 gnd rswk-swf Polen (DE-588)4046496-9 g Musik (DE-588)4040802-4 s Geschichte 1937-2000 z 1\p DE-604 Erscheint auch als Druckausgabe 978-0-521-05472-0 Erscheint auch als Druckausgabe 978-0-521-58284-1 https://doi.org/10.1017/CBO9780511482038 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Thomas, Adrian 1947- Polish music since Szymanowski The captive muse -- Facing west -- The search for individual identity -- Modernisms and national iconographies -- Postscript Musik Music / Poland / 20th century / History and criticism Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4046496-9 |
| title | Polish music since Szymanowski |
| title_auth | Polish music since Szymanowski |
| title_exact_search | Polish music since Szymanowski |
| title_full | Polish music since Szymanowski Adrian Thomas |
| title_fullStr | Polish music since Szymanowski Adrian Thomas |
| title_full_unstemmed | Polish music since Szymanowski Adrian Thomas |
| title_short | Polish music since Szymanowski |
| title_sort | polish music since szymanowski |
| topic | Musik Music / Poland / 20th century / History and criticism Musik (DE-588)4040802-4 gnd |
| topic_facet | Musik Music / Poland / 20th century / History and criticism Polen |
| url | https://doi.org/10.1017/CBO9780511482038 |
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